It has been a month since I made the rounds to see what has been reviewed lately. I thought I’d better organize them somehow, so have listed them by country. Sweden, I’m afraid, gets the lion’s share of attention. My Norwegian grandfather could have predicted that.
Peter Rozovsky also reviews it for the Philadelphia Inquirer and also questions the plausibility of the story, but enjoys Nykanen’s wry humor.
I am looking forward to getting my hands on a new translation of one of the Raid novels, also by Harri Nykanen, as well as Seppo Jokinen’s Wolves and Angels, which will be coming out next month from Ice Cold Crime. It’s always wonderful to have authors leave my “wanted” page once they are published in English translation.
The Day is Dark by Yrsa Sigurdardotter was a bit slow for Sarah Hilary’s tastes, writing at Reviewing the Evidence, with an interesting take on masculinity but, she feels, too much exposition that slows momentum.
At the San Francsico Chronicle’s book blog, P.G. Koch finds Yrsa’s Ashes to Dust an intricately plotted thriller with the thought processes of an anorexic woman particularly chilling. Kirkus also gives the book a strong review.
Kerrie reviews Jo Nesbo’s The Phantom, which she finds bleaker and darker than previous Harry Hole books. She writes, “an interestingly structured, but very noir book, with the dominant narrator a boy who is already dead. And a rat with a problem.” I would add, a review that intrigues.
Mary Whipple also reviews The Phantom, finding it complex, full of plot twists, at times over the top, but certain to appeal to fans of the Harry Hole series as it builds on all the groundwork the author has laid in creating his brilliant and troubled hero.
And to round it out, Maxine reviews it at Petrona, finding Hole a bit too much of a superman, able to leap implausibilities with a single cinematic bound, but praises the book for its compelling and relatively uncluttered plot and what it has to say about the wages of addiction.
Kerrie gives Karin Fossum’s The Caller top marks and reckons that if you haven’t read any of the Konrad Sejer series before, this is a grand place to start.
Margot Kinberg puts Fossum’s Don’t Look Back “in the spotlight” finding it an unsettling and realistic depiction of the effects of a tragedy on a small community.
Vicky Albritton takes a fascinating look back at an early crime novel, Hjalmar Söderberg’s Doctor Glas, a 1905 novel about science, sexuality, and an ethical bind created when a woman tries to escape the sexual oppression of her odious husband. Albritton mentions that a 2002 edition of the English translation has an introduction by Margaret Atwood, an excerpt of which was published in The Guardian. She wrote, “Doctor Glas is one of those marvellous books that appears as fresh and vivid now as on the day it was published.”
Closer to the present time, Sjowall and Wahloo’s Martin Beck series is tempting Sarah at Crimepieces to drop everything and read. She reviews the 1966 novel, The Man Who Went Up in Smoke, in which Beck travels to Hungary in search of a missing journalist.
At Euro Crime, Rich Westwood reviews Camilla Lackberg’s The Stranger which is a new title for the previously-published Gallows Bird. He thinks the domestic bits are more convincing than the murder bits and prefers the original title.
Bernadette found Lackberg’s The Drowning disappointing, with a predictable plot that was not as interesting as in previous books, the cozy domestic scenes and ho-hum mystery formulaic. Since she has enjoyed other books in the series, she hopes this is a temporary aberration.
Sarah reviews Camilla Ceder’s Frozen Moment at Crimepieces, saying it was “a very interesting, albeit slow read where the isolated, icy community dominated the narrative descriptions.” It seems a good sign that the story stayed with her long after she put the book down.
She also reviews Hakan Nesser’s Hour of the Wolf, a very good entry in the series in her estimation in which a drunk driving incident triggers a string of violent acts. Though the wry humor of the series is not as much in evidence as usual, the tone is appropriate for the events of the story.
Nancy O tries to find nice things to say about She’s Never Coming Back by Hans Koppel, but dealing with a story that involves an imprisoned woman and repeated sexual assault is an uphill battle that ends up with an exasperated “jeez! Enough already.” Or perhaps way too much.
Leif G. W. Persson’s Between Summer’s Longing and Winter’s End gets a mixed review at To Be Read . . . as character development and pacing takes a back seat to its broad canvas examination of Sweden’s recent history, though the reviewer finds it on the whole successful.
Shannon Sharpe thinks Persson’s approach to complex plotting with unsavory characters and lashings of dark humor lifts the novel far above the more popular Millennium Trilogy.
Laura Root reviews the next book in the series at Euro Crime. Another Time, Another Life is a complex and skillfully crafted novel with a dry narrative style and characters that are more sympathetic than those in the first book.
At Nordic Bookblog, Peter reviews Liza Marklund’s Vanished (previously published in a different translation under the title Paradise. He recommends it as a fast-paced story with an intriguing lead.
BookGeeks reviews Dark Angel by Mari Jungstedt, finding it “a well written and superbly plotted mystery” that does a good job balancing thriller elements and social background.
The Local (Sweden’s News in English) has a profile of defense lawyer Jens Lapidus, whose trilogy beginning with Easy Money focuses on the lives of criminals. He is particularly interested in the parts of Stockholm where the residents are not blond and blue-eyed and in the perspective of people for whom crime is just another line of work.
In a review of Easy Money at Reviewing the Evidence, Chris Roberts calls it “a remarkably accomplished debut,” with a well-paced plot but characters who are not easy to like.
Peter of Nordic Bookblog reviews Ake Edwardson’s Sail of Stone, which he feels is an excellent entry in the excellent series, particularly strong for character development and writing style.
I also reviewed the book at Reviewing the Evidence. If you’re looking for fast-paced action and a tightly woven mystery to solve, look elsewhere. But if you can take the scenic route, this well-written and well-translated novel might fit the bill. I agree with Peter that “character study” is an apt description of Edwardson’s style.