Tag Archives: Exposed

Five Books, Two Interviews, and Several Reviews

Photo courtesy of teosaurio.

At The Rap Sheet, Ali Karim interviews. Barry Forshaw about his guide to Scandinavian crime and asks him to recommend five books for the busy reader who wants to know what all the fuss is about. Jose Ignacio gathers alternative suggestions at The Game’s Afoot. Having given it a bit of thought, here is my list of five:

  • Anne Holt – 1222, because it’s fun and interesting and a bit outrageous. Also, very cold.
  • Liza Marklund – The Bomber, because this series offers a good example of the journalist as detective (though not sure this is the best of her books to read, as I’ve not read them all yet; maybe the newly translated Studio Sex, now known as Exposed would be a better choice).
  • Helene Tursten – The Torso, because it’s one of an excellent series of procedural mysteries and has a nifty cultural comparison of Sweden and Denmark.
  • Yrsa Sigurdardottir – Last Rituals, to demonstrate that Nordic writers can be gently funny and because of the Icelandic landscape.
  • Lene Kaaberbol and Agnete Friis – The Boy in the Suitcase, which is narratively complex and socially aware, while also a fast-paced thriller about contemporary Denmark.

I could just as easily come up with five more lists of five! But I’ve been thinking about  women writers in particularly because I’m working on an event showcasing women crime writers from Scandinavia to be held in Minnesota next September if everything comes together.  Wish me luck!

Other commentaries on Forshaw’s Death in a Cold Climate can be found at Maxine Clarke’s Petrona and Martin Edwards’ Do You Write Under Your Own Name?

And Norm at Crime Scraps offers his list (now, with women!)

Catching up on reviews that have appeared in recent weeks . . .

Karen Meek of Euro Crime fame reviews Dregs by Jørn Lier Horst, giving it high marks (as has every reviewer I am aware of): “a very well thought-out plot, which keeps the reader and police baffled until the very end. The widowed Wisting is a steady, thoughtful detective with a wry outlook on life” – and she hopes there will be more in the series translated into English.

Karen also reviews The Phantom at the Euro Crime blog. I’m pleased to learn that it’s more like his earlier books than like The Snowman or The Leopard.

KiwiCraig also reviews The Phantom at Crime Watch, finding it “mesmerizing … Gripping, fascinating, highly recommended.”

And Sarah at Crimepieces rounds out the reviews with another thumbs up. The theme of the book, she writes, is the damage drugs can do, and the story pulls together many of the series’ threads.

At the Euro Crime blog, Karen notes a collection of Stieg Larsson’s journalism has been published in a volume titled The Expo Files.

At Euro Crime, Maxine reviews the latest Mari Jungstedt mystery, Dark Angel, which is a strong entry int he series, though with a somewhat wobbly ending.

At Reviewing the Evidence, Yvonne Klein finds Irene Huss a detective worth watching as she appears belatedly in the second of her series by Helene Turnsten. Night Rounds involves a ghost, a mysterious disease, and uncertainty about which victim was the murderer’s main attraction. Yvonne thinks the English translation is serviceable but thinks the series would have been better served if there wasn’t a different translator for each volume.

Norm reviews the new translation of Liza Marklund’s Exposed (formerly known as Studio 69 in the UK and Studio Sex in the US; he hopes this new version captures new readers for a series he considers a “must read.”

Per Wahlöö’s non-Martin Beck mysteries are not terribly well known; catch up by reading reviews of two of these political dystopias, Murder on the Thirty-First Floor and  The Steel Spring at To Be Read. Quite honestly, it sounds as if his writing is improved when liberally mixed with equal parts Sjöwall. There is an informative biographical sketch of the author, drawing parallels with Stieg Larsson (including, sadly, his untimely death) at The Independent.

Glenn Harper reviews Nights of Awe, the first in a new series by Harri Nykänen, featuring a Jewish detective, Ariel Kafka, working in Helsinki on a politically sensitive murder case, finding in it the same wry humor as in the Raid series. RebeccaK at the Ms. Wordopolis Reads blog, also recommends the book, though thinks Kafka has some irritating sexist habits; otherwise he is an interesting character in a story that sheds light on Finland and its relationship to Israeli/Palestinian affairs.

NancyO reviews The Torso by Helene Tursten, which she feels is the best of the series so far. She also reviews Tursten’s The Glass Devil. I heartily concur with her instructions to Soho, Tursten’s US publisher, when it comes to the yet untranslated entries in the series: nod nod, wink wink.

Jose Ignacio offers a bilingual review of the Spanish translation of Asa Larsson’s The Blood Spilt (apa The Savage Altar), which has elements like the first in the series, but is in the end quite different, and very good.

Bernard Carpenter of The New Zealand Listener has short reviews of several mysteries, including Mons Kallentoft’s Midwinter Sacrifice and the new translation of Liza Marklund’s The Bomber.

Beth at Murder by Type reviews Kristina Ohlsson’s Unwanted, which she finds a strong debut in a series worth watching. She also has high praise for Helsinki White, Jim Thompson’s third entry in the Kari Vaara series.

At Book Geeks, Mike Stafford has a thoughtful and appreciative review of Leif G. W. Persson’s Between Summer’s Longing and Winter’s End, warning readers it’s not an easy book to read, but ultimately is an impressive work. “While it places colossal demands on the reader,” he writes, “this is a book breathtaking in scope and majestic in execution.”  He concludes that it’s a trilogy that could rival Stieg Larsson’s – though I wonder if it might be better compared with the television series The Wire, with it’s broad canvas, vast cast of characters, and which could also be considered a complex “story of a crime” writ large.

And now, for a couple of interviews:

First, one with Denise Mina, who is working on a comic book adaptation of the Millennium Trilogy, which I must say was an awesomely smart decision.

Second, an interview with Jo Nesbo conducted by Craig Sisterson (aka KiwiCraig) published in a major magazine, New Zealand Listener. No surprise that it’s up to Craig’s usual high standard.

reviews and more

The New York Daily News has some travel advice for those who want to follow the footsteps of Swedish sleuths. If you are truly obsessive, you may even reserve Wallander’s table at his favorite restaurant.

The Australian Courier-Mail has an interview with Asa Larsson and manages to work Stieg Larsson into the title.

Ali Karim, the consummate fan, has an appreciation of Arnaldur Indridason at Shots Magazine, marking his appearance (again) at the Frankfurt Book Fair, where his books originally found their international audience with Jar City.

I reviewed Jussi Adler-Olsen’s The Keeper of Lost Causes (also known as Mercy) for Mystery Scene magazine. (Shortcut: I liked it quite a lot.) For an alternative view, see what Glenn Harper has to say – he feels it’s not a bad book, just a bit flat and lacking in nuance. At Reviewing the Evidence, Yvonne Klein didn’t care for all of the ingredients, but liked the results very much. And Bernadette has some insightful things to say – including the way the role of humor in the book, in spite of some horrific goings-on, sets it apart, as does the way that a tired fem-jep trope is given fresh life by creating a woman who is extraordinarily tough and resourceful.

More recently, Glenn has reviewed Outrage by Arnaldur Indridason, in which Elinborg takes the lead. He writes that she is “fully the equal of other female detectives in Scandinavian fiction.”

While dallying in the north, Glenn also reviews Jorn Lier Horst’s Dregs, which he declares “a first-class police procedural” with an interesting protagonist. Though it’s actually the sixth in the series (and first to be translated into English) he finds the author did a good job of filling the reader in sufficiently to make it a good place to start.

(For more on this author, who is himself a policeman, check out an interview published at Cyprus Wells.)

And Glenn also reviews Stefan Teganfalk’s novel Anger Mode, which he likens to Jussi Adler-Olsen and Leif G.W. Persson. The author’s strength is plotting, but the dialogue, Glenn feels, can be on the wooden side, making the book longer than it needs to be.

Keishon reviews Arnaldur Indridason’s Voices, which she finds sad and realistic – a good review that captures the mood of the book well.

Maxine Clarke reviews Midwinter Sacrifice by Mons Kallentoft for Euro Crime, finding it a good if over-hyped portrait of small town life, its limitations thrown into relief by a murder. She thinks the main character has potential and gives the translator, Neil Smith, high marks, particularly for the sections of the book that are told from the victim’s perspective.

She also points out that if you follow people on Twitter, you might want to follow @SwedishNoir.  Thanks, Maxine!

Margot Kinberg puts Detective Inspector Irene Huss in the spotlight, particularly looking at the way that author Helene Tursten weaves together the personal and professional in this character. (I do like this series, and having a lead character who is so balanced and pleasant to be around is part of it.)

The Independent has reviews of Camilla Lackberg’s The Hidden Child and Asa Larsson’s Until Thy Wrath Be Past. Both involve crimes of Sweden’s past and both are recommended.

In the Irish Times, Declan Burke reviews Liza Marklund’s Exposed, which is apparently the first in the Annika Bengtzon series, summing up: “concise, pacy and direct, eschewing any literary pretensions to language or characterisation in favour of a hard-hitting polemic on the topic of domestic violence, in which the personal is very much the political.”

The Globe and Mail reviews Jo Nesbo’s The Headhunters, mincing no words: “If you thought Scandinavian crime fiction couldn’t get better than Steig Larson and Henning Mankell, you’re wrong.. Norway’s Jo Nesbo is better than either and this book is far and away his finest.”  Paired with this review is one of Karin Fossum’s The Caller, giving her points for psychological suspense and her ability to find ” violence in the everyday,” which I think is Fossum in a nutshell.

At Petrona, Maxine also reviews Headhunters, calling it “a dazzling, relentlessly paced thriller, combining classic noir elements with Nesbø’s trademark intricate plotting that constantly challenges the reader’s wits and attention span. What a refreshing read!”

Mrs. Peabody investigates a couple of Scandinavian television crime dramas coming to BBC in 2012. (Oh dear, another brilliant and maverick profiler mourning the death of his wife and child . . .) More at the BBC site.

Fox is developing Leif G. W. Persson’s series into a television drama series with the director of Syriana and Traffic (the US version) directing. This plus more on Fincher’s Girl, a von Trier adaptation of Jussi Adler-Olsen’s Department Q series, an American Jar City, and a confused reference to who will play the detective in Mankell’s novel Italian Shoes being made into a film – sorry, folks, but it’s not about Wallander; it’s not even crime fiction.  Another article in Word and Film reports that Jo Nesbo’s Headhunters is being made into a film, then speculates about which part of the world will be the next hot destination when we’re tired of Scandinavia.

And while we’re on the subject of reinterpretations, here’s news that DC Comics has acquired the rights to turn the Millennium Trilogy into six graphic novels. I have to say – strange though it may sound – I think this is great. Maybe it’s because I grew up with Classics Comics or maybe because Larsson was such a fan of pop culture himself, but I quite like this idea. I’d rather they be Swedish, and not by a mega-company, but these seem to me books that will work well in graphic format.

Finally, let’s let the New Yorker have the last word . . .

Lotsa Links

 

 

Oh, my – what a lot of links have been collecting in my inbox since I last rounded up reviews and articles.

 

Peter reviews The Gallows Bird, the fourth book in Camilla Lackberg’s series set in picturesque Fjällbacka, and finds it’s satisfying, if not the best in the series. He also has a look at The Tattooed Girl, a collection of essays about the Millennium Trilogy which turns out to be more interesting than it looks at first glance, being put together by someone who previously revealed the secrets of Dan Brown for obsessives who can’t get enough of their favorite books. (I am reviewing this for Reviewing the Evidence; I agree with Peter, it looked awful but has some interesting material.)

Writing in the Saudi Gazette, Susanna Tarbush reads Jussi Adler-Olsen’s Mercy with particular interest in the Syrian immigrant who becomes the hero’s assistant, Assad.

Keith of Books and Writers found Kari Vaara, hero of James Thompson’s Snow Angels, a compelling protagonist that he hopes to see more of.

Maddy Van Hertbruggen reviews K.O.Dahl’s The Last Fix for Reviewing the Evidence and finds it well-plotted and engaging.

Keith Walters at Books and Writers likes Karin Alvtegen’s Missing and mentions there’s a film adaptation.

Jose Ignacio Escribano reviews Johann Theorin’s Echoes from the Dead – bilingually!

Keishon reviews Jo Nesbo’s The Redeemer and makes it sound so good that several commenters indicate they’ll be including Nesbo in their future reading.  (Good call, by the way.)

At Bookgasm, Mark Rose is not impressed by Lars Keppler’s The Hypnotist.

Nor is Bernadette by Roslund and Hellstrom’s Three Seconds, which she reckons would be more accurately titled 56,820 seconds. Score! (I admit, I also found the first half very slow going, and had trouble finding any characters who were sympathetic. It picked up in the second half, but likeable characters were still thin on the ground. I liked Box 21 a great deal more.)

A blogger named Susan has coined a new sub-genre: Snoir, featuring dark themes in a cold and icy setting.  Brrr.

There’s an interesting comparison of translations at To Be Read in two parts, comparing the first English translation of Liza Marklund’s Studio Sex (Studio 69) with a new one by Neil Smith, now titled Exposed. It’s quite surprising to see the variations alongside the original Swedish.

Swedish Book Review takes a look at the last Erik Winter novel, titled appropriately Den sista vintern (The Final Winter). Though Ake Edwardson has said in interviews that he is turning away from crime fiction, the reviewer, Irene Scobbie, hopes he will be tempted to continue writing about a newly-introduced character who could carry further stories.

Also in Swedish Book Review, Tom Geddes reviews Björn Larsson’s Döda poeter skriver inte kriminalromaner (Dead Poets Can’t Write Crime Fiction), a spoof on the popularity of crime fiction, including a book within the book with the title The Man Who Hated the Rich.

At the site you will also find a review of Johann Theorin’s next book, The Quarry, somewhat unusually written by Theorin’s English translator, as well as reviews of new books by Camilla Ceder and Lief G.W. Persson.

A Work in Progress reviews Camilla Ceder’s Frozen Moment and considers Ceder a writer to watch.

Maxine Clarke reports at Euro Crime that she very much enjoyed Mari Jungstedt’s The Dead of Summer, fifth in the author’s Gotland-set series. Norm also liked it quite a lot.

She wasn’t as enthusiastic about Danish author Sissel-Jo Gazan’s first foray into English translation, The Dinosaur Feather, which suffers from a surfeit of backstory but picks up in the final 200 pages.

A blogger who is reading a book a week has mixed feelings about Henning Mankell’s The White Lioness, which has interesting things to say about race and politics but strays far afield from the main character.

Kim Forrester (Kimbofo) thinks Mercy by Jussi Adler-Olsen, is terrific. Norm is hoping the translator is hard at work on more in the series.  Rob Kitchen also reviews the first of the Department Q series and concludes that, though it’s melodramatic and implausible in places, it’s generally a good read and just the job before a trip to Denmark. And Ali Karim, our enterprising super-fan, is interviewed at Pulp Pusher about Mercy and other books that he is excited about.

Rob also reviews Leif Davidsen’s The Serbian Dane, which he feels has good character development but not much tension.

Mrs. Peabody thinks there’s a touch of melodrama in Karin Alvtegen’s Shadow but nevertheless recommends it.

Leslie Gilbert Elman gives Camilla Lackberg a strong endorsement, recommending her to readers whose only exposure to Scandinavian crime fiction is through Stieg Larsson, whose work she doesn’t admire.

Susan White enjoyed Henning Mankell’s The Man from Beijing, now out in paperback, and reviews it for Euro Crime, where Maxine Clarke also reviews Jan Costin Wagner’s Finnish-set Winter of the Lions, recommending it for those who have already read and enjoyed Ice Moon. Mrs. Peabody fills in the gaps by reviewing the middle book in the series, Wagner’s Silence, and rates it very highly.

Darrel Squires recommends The Snowman to readers in Newfoundland and Labrador, calling it a good choice for “fans of dark, atmospheric crime fiction.” The Winnipeg Free Press reports Nesbo as “a bit annoyed” at being compared to Larsson on the cover of his latest book because he thinks their styles are different. (Also, he’s not Swedish – but I’m being picky.) And in the U.S., the Fredricksburg (Virginia) Free-Lance Star has a short and positive review of The Snowman.

Carrying this comparative nonsense to its logical extreme, The Mark proclaims Norwegian fiction is the new Swedish fiction. This is actually just a way to introduce a short video interview with Nesbo, who doesn’t say anything you don’t already know, except that Norway has a lot of serial killers (said with a straight face).

NancyO has lots of praise for Nesbo’s The Leopard, though some of it is over the top and other parts are slow-moving (“to the point where you think you might be trying to crawl through jello”). Still, she rates it her favorite in the series.

Wendy Lasser wrote at length about Nesbo at Slate a month ago. She opens her essay with speculations about the overall excellence of Scandinavian crime fiction and the way it combines cat-and-mouse detection with social critique and proposes some possible reasons for the Nordic countries’ high crime fiction rate:

Perhaps we can attribute this in part to the small size of these far northern countries, their relatively homogenous populations, their stable cultural traditions—a setting, in short, in which murders (and especially serial murders) stand out starkly and beg for analysis. Or maybe this wider focus is connected to the firmly if mildly socialist perspective of even the most conservative Scandinavian governments, a view in which individual behavior contributes to or detracts from the public welfare. Possibly the dark, cold, long winters also have a role: With those extreme alternations between everlasting night and midnight sun, the Swedes, Danes, and Norwegians may be more likely than the rest of us to reflect on the role of environment in shaping character. The citizens of these countries also seem unusually alert to their own national pasts (unlike Americans, say, for whom the mid-twentieth-century is already History), and this in turn makes them more likely to seek cause and effect in these collective historical influences. In any event, what all these factors add up to is a worldview that places the criminal at the center of a social web. This is not necessarily what makes Scandinavian mysteries addictive—that can probably be attributed to the typical thriller qualities of suspense and surprise—but it is what makes them remarkably satisfying.

She goes on to discuss the Harry Hole series and concludes that while his latest novels are compelling and fun, they are more focused on furiously-paced fun than on developing a solid story. Commenting on The Leopard, Lasser speculates that Hole’s multiple near-death experiences bespeak the author’s wish to kill him off, and “the increasingly ludicrous violence makes the plot seem like something made for TV.”

I haven’t read The Leopard yet, but I tend to see the same trajectory, finding both The Devil’s Star and The Snowman as less rewarding than the earlier books in the series, though it seems a large number of readers feel the opposite and enjoy the recent books the most.

Metro has a short interview with Henning Mankell; the most interesting bit is that he once lived in an unfurnished flat and sat on the floor, using his oven door as a desk (and the oven light as a desk lamp); that’s rather clever. Ikea should look into it.

Rick Salutin of the Toronto Star thinks about Canadian politics from a Scandinavian crime perspective – seeing a willingness to examine society, not just individual culpability.

Norm considers the features of a newly-named species, the Scandi-book fan, of the genus Chattering Classes.

The Hollywood Reporter covers the presence of three directors from Nordic countries at the Cannes film festival – all with films in non-Nordic languages. It’s not just book labels touting the Next Stieg Larsson: “Post-Millennium, everyone is hunting for the next big Nordic crime franchise.” Oh dear.

Pan Macmillan has bought rights to a novelization of the popular television series, The Killing.

And speaking of Denmark, the Copenhagen Post has a profile of several Danish writers whose work will be released in the US this year – Jussi Adler-Olsen (whose Department Q kick-off will be called The Keeper of Lost Causes in the U.S. instead of the British title Mercy; it will appear in the US in August), Sara Blædel (Call Me Princess, also in August) and the co-authors Lene Kaaberbøl and Agnete Friis (The Boy in the Suitcase, to be released in November).

Sarah Weinman has written a surprising and rather scandalous profile of Niclas Salomonsson, the incredibly young agent to most of the biggest names in Scandinavian crime fiction. Like the sordid family squabble over Stieg Larsson’s fortune, it seems particularly shocking for Sweden. You couldn’t make this stuff up – though many of his clients do something fairly close.