Peter beat me to reviewing a new English translation of Jarkko Sipila’s Against the Wall, just published this month by Ice Cold Crime, a new small publishing house in Minnesota that promises to bring more Finnish crime fiction into English. I am about halfway through it and hope to post a review next week, but so far agree with Peter that it’s a gritty procedural that doesn’t mince words but gets on with the story of petty criminals caught up in a dangerous trade – and the team of police who track them down.
An anonymous Australian bibliophile at The Genteel Arsenal samples Swedish crime fiction after reading about the BBC Branagh version of Mankell’s series and is favorably impressed when reading Sidetracked. She(?) picks up on several features that make it unique: a vulnerable hero who is dismayed by crime and has family issues, its insight into Swedish society as the police try to come to grips with the kind of violence they think only happens in America, and complex rendering of victims and criminals.
Wilda Williams of Library Journal has an interview with Sonny Mehta, publisher of the US edition of Stieg Larsson’s Millennium Trilogy and Paul Bogaards, Knopf’s executive director of publicity.
Norm (aka Uriah) has now read all of the International Daggar contenders and is wondering how the judges will make their choice. He has so far winnowed Vargas and Arnaldur Indridason from the list, arguing the current nominees are not their strongest work, but is making us wait as he ponders the remaining four excellent Scandinavian contestants. Meanwhile, you can read his reviews of them all.
UPDATE: I’ve taken so long preparing this round-up that Norm has posted his hot tip. Or perhaps its a properly cold one. In any case, you must read his rationale, which manages to make all the contenders sound good.
Kerrie reviews Jo Nesbo’s Redeemer and gives it (and the translator) high marks. I especially liked this bit: “You can almost feel Nesbo building this book, layer on layer, investigating how events that took place over a decade before, can have consequences in present time.” What a great description. No wonder I love his stuff.
More on K.O. Dahl’s Last Fix from International Noir Fiction. Sounds like an unusual structure at work.
Martin Edwards talks about Hakan Nesser at his blog with the great title, Do You Write Under Your Own Name?
John Baker reviews Peter Høeg’s Borderliners, calling it “a difficult and inspiring novel, rich in meditations on the human condition.” Not exactly crime fiction, but mentioned because so many of us know the author via Smilla’s Sense of Snow.
And finally, my somewhat Scandinavian crime fiction-related news: I just signed a contract with a Finnish publisher, Nemo, who plans to publish a Finnish translation of my mystery In the Wind. I couldn’t be more pleased to have a chance to be part of the Scandinavian crime fiction scene, even if the book is set in Chicago. A great big kiitos to the Finnish reader who brought it to their attention.