Salon reviews the second film in the Millennium Trilogy, The Girl Who Played With Fire, and (like the rest of us) begs Hollywood to leave well enough alone.
Speaking of leaving things alone, the AP has a story that stokes speculation about a fourth book. Though Larsson’s partner, Eva Gabrielsson, will not comment, a friend of Larsson’s goes on record about an e-mail he received from the author about the manuscript. Personally, I’d rather it remain a footnote of history than that it be exploited. There are lots of good books to read; the only reason to bring someone in to write an ending for another book would be to satisfy fans’ curiosity and to make money – neither of which seems to me a valid excuse for publishing something the author has no control over and is unable to finish for himself.
R. Thomas Berner thinks we’re still waiting for a definitive biography of Larsson. He review’s Barry Forshaw’s The Man Who Died Too Soon and finds it a repetitive mishmash of plot summaries and under-edited interviews. (I haven’t read the book, so can’t weigh in with my opinion.)
Crime Segments (which is a criminal subsidiary of the 2010 Year in Books blog) reviews Johan Theorin’s The Darkest Room and says it’s “a perfectly-crafted thriller with a slight hint of gothic thrown into the mix . . . simply stellar.”
(And I’m left wondering once again why so many bloggers write more informative and analytical reviews of crime fiction than are typically found in the mainstream media. I’d be delighted to see a review like this in a major daily newspaper, but most of the time all I get is a four-sentence plot summary. Too bad newspaper publishers can’t be convinced that news readers might just be book readers. Wouldn’t it be something if books got as much coverage as sports? But I digress . . . )
The Huffington Post has an interview with Camilla Lackberg, positioning her in the preface as the next Stieg Larsson – not in so many words, but by implication: hey, she’s Swedish, and she’s sold a lot of books! You’d better grab one now! She, at least, has the good sense to draw a distinction. When asked about “the elephant in the room” she says “I’d already published several books when his novels began to come out. He was something new, something unexpected — especially his intensity. I enjoy him very much, but we’re not doing the same thing.” Wise woman.