Tag Archives: Anders Roslund

criminal conversations

A new website, The Crime House, offers English-language readers a peek into Scandinavian and international crime. In its “about” section it describes itself as “a spinoff to the Swedish website Deckarhuset.se.” Fair warning: this site may induce longing for books that are not yet in English translation.

There’s a thoughtful review and interesting discussion at Open Letters Monthly, where Rohan Maitzen examines her not-impressed reaction to Henning Mankell’s Faceless Killers. She argues that genre writers shouldn’t be let off the hook if their prose is clunky. I agree – I think, though I might not agree on how to define “good prose” in genre fiction, which is often good because it fades away and lets the characters and plot take center stage. (I was caught short when she called Ian Rankin’s last three novels are “‘condition of England’ novels” given they are not set in England, but I see that she is referring to a type of 19th century social novel.) As a reader I am not personally a huge fan of the Wallander series, but I wouldn’t hold up P.D. James and Elizabeth George as better examples of the genre if only because I find James a bit reactionary and Victorian in her attitudes and George as long-winded and completely inauthentic. Rankin – yes, I think he offers an apt comparison and is a writer I enjoy reading more than Mankell, probably because of his prose style and the glints of humor.

Heads up: This new book, part of a European Crime Fictions series, is now available. I happen to have a copy and plan to review it here before long. As an aside, I think the press release deserves a “bad pun” award. Here’s a bit of description:

Focusing on Scandinavian crime fiction’s snowballing prominence since the 1990s, articles home in on the transformation of the genre’s social criticism, study the significance of cultural and geographical place in the tradition, and analyze the cultural politics of crime fiction, including struggles over gender equity, sexuality, ethnicity, history, and the fate of the welfare state. The text maps out the contribution of Scandinavian crime writers to contemporary European culture and society, making the volume valuable to scholars and the interested public.

Kerrie reviews Ake Edwardson’s Frozen Tracks from her perch in paradise, a complex double-barreled serial killer investigation that doesn’t quite come together in the end. Being the busy reviewer she is, she also gives her take on Roslund and Hellstrom’s Three Seconds and, like me, found the beginning a bit difficult to get into but the second half gripping. Final verdict: clever, authentic, and credible.

She also reviews Arnaldur Indridason’s 1999 stand-alone thriller, Operation Napoleon. Not as good as the Erlendur series and a bit old-fashioned, but with a strong female lead and interesting commentary on the US military presence in Iceland.

Speaking of Iceland, Yrsa Sigurdardottir will be the guest at the next Nordic Noir Book Club event, March 17th. She is utterly charming, so it’s not to be missed. Unless, like me, you’re not going to be in London that day. Bummer.

At International Noir, Glenn Harper reviews The Inspector and Silence, another recommended novel in Hakan Nesser’s offbeat and accomplished Van Veeteren series.

Ignacio Escribano reviews Liza Marklund’s Red Wolf, finding the plot hard to swallow and the heroine’s personal life hard to take.

And for this post’s final note, Eva Gabrielsson has written a book and wants to finish another one. Slate offers a review of her memoir which will be published in English translation by Seven Stories in June with the title “There Are Things I Want You to Know” about Stieg Larsson and Me. I will reserve judgment for now about how much I actually want to know. If anything.

Leopards and Seconds and Danes, Oh My!

Time for another round of catch-up.

At Euro Crime, Karen Meek reviews Jo Nesbo’s The Leopard, which she found absorbing, thrilling, and full of twists and turns. Meanwhile, Peter provides an update on Nesbo’s writing and film projects at the Nordic Book Blog.

Also at Euro Crime, Maxine Clarke reviews Arnaldur Indridason’s standalone thriller, Operation Napoleon. She reports it’s a fast-paced adventure yarn that contrasts the reliance on technology of (mostly villainous) Americans at a base in Iceland and Icelanders who are more reliant on their wits and understanding of a challenging landscape.

Declan Burke reviews Anne Holt’s 1222, finding it rather derivative, but with vivid weather and surprising staying power.

Glenn Harper reviews Three Seconds by Anders Roslund and Borge Hellstrom at his International Noir Fiction blog. As usual, it is a thoughtful, intelligent, and detailed review of the sort you rarely find in print these days. The sort version: it’s a very good book, well worth reading.

Peter also reviews the thriller at the Nordic Bookblog. He concludes:

And as very good books do – along the way it raises some pertinent, important and exceedingly difficult questions in a painful way, by shining that brilliant light which art can shine on some quite unsettling facts we all know but prefer to not think too much about. This is a serious, one-of-a-kind crime fiction novel. Three Seconds is one of the best crime five fiction books in English in 2011. You can take my word for it: It is stunning.

And so as not to be left out, I review the book, as well, at Reviewing the Evidence. (Though I am a bit out of sync as I found Box 21 more involving.)

Incidentally, Three Seconds has spent four weeks on the New York Times hardcover fiction bestseller list, currently taking the 15th spot. Stieg Larsson’s Girl Who Kicked the Hornet’s Nest has been on the list for 36 weeks, currently at number two. (The first two volumes of the trilogy are on the paperback list.)

Also at Reviewing the Evidence, Susy Puggioli reviews Karin Fossum’s Bad Intentions, which she describes as “a study of guilt, guilt and compassion.”

Laura Wilson reviews Jo Nesbo’s The Leopard at The Guardian and admires the pacing and plotting but recommends suspending disbelief to enjoy the ride.

Paul Binding at The Independent also reviews the book, praising its intricacy and fast pace, but finds the events a bit too thrillerish, arguing that Nesbo really doesn’t need to resort to crowd-pleasing antics. He writes

Nesbø’s imaginative preoccupation with division, above all in the individual, makes him a distinctively Norwegian writer. His mentors – Ibsen, Hamsun – have magisterially contrasted the wild with the harmonious, the lover or explorer with the conscientious citizen, the stern moralist with the easy-going hedonist. This distinguishes him from the Swedes Mankell and Larsson, to whom he is so often compared.

A reviewer for the Irish Independent reports “Nesbo writes smart blockbuster fiction but with a melancholy and intelligent edge.”

Popular blogger Dorte Hummelshoj Jakobsen, whose new e-book of humorous flash fiction, Candied Crime, has just been released, is getting some local press coverage (in Danish). She may release a somewhat darker second volume – if we’re lucky. (Just don’t make the mistake of calling her Dørte. That’s for Clint Eastwood.)

There’s a new website on the block – Scandinoir - that describes itself as

the site dedicated to Scandinavian crime novels, where all those who love reading thriller books will find useful information and interesting news from the amazing world of Scandinavian detective novels. On our site you will find continuous updates on the latest news from the exciting world of Scandinavian crime novels. In the “news” section you will find information about the latest published or translated books, the last award-winning writers and so on.

It’s a multi-lingual site so in some cases includes materials not normally found in places like . . . uh, this blog, which is less well-versed in languages other than English.

Zach O’Yeah, India-based Swedish author of Once Upon a Time in Scandinavistan, gives his list of favorite crime novelists – both world-wide and Scandinavian – at the Tender Leaves blog. (I must say, I wouldn’t peg Zach O’Yeah as a Swedish name.)

There’s a lengthy article about Stieg Larsson the journalist and chronicler of the Swedish right wing in The Walrus, a Canadian magazine. Paul Wilson visits Stockholm to see the Expo offices where Larsson worked and compares the laws relating to journalism in Sweden and Canada. Sweden, it seems, has a long tradition of protecting journalists and their sources – dating back to 1766.

According to the Nordic Noir Book Club blog, Gunnar Staalesen will be in London on March 3rd, appearing at the Willesden Green public library, which is also holding a writing competition to determine who might be the next Mankell or Larsson, all part of their Scandinavian Camilla Ceder has written the opening lines for the story. The blog also gives a bit of a preview to an English translation of Danish author, Jussi Adler-Olsen, whose Department Q series is massively popular in Denmark but also in Germany, where his books have held the top three spots on the bestseller list for weeks. His first book in English translation should appear in the UK this coming May.

Becky Toyne of Open Book Ontario describes the way that the popularity of the Millennium Trilogy has led to a “crossover” effect – people who don’t usually read crime discovering not just Larsson but Mankell and others. She quips that she almost expects local Canadian authors to be listed in catalogs as “Linwöød Bårclay and Giles Blönt.”

 

Three Seconds, many reviews

Three Seconds, Roslund & Hellstrom’s gritty thriller (with a slow fuse), is getting a lot of attention as it is released in the U.S. A sampler:

The Booklover loves it – though if you haven’t read it yet, the review has a bit of a spoiler (though to be honest, so does the cover description on the book).

USA Today deems it “as good if not better than Larsson’ and concludes “gun play, explosions, betrayals and the ingenious ways drugs and weapons are smuggled into prisons give this novel, Roslund & Hellström’s fifth, an eau de testosterone level that’s through the roof.” Sounds terribly Hollywood in their description.

Janet Maslin of the New York Times is uncharacteristically snarky, writing that the authors “know how to deliver the kind of stilted, world-weary verbosity that somehow quickens the pulses of this genre’s readers. Even better, they are on a first-name basis with the Seven Dwarfs of Scandinavian Noir: Guilty, Moody, Broody, Mopey, Kinky, Dreary and Anything-but-Bashful.” She admires the “devilishness” of drug-smuggling plot details, but dislikes “the tiresome, vaguely flawed character development that comes with them.”

Marilyn Stasio, crime reviewer for the Sunday New York Times Book Review, is not so dismissive, though doesn’t really say whether she thinks the book was good or not.

ABC News pronounces it “highly entertaining.’

IUBookGirl thinks that Three Seconds starts off as slowly, as did the Girl Who Keeps Being Mentioned, but just as she was wondering whether to carry on, it  kicks in with a vengeance. “Three Seconds has a smart, intricate, well-written plot that I think any thriller or crime novel fan will enjoy.”

JC Patterson, book reviewer for the Madison County, Mississippi, Herald also gives it two thumbs up. He writes, “the second half of Three Seconds is psychological suspense on a grand scale.”  T. S. O’Rourke says the same thing. Literally. Word for word. I’m confused: which of these two writers said them first?  They were both posted on January 6th. Who done it?

Publisher’s Weekly interviews the two authors, who won’t say who does what in their collaboration.

In other news  …

There’s a new website on the block, scandinaviancrimefiction.com – “your literary portal into northern deviance.” So far there is information on 15 Swedish and Norwegian authors, plus links to articles on the Nordic crime wave. There will be more to come, it seems.

Australia and New Zealand are the market for the first English translations of Danish crime fiction author Elsebeth Engholm. I wonder if the UK and US will catch up? Everyone else seems to be publishing them [pout].

Kimbofo reviews Arnaldur Indridason’s Hypothermia and says something I thought when I read the book, but couldn’t put nearly so well:

…what made this book truly work for me was the way in which Indriðason makes you genuinely feel for the victims and the parents of the missing. How he achieves this is a kind of magic, because his writing style is so understated and sparse it seems devoid of emotion. And yet, by the time you reach the last page, it’s hard not to feel a lump forming in your throat…

Kerrie reviews Sjowall and Wahloo’s The Man Who Went Up in Smoke and gives it high marks.

Lizzy Siddal, inspired by the BBC Nordic Noir documentary, reports on her reading of Mankell and Nesser, and finds Nesser’s Woman With Birthmark more enjoyable than The Pyramid (partly because she finds Wallander annoying). She’s currently reading Staalesen, so we can hope for a “part two” post.

God, Sweden sounds gruesome,” writes David Blackburn in the Spectator’s Book Blog, where he reviews the forthcoming and final volume of the Kurt Wallander series, The Troubled Man. He thinks highly of Mankell as a writer:

Mankell’s stylistic poise survives translation. His prose’s quiet brilliance is reminiscent of Coetzee’s easy precision; and there is something persuasive and seductive about both at their best. The plots aren’t too shoddy either. The descriptive passages and attentive structure provide long hits of suspense for those who won’t follow Mankell into demanding territory. Anything Steig could do; Mankell can still do better.

Martin Edwards isn’t sure he likes the Rolf Lassgard version of Kurt Wallander being broadcast on BBC, but enjoyed the episode, “The Man Who Smiled.”

Peter Rozovsky asks about Sjowall and Wahloo’s habit of featuring protagonists other than Martin Beck, and sets off an interesting conversation (as always).

Hat tip to Nordic Noir (online home for the Nordic Noir book club is organized by staff in the Department of Scandinavian Studies at University College London) for this interview in the Scotsman of Gunnar Staalesen, which I had missed. He says, of his hero, Varg Veum, “Varg is my take on Chandler’s Philip Marlowe, Ross Macdonald’s Lew Archer and Dashiell Hammett’s Sam Spade, the holy trinity of American crime writers, who have really inspired me, particularly Chandler, whose writing I admire very much.” The character ages in real time, so he is nearing retirement of the permanent sort. Staalesen discusses the direction his possible demise might take and how it might lead to a fork in the series’ road.

And finally …

Lucky Londoners! Hakkan Nesser will be speaking at “Shadows in the Snow,” part of the Nordic Noir book club’s series of events. Mark your calenders for February 3rd, 6:30-9:00 if you are fortunate enough to attend.

so many books…

Norm (aka Uriah) reviews Red Wolf by Liza Marklund, a follow-up to The Bomber that has finally been translated. He thinks, like Maxine, that if anyone deserves the “next” nod following the Larsson success, it’s Marklund.

Norm also turns to the Martin Beck series for a pick-me-up and describes the pleasure of reading Murder at the Savoy. A quote he provides to illustrate the rule that one needs a good plot, a solid cast, and descriptions of food is making me very hungry.

Glenn Harper reviews Camilla Lackberg’s The Stonecutter and concludes that, though she is not his favorite Swedish writer, it’s well constructed, with a nice contrast between the “cozy” setting and the dark storyline.

Jose Ignacio wonders which of his Scandinavian crime fiction books to read next. The general consensus seems to be “read them all.”

Maxine reviews Harri Nykanen’s Raid and the Blackest Sheep which is now available in the UK as a Kindle e-book. She enjoyed it very much, particularly the police side of the story, though Raid is a trifle superhuman (yet still likeable).

Bev Vincent reviews the extra volume tucked into the Millennium Trilogy boxed set coming out from Knopf in time for Christmas, which appears to have some interesting material from his publisher, an editor (including e-mail exchanges between Larsson and her), and a friend and co-worker who knew him well. Only 96 pages, but worth a read. Apparently Larsson took well to being edited, only insisting on keeping the original title for the first volume, Men Who Hate Women.

In an interview with the director of the Swedish films of the trilogy, Niels Arden Oplev discusses the appeal of Lisbeth Salander.

When we screened it for the first time, during the scene where Lisbeth gets raped, you could hear a pin drop in the theater. Then when she goes and rapes him back, I swear to God it was like being in the stadium when Denmark scored in the World Cup. I didn’t know that many women could whistle like that. It was a war cry.

Mary Bor, one of the Curious Book Fans, raves about Three Seconds by Anders Roslund and Borge Hellstrom, writing “neither fine writing nor solid characterisation have been sacrificed to make room for hard-hitting authenticity. The action is at times painful but always compelling; the sense of drama is superb.”

Maxine Clarke enjoyed K.O. Dahl’s The Man in the Window, which like many Norwegian novels revisits Norway’s past under German occupation. She gives the translator, Don Bartlett, high marks, too.

Translator K. E. Semmel interviews Ake Edwardson for “Art and Literature,” a blog associated with Raleigh’s Metro Magazine. It’s a good interview, which includes this:

You know, there is not any genre but crime fiction where anybody anywhere can stand up and generalize and say anything, “crime fiction is this, crime fiction is that”… Everything put into the same mass grave. A lack of nuanced perspective.

Having said that, I do believe there are a lot of bad and cynical crime writers out there who are only in it for the money. To hell with them. I have written 20 books of fiction, roughly half of them crime novels, and I will say that writing a good crime novel is about the hardest thing. It’s not in the first place the plot, though a crime novel is about the last epic still standing in contemporary fiction. No, the challenge is about the attitude of the writer: Why am I writing this, why am I writing about crime, how am I writing? You know, if the writer doesn’t put in a sound of empathy and humanism in the story, then it will only become cynical and cold entertainment . . . the simple way of the absolute and excessive evil, where the writer doesn’t take any responsibility for the writing . . . I have spent all my writing years contemplating evil, and one thing I do know is that it isn’t something in its own, like a “thing.” It is very complex behavior, and it always has to do with humans, with people. Nuances. The overall “truth” of my crime novels is that you can never escape the shadows of your past; they will track you down wherever you hide. And it’s all about human behavior.

Right now there is a kind of Klondyke-like flood of crime writing and novels around, especially from Scandinavia, and I can only hope that readers will find the good stuff and that the bad stuff will fall to the ground and turn to dust and blow away in the wind.

more reviews, an interview, an interesting article, and a very busy Norm

At Reviewing the Evidence, Yvonne Klein reviews an early stand-alone thriller by Arnaldur Indridason, Operation Napoleon, just published in Canada. Though she misses Erlendur, his gloomy series hero, she finds it a decent thriller with a rewarding sense of place.

In the same issue of RTE, Larissa Kyzer reviews Ake Edwardson’s The Shadow Woman, an early entry in the Erik Winter series which she feels is not as accomplished as his later work.

Keishon reviews one of my very favorite books, Silence of the Grave by Arnaldur Indridason.  She likes it, too.

Beth reviews Henning Mankell’s The Pyramid and is impressed by the five stories that reveal Wallender’s past.

Maxine Clarke, reviewing Red Wolf by Liza Marklund at Euro Crime, finds that the long wait since we’ve had a new translation in this series has appeared has been worth it. She concludes, “I found the novel a completely absorbing read and continue to regard this series as second to none in contemporary crime writing. Annika is both a serious-minded, determined protagonist, and a brave heroine for our strange, mixed-up times.” Add another “cracking read” to the to-be-read pile!

PBS, which has been running the BBC version of Wallander in the US, has an interview with UC Berkeley professor Linda Rugg on the Scandinavian crime fiction phenomenon. She has interesting things to say about the critical role the arts play in Scandinavia’s social project to create an ideal society.

Norm, a.k.a. Uriah, finds there are three top contenders for the Swedish writer(s) of the decade based on what awards they’ve gathered. He also is sharing his thoughts as he reads Leif G. W. Persson’s long novel with a long title. He reveals who is up for the top honors among Swedish crime novels this year. And, (does he ever sleep? has he an army of Norms fanning out to investigate all things mysterious?) he reviews Rosland and Helstrom’s Three Seconds, making it compete for a slot on my TBR pile.

Finally,Joe Martin has a long and intriguing essay on the Millennium Trilogy at his blog, Peace and Pieces. A brief excerpt:

These novels strike me as being of the most serious intent: they are neither pure entertainment, nor exploitation books. Larson managed, with increasing success in these books, to become something of a real stylist, and poses a lot of provocative puzzles and paradoxes about life in these, our times. The attitudes toward women are a barometer of our progress or lack thereof.

Yet, in addition, the truth belongs to those, according to Carl Jung who can look at the shadow side. If one critic here commented that the Swedes in their apparent social paradise “Look a lot more like us” in these books – it’s not that we aren’t a society more beset by violence and hatreds than Sweden. Almost any objective sociologist would say we are. Yet the fact that these phenomena exist everywhere, and seize control of our behavior, our politics and our sense of “right conduct” in business and politics is something that cannot be denied.

reviews, recipes, and tours

After being too busy at work to post, I have lots of links backed up to share …

Barry Forshaw reviews Jo Nesbo’s The Snowman for The Independent and calls it his most ambitious book.

What sort of issues do you expect your crime fiction to cover? If you feel that personal responsibility, cracks in the welfare state and the problems of parenthood are fair game for the crime novel, then Jo Nesbø is your man. All of these (and many more) are crammed into his weighty latest book, The Snowman.

If, however, your taste is for tough and gritty narratives with a relentlessly page-turning quality, well… Jo Nesbø is still your man. That he is able to combine the urgency of the best storytellers with a keen and intelligent engagement with social issues may well be the reason why Nesbø is shaping up to be the next big name in Scandinavian crime fiction, now that Mankell is on the point of retiring Kurt Wallander and Stieg Larsson is hors de combat.

NancyO, who blogs at The Year in Books, Reviews Box 21 and finds it a great read, but nothing like Larsson’s Millennium Trilogy (as it is being marketed in the US) – rather it’s “a dark book all the way through to the last page, which actually made my blood run cold. There are no feel-good or warm fuzzy moments here, no happy endings, and you will definitely have food for thought after you’ve finished.”

The Globe and Mail has a review of Henning Mankell’s Man from Beijing. The crimes that open the book turn out to be less important to the story than “the history of Chinese enslavement in America, the course of communism in China and, in the grand scheme of things, the relationship between East and West. And in those terms, it’s a great read.”

Mack captures Camilla Lackberg’s Ice Princess and pronounces it gripping and written in a style that he enjoys.

Peter reviews Liza Marklund’s Paradise and recommends it highly. He also finds The Stonecutter by Camilla Lackberg very entertaining. And at another blog (Peter gets around) he also has some words of praise for Kirsten Ekman’s Blackwater.

Camilla Lackberg names her five favorite mysteries by Scandinavian writers.

Norman (aka Uriah) is intrigued by the regional accents that define differences in Scandinavian mysteries. He also has a handy list of Harry Hole videos.  And announces an award for The Leopard which, one hopes, will be translated into English eventually.

Cathy of Kittling Books is underwhelmed by Yrsa Sigurdardottir’s Last Rituals but likes the lead character.

Skye isn’t reading much lately, but she enjoyed the Branagh version of Wallander is looking forward (a bit nervously) to the film version of The Girl With the Dragon Tattoo. She writes of the BBC series

…the three mysteries that make up the mini-series all take place around midsummer, so instead of suffering from a lack of light like so much Swedish crime fiction, they suffer from an, assumedly, intentional overabundance. The films seems hyper-saturated with light, and the irony, that even at the height of midsummer with light radiating from every crack, crime still abounds, is not lost.

Nicholas Wroe profiles Henning Mankell in The Guardian.

WETA has an interview with him.

J. Sydney Jones interviews Norwegian author K. O. Dahl at the “Scene of the Crime.”

At Euro Crime, Maxine reviews Lackberg’s The Stonecutter;  she also reviews Sjowall and Wahloo’s The Locked Room, and Michelle Peckham reviews Mankell’s The Man Who Smiled.

As she nears the end of the “alphabet of crime fiction,” Maxine discusses James Thompson’s Snow Angels finding things to like, but a denouement that didn’t hold up.

The Hypercrime blog rounds up several stories about Scandinavian crime fiction.

Ian MacDougal writes a lengthy review and analysis of the Millennium Trilogy for n+1, “The Man Who Blew Up the Welfare State,” (prompting the FriendFeed room to wonder when the fascination with Larsson will blow over). He writes that the trilogy has two themes: “the failure of the welfare state to do right by its people and the failure of men to do right by women.” And he tackles them with a kind of optimistic idealism.

The typical Swedish detective solves the crime but leaves intact what facilitates it—the broken institutions of the welfare state. The castle in the air, the delusion of a perfect progressive utopia, persists after the case is closed. For Larsson the story’s not over until the state’s blown up, if only in the reader’s mind.

Although there is an obvious analogy to recent American forays into the crime genre, like the HBO series The Wire, this only points to what sets Larsson apart—a particularly Scandinavian optimism that insists it’s never too late to effect real change. Larsson, unlike David Simon, doesn’t see institutional dysfunction as a tragic wheel driven around by some essential human flaw. Larsson the idealist believes that an opposing force, if applied strongly enough, can slow that wheel, if not bring it to a grinding halt.

The Milwaukee Journal Sentinel suggests some enticing recipes to go with Scandinavian crime fiction, in which too many of its heroes live on a diet of pizza.

The Times takes a Larssonized view of Stockholm. A Swedish website offers a crime-flavored tour of Sweden. And this link dates back to the blizzards that have long since melted away. A writer for the Washington Post took the Millennium Trilogy tour of Stockholm, had to buy boots for a bit of snow. Then returned home to a blizzard.

delayed gratification

Maxine reviews The Vault (which is called Box 21 in Sweden and the US)  by Anders Roslund and Börge Hellström and says it’s brutal and very good.  (I liked it very much, too.) She says it is -

a compelling, fast-paced and fresh take on those well-worn staples of crime-fiction: the hostage drama and sex-trafficking. It is also a police procedural, told with relentless cynicism . . . The final pages of the novel leave the reader in no doubt as to the extent of the evil ramifications that can occur when people who should know better take matters into their own hands for their own reasons – but who cannot know the full story or understand (because of their personal involvements and weaknesses) the entire picture.

I thought it odd that no translator was named; Maxine wonders if perhaps the authors themselves translated it. Whoever it is – tack så mycket.

Peter’s Nordic Bookblog reports on Mankell’s new thriller, The Man from Beijing, which he says “shows Henning Mankell at the height of his powers, handling a broad historical canvas and pressing international issues with his exceptional gifts for insight and chilling suspense.” Lucky Peter was able to read it in the original while we wait for the translation.

Speaking of waiting – according to this morning’s Shelf Awareness , the top selling book at AbeBooks last month was The Girl Who Kicked the Hornet’s Nest. Given this bookseller’s marketplace is international, it’s quite possible the majority of those sales went to UK buyers. But it just underscores for me the nonsense of territorial rights in a world where reading knows no borders, and neither does shopping. (Incidentally, I notice there’s a copy signed by the translator going for $295. Wowsers.)