At Crime Scraps, Norm reviews Liza Marklund’s latest Annika Bengtzon thriller, Borderline which involves international intrigue and a hostage situation. Does it make me a bad person to be pleased that Annika’s annoying ex is a hostage? It sounds very good (and not just because Thomas is in trouble.)
At Petrona Remembered, there’s a fascinating email exchange/converation between Neil Smith and Liza Marklund about The Long Shadow and its translation and possible reception by English readers. Fascinating! And it ends on a cliffhanger . . .
The Guardian credits the popularity of Scandinavian crime for a boom in translated fiction in the UK.
Crime Fiction Lover provides a lovely tribute and overview of the Martin Beck Series written by Jeremy McGraw
At Crime Review, Tracy Johnson reviews Aren Dahl’s To the Top of the Mountain, who feels the humanity of the characters adds to their appeal.
At Reviewing the Evidence, Yvonne Klein unpacks the multiple plot strands and global locations for Jussi Alder-Olsen’s latest entry in the Carl Mørckseries, The Marco Effect, making it sound very well worth reading.
She makes a reference to an interview with the author in the Huffington Post, which is also worth a read. The author mentions that in addition to a Danish film version of the first in the series, there’s talk of a U.S. television adaptation of the characters, possibly s Hmm…
Ms. Wordopolis reviews an earlier book in Arnaldur Indridason’s Erlendur series, Voices. She finds it’s not the best in the bunch, but it’s still a favorite series. “It’s a reminder to me to spend less time on new releases and catch up on older books.” I’m so glad you feel that way!
Ms. Wordopolis also thinks the second volume of the Minnesota Trilogy, Vidar Sundstol’s Only the Dead, is a much tighter, very different sort of book from the first. I agree with her that it will be interesting to see what the third and final volume is like.
Laura Root also reviews the book at Euro Crime, finding it both unexpected and gripping. (Ditto.)
Staci Alesi (“the Book Bitch”) also reviews that book for Booklist and says though it is short – almost a novella – it’s dark, beautifully written, and suspenseful.
Jose Ignacio Esrcribano reviews (in two languages!) Arnaldur Indridason’s Strange Shores, which finishes the Erlunder series (chronologically, at least). He enjoyed it very much, as did I.
At International Noir Fiction, Glenn Harper reviews Jo Nesbo’s Police, in which Harry Hole is off stage for a good bit of the action, and speculates whether the end is really the end – or not.
Sarah Ward reviews Black Noise by Pekka Hiltunen at Crimepieces and wonders whether it qualifies as Scaninavian crime, given it’s set in London. She finds it has a promising story about social media that unfortunately goes awry, becoming quite implausible. She hopes for better next time.
She also reviews Elsebeth Egholm’s Three Dog Night, a Danish novel about a recently-released convict who moves to a remote community only to meet a prison mate who is, unfortunately, dead. She says it has a well-constructed plot with a good ending though some of the characters in the fraying community can be hard to keep straight. She’s looking forward to the sequel, coming out in the UK soon.
Karen Meek reports on hearing two Danish authors interviewed by Peter Guttridge – Elsebeth Eghholm, Lene Kaaberbol, at the Manchester Literature Festival. Lots of insight into the authors and being translated, here.
Mrs. Peabody investigates a French thriller set in Norway, Olivier Truc’s Forty Days Without Shadow, likening it to M. J.McGrath’s Edie Kiglatuk series set in the Canadian artic. It’s a “cracking debut” that illuminates nomadic Sami culture in a world with borders. It sounds like a strong nominee for the Petrona Award. Mrs. P. links to an interesting interview with the author.
Gary Jacobson reviews Karin Fossum’s I Can See in the Dark and finds it creepy, chilling, and effective at portraying the inner life of a very unpleasant man who is guilty of many crimes except for the one he’s accused of.
At Euro Crime, Lynn Harvey reviews Jan Costin Wagner’s Light in a Dark House, the fourth in the Finland-set series, but the first she read. She says it stands on its own, but she’s ready to go back and read the rest. She concludes, “if you love the mystery of character as much as the mystery of crime – set in a wintry Scandinavian landscape – then I think you will savour [it] as much as I did.