What to Watch

A friend pointed out this article by Winston Cook-Wilson in Spin on Nordic crime fiction television dramas. Of course availability varies based on where you are and if you subscribe to what (to me, at any rate) is a dizzying array of streaming services. Cook-Wilson offers several tempting options and also comments on the influence Scandinavian crime fiction has had on Scandinavian television – and on television dramas elsewhere.

The Scandinavian sensibility has come to influence crime fiction, television, and film, all over the world thanks to the international popularity of Stieg Larsson’s Millennium series (home to The Girl With the Dragon Tattoo), the hardnosed airport thrillers of Jo Nesbø, and other franchises. In the past ten years, crime procedurals have adopted a bleaker, prestige-ified bent befitting wider trends in dramatic scripted television and tailor-made for desperate, red-eyed consumption.

I spend more time reading than watching, but I see some tempting binge-worthy shows on his list . . .

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Petrona Award and more

It’s official: The Petrona Award for the best Scandinavian crime novel of the year has announced its very first shortlist and judges. The finalist will be announced at Crimefest.  From the press release:

The Petrona Award has been established to celebrate the work of Maxine Clarke, one of the first online crime fiction reviewers and bloggers, who died in December 2012. Maxine, whose online persona and blog was called Petrona, was passionate about translated crime fiction but in particular that from the Scandinavian countries.
The shortlist for the 2013 award, which is based on Maxine’s reviews and ratings is as follows:
PIERCED by Thomas Enger, tr. Charlotte Barslund (Faber and Faber)
BLACK SKIES by Arnaldur Indridason, tr. Victoria Cribb (Harvill Secker)
LAST WILL by Liza Marklund, tr. Neil Smith (Corgi)
ANOTHER TIME, ANOTHER LIFE by Leif GW Persson tr. Paul Norlen (Doubleday)
The judges are an erudite and very well-read group – Barry Forshaw, Kat Hall (aka Mrs. Peabody), and Sarah Ward. Find more about the award at Petrona Remembered.
Sarah Ward reviews Sjowall and Wahloo’s The Locked Room at Crimepieces. It’s the eighth in the series and perhaps not the strongest, but Sarah enjoyed the sly ending. She also reviews Leif G. W. Persson’s Linda, as in the Linda Murder, which features Evert Backstrom, who is “compelling and abhorrent. Sexist, racist, homophobic, facetious, work-shy, dismissive of his team . . . and very, very funny,” making her predict readers will either love or loathe this unusual novel.

Jose Ignacio Escribano offers a bilingual review of Anne Holt’s The Blind Goddess, which was the first in the Hanne Wilhelmsen series, though he points out there really are multiple protagonists, rather like the Martin Beck series (a very interesting parallel). Originally published in 1993, this novel won the Riverton prize as best Norwegian crime novel of the year.

Glenn Harper has some good things to say about Lars Kepler’s The Hypnotist, and some criticism, particularly of the flashbacks that bog down the pacing and some cliched characters.

Bernadette reviews Mons Kallentoft’s second seasonally-themed procedural, Summertime Death, and reports that the weather is frightful – hot, muggy, and very well-depicted, as was the cold in the first book. However the novel doesn’t score as well on plot, character development, or plausibility and the inclusion (once again) of voices from beyond the grave doesn’t help.

She fares better with Arnaldur Indridason’s Black Skies, which uses the sidekick Sigurdur Oli as its main character, with Erlendur off somewhere for reasons unclear. Though Sigurdur Oli is a pretty average bloke, he turns out to be quite complex – as does that plot, which appears fairly straightforward until you try to summarize it, at which point the author’s narrative skills in layering lots of material without cluttering things up becomes apparent. (I so want to read this book!)

Col (who has decided to review at least on Scandinavian mystery a month – hurrah) has high praise for an earlier book in the series, The Draining Lake, which does a good job of layering stories from different time periods.  

Col adds Stieg Larsson’s The Girl Who Played With Fire to his criminal library and gives it mixed marks, with the action-packed second-half making up for a slow and plodding start. He liked it enough to read the third.

NancyO reviews Helene Tursten’s The Golden Calf, which she felt was a bit disappointing in the end, though the pacing and the character of Sana, a spoilt child-woman who doesn’t help the police figure things out, was well drawn.

Raven Crime Reads also has review of the book, and now plans to catch up on the earlier volumes, having found it a well-crafted procedural that is less gloomy than many Nordic novels.

Harry Hole gets around. There’s a review of The Phantom in the Philippine Daily Inquirer by Ruel S. De Vera, who finds it darkly intoxicating.

Marilyn Stasio of the New York Times was not terribly impressed by Alexander Soderberg’s The Andalusian Friend, which she thinks might have been amusing if written by Donald Westlake rather than treated seriously.

The New York Public Library has a roundup of the usual suspects of Nordic crime fiction, with links to audio pronouncing names that I know I mangle often enough. Especially Sjowall and Wahloo! (Hat tip to Sarah Ward.)

The Guardian reports that a series based on Arne Dahl’s Intercrime series will be broadcast in the UK by the BBC. Let’s hope this will spur on translations. It took years and years for Misterioso to finally appear in English.

Bitch Magazine has an interesting article by Soraya Roberts on the Scandinavian-feminist take on the standard tropes of film noir, including in her analysis the Millennium Trilogy, Forbrydelsen (The Killing), Borgen, and Bron/Broen (The Bridge).  She concludes

The importance of noir heroines like Lisbeth Salander, Sarah Lund, Saga Norén, and Birgitte Nyborg Christensen is not only to put women on an equal footing with men—we can be just as work obsessed and as socially inept as you—but, more important, to change the traditional view of women as victims. By updating the women in noir from sex objects and victims to protectors—of both women and men—Nordic noir series are setting a precedent for other genres to accept. If the trench coat fits, a hero is a hero regardless of gender.

An article in Slate by techno-skeptic EvgenyMorozov tipped me off to an intriguing website that eschews algorithms and instead asks various prominent folks for their book recommendations, humanizing curation and perhaps doing it better. FiveBooks asks Jo Nesbo which novels he recommends and the answers are interesting (and not what one might expect. Or perhaps even find particularly rewarding in every case. Rivington, for example, is … well, for example may be exactly how to put it, as an important historical contributor to Norwegian crime whose stories, according to Nesbo, very much reflect the tastes of his time. (NB: quite a few of us use humans as curators. I suspect most readers are far more responsive to and satisfied by “you might also like” statements when they come from friends.)

Petrona Remembered and a belated round-up

It has been a long time since I posted here; apologies. I will try to catch up with some reviews and commentary that has appeared since November. But first, I hope everyone who loves the genre will take note of Karen Meek’s post at EuroCrime, inviting contributions to Petrona Remembered.

I haven’t posted here since the sad news of Maxine Clarke’s death appeared at the FriendFeed room she created. Maxine was an editor and innovator at Nature, which is probably the most prestigious science journal being published today. It doesn’t rest on its laurels but has constantly explored new media, testing out innovative ways to communicate science. She was at the forefront of this work and transferred that know-how to building out the online potential for mystery lovers to connect and share. She was not only an active blogger, she encouraged others by responding to their blog posts and comments, letting us know about new technologies and new publications – and generally showing us all how to do it well.

She will be missed by all of us, but we are fortunate that some of her friends are doing something about it. An award for the best Scandinavian crime novel translated into English is being established in her name. (She was not only well-read in Scandinavian crime, she was one of its finest critics.)

More immediately, the Petrona Remembered site will collect via email contributions about mysteries we love, building a collection of book recommendations and celebrations. I can’t think of a better tribute. So . . . go do that now. I’ll wait.

You’re back? Okay, here are some reviews and bits of news about Scandinavian crime fiction from the past few months.

At my book discussion hangout, aptly named 4_mystery_addicts, our resident Finnish expert mentioned some upcoming translations: “Antti Tuomainen’s sci fi/crime novel The Healer will be published next year, as will be Pekka Hiltunen’s Cold Courage about two Finnish women living in London involved in crimes.” He also mentioned some authors who have yet to be translated, whose names I have added to the Wanted page.

In fact, there’s a review of Tuomainen’s The Healer in Metro which makes the dystopian eco-thriller sound quite good. “Tuomainen conjures up in spare, softly poetic prose the collapse of social order and human decency in the face of environmental havoc.”

Alan Bradley bemoans the decline of weather as a feature in Anglophone mysteries and wonders if that’s why Scandinavian crime is so popular – it’s literally chilling.

The New York Public Library’s blog offered a catalog of crime, Scandinavian-style.

Kristina Ohlsson’s Silenced gets a strong review in the Toronto Globe and Mail, where Margaret Cannon says the series “deserves to go on for a long time.”

The Witchita Eagle has a postive review of Jo Nebso’s Phantom, concluding “While “The Snowman” is creepy, and “The Leopard” a bit over-the-top, “Phantom” is a more balanced, surer effort.

There is, apparently, a good television series based on Arne Dahl’s series, according to International Noir Fiction. And while we are talking about the small screen, Karen Meek bring news that Jussi Adler-Olsen’s Department Q series is being produced in Denmark. Those Danes have been making some excellent television lately.

J. Kingston Pierce picks Helene Tursten’s latest translation, The Golden Calf as his Rap Sheet pick of the week. (I thought it was a very strong entry in the series, and have to get cracking on a review.)

Peter at the Nordic Book Blog reviews Helene Tursten’s Night Rounds, an earlier book in the series, and finds it “entertaining, suspenseful, and well-written” with one of his favorite heroines at its center.

Jose Ignacio Escribano reviews Pierced by Thomas Enger, finding it a a strong followup to the author’s first book. He recommends it highly in both English and Spanish. He also tips us off to the news that Anne Holt is ending the Stubo and Vik series, which makes me sad as I avoided it for ages (profilers! No!) and have found it amazingly good. On the other hand, the BBC is going to film a series based on her Hanne Wilhelmsen, so I should be too glum.

Kerrie in paradise reviews Camilla Ceder’s Babylon, which she found enjoyable but not particularly remarkable.

Norm at Crimescraps reviews Blessed are Those Who Thirst by Anne Holt and finds he’s ready to enjoy Nordic crime again. Though the novel is short, the characters are well-developed and intriguing. He’d grown jaded by too much gloomy sameness, but this recent translation of a 1994 novel hit the spot.

And I’ll leave it there for now. Don’t forget to submit your beloved mystery memories to Petrona Remembered.

Sleepless in Scotland

For those of you lucky enough to be in Edinburgh on the shortest night of the year, you really should investigate this interesting event that is part of the 66th Edinburgh International Film Festival. Those Scots sure love their festivals, and this young collective seems to know how to have a film festival event that’s both intellectual and fun.

Here’s the press release; sorry if I got envy all over it.

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Midnight Sun featuring Insomnia is a special event which celebrates Nordic and Scottish crime in its dialogue between Scotland and Scandinavia, as well as literature and film. Developed as an applied Master’s thesis project by Peek Cinema, a team from the award-winning MSc Film in the Public Space programme at the University of Edinburgh, Midnight Sun is a rare event which sees the Edinburgh International Film Festival collaborate with post-graduate students in the programming of their 66th festival.

On Thursday 21st June Midnight Sun will take full advantage of the summer solstice in order to delve deeper into the contemporary fascination with Nordic noir within a Scottish context. Proceedings begin with a drinks reception at the Point Hotel’s Sky Bar at 8pm, where guests will be able to enjoy drinks and complimentary Scandinavian canapés surrounded by the panoramic views of Edinburgh’s own monumental skyline. The event will be introduced by Scottish crime writer Lin Anderson, who will whet the audience’s appetite for a screening of moody Norwegian noir Insomnia by addressing the theme of landscape and the use of light and dark in crime fiction, as well as drawing comparisons and contrasts between Scottish and Scandinavian traditions, in addition to discussing the relationship between noir film and literature.

As the sun slowly sets in the Sky Bar, the audience will cross Lothian Road to the Filmhouse for a screening of Erik Skjoldbjærg’s 1997 feature Insomnia at 10.25pm. Overturning the typical darkness characteristic of noir genres, Insomnia moves away from the traditional association of Scandinavian crime fiction with short days and minimal light, using instead the sun-drenched summer nights near the Arctic Circle as the backdrop for its detective story. Stellan Skarsgård stars as Jonas Engström, a Swedish police detective sent to a remote Norwegian village to investigate the murder of a young woman. As the investigation progresses, the lines between perpetrator and victim become blurred, raising difficult questions about human nature and the capacity for evil. With the incessant midnight sun afflicting its protagonist, Insomnia illustrates the centrality of landscape to noir narratives, portraying environment almost as a character in and of itself.

Lin Anderson:

Lin Anderson is one of Scotland’s leading crime writers and an active screenwriter, whose new addition to her popular Rhona MacLeod series, Picture Her Dead, comes out in paperback on the day of the event. Copies of the book will also be available to purchase and have signed on the night.

Peek Cinema:
Comprising Cosima Amelang, Parissima Darabiha, Emma Fyvie, Maija Hietala and Susanne Scherer, the Edinburgh-based collective met whilst studying on the award-winning MSc Film in the Public Space course at the University of Edinburgh under the tutelage of Susan Kemp and Jane Sillars. Hailing from the US, France, Scotland, Finland and Germany respectively, the group’s ethos to create new and exciting modes of film exhibition is born from a broad and eclectic range of individual experiences in the arts industry.

Programme Details

Thurs 21st June. 8pm @ Sky Bar, Point Hotel
Midnight Sun drinks reception with an introduction by crime writer Lin Anderson.
10.25pm Filmhouse 2, Filmhouse Cinema
Screening of Insomnia (1997)

Links:

Midnight Sun on the official Edinburgh International Film Festival website: www.edfilmfest.org.uk/films/2012/insomnia

Official Website: www.peekcinema.com

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If you’re wondering whether this is going actually be as entertaining as it sounds, here’s a bit of evidence from an event the group organized previously, and there are more bits on their website . . .

… but I’m going to post this and go sulk because I won’t be there. (But a word to the wise – if you haven’t seen the original Insomnia, you really should, even if you watch it from your living room couch.)

review round-up

It has been a long time since I caught up on reviews and news about Scandinavian crime fiction. Lots to report . . .

Norm brings the news that Arne Dahl has won the Swedish crime fiction award with Viskelen (Chinese Whispers) which has not yet had rights sold to the US or UK. Let’s hope that happens. His first book in English, Misterioso, has only just been released after years of delay.

The Boy  the Suitcase by Lene Kaaberbol and Agnete Friis is among the mysteries reviewed in the Globe and Mail . Margaret Cannon says it has “a terrific central character and a great plot.”

At Reviewing the Evidence, Yvonne Klein has some reservations about the book – particularly its jumpy structure, leaping among points of view, and the withholding of information about Nina Borg until the final pages, a strategy that she found manipulative; still, she will read more as the series continues.

Marlyn Stasio of the New York Times Book Review gives it a strong review, saying “it packs an almighty punch.”

The Mumbai Daily News and Analysis reviews Jussi Adler-Olsen’s Mercy (apa The Keeper of Lost Causes) and calls it a “riveting read.”

At The Game’s Afoot, Jose Igancio Escribano reviews Arnaldur Indridason’s Outrage and finds it’s “an excellent contribution to an already superb series.”

At Euro Crime, Rich Westwood reviews Mikkel Birkegaard’s Death Sentence and finds that it’s closer to being in the horror genre than mystery. Amanda at Rustic Ramblings enjoyed it a good deal, though she agrees with Westwood that there’s a lot of graphic violence involved.

Peter at Nordic Bookblog reviews Anne Holt’s Fear Not, which he reckons is the best in the Adam Stubo and Johanne Vik series.

At Petrona, Maxine Clarke reviews The Hand that Trembles by Kjell Eriksson which is engrossing, with three investigations that are adroitly resolved, using a mix of “character, a strong sense of location, and narrative” rather than violence, high drama, and gore.

She also reviews K. O. Dahl’s Lethal Investments, the first of the author’s police procedural series featuring Gunnarstranda and Frolich. It’s very much a classic crime story – and was, in fact, published 18 years ago, a victim of a malady Maxine has dubbed the TOOO syndrome – translated out of order.

More from Maxine can be found at Euro Crime, where she reviews Hakan Nesser’s The Unlucky Lottery, which has the author’s “trademark bleak humor.”

Crime Fiction Lover has a review of Sara Blaedel’s Call Me Princess, which she found an enjoyable old-fashioned story with a contemporary twist.

Rob Kitchen at The View from the Blue House takes a look at Asa Larsson’s The Savage Altar (Sun Storm), which he give high points for characterization and its sense of place.

A reviewer for The Guardian has a rather peculiar response to the book: she thinks the things police think about are unsanitary and rather nasty. I think the book deserves a proper review.

Glenn Harper provides one at International Noir Fiction, finding it a very enjoyable read. He considers Dahl one of the best of Scandinavian writers.

Bernadette has a reaction to reading Jo Nesbo’s Headhunters: it’s not nearly as good as books in the Harry Hole series and doesn’t tick her boxes for her list of what makes a good thriller.

She also reviews Mari Jungstedt’s The Dead of Summer which she find enjoyable if not as thrilling as it might be if suspects emerged sooner and the ultimate solution to the crime less obvious.

Bibliojunkie (who seeks no cure for her book addiction) has an excellent review of Asa Larsson’s Until Thy Wrath Be Past, saying Larsson “juggles the balance of both horrifying crime and human drama beautifully” and finding in Scandinavian crime fiction a gratifying attention to character development.

Anders Roslund and Borge Hellstrom’s new thriller, Cell 8, is reviewed in The Independent, which finds it energetic and mesmerizing, if a bit heavy on the social issues.

Declan Burke at Crime Always Pays says “in essence, CELL 8 is a lecture on how the world would be a much better place if only we all conformed to the authors’ principles” and it’s “laughably preposterous” to boot. I wish he’d just tell us what he really thinks.

At The Crime Segments, Nancy O reviews Burned  by Thomas Enger, a book she enjoyed very much, particularly for its plotting and its journalist hero.

Craig of Crime Watch, the New Zealand guide to all things crime fiction, has a Q & A with Mons Kallentoft, author of Midwinter Sacrifice, as an appetizer for a Kallentoft feature forthcoming in his 9mm author interview series. (The real mystery: when does Craig ever sleep?)

Apparently Martin Scorsese might direct a film version of Nesbo’s The Snowman. Also, this is the first time I’ve encountered “helm” used as a verb.

And in The Guardian, Andrew Anthony interviews several Norwegian writers about their take on the terrible shootings last July. K.O.Dahl’s niece was  on the island where 69 people were shot dead, surviving by playing dead. It’s quite a harrowing story and a thoughtful article. In addition to Dahl, there are substantial interviews of Anne Holt, Jo Nesbo, and literary novelist Jan Kjaerstad. In a rather charming and very Norwegian moment, as Anthony talks to Kjaerstad in a restaurant and man stops to chat before sitting nearby. The crown prince of Norway, dining at one of his favorite restaurants.

an update – with a little help from my friends

Jane at the Madison (Wisconsin) public library reviews Jussi Olsen-Adler’s Keeper of Lost Causes (published as Mercy in the UK) and says it’s “a suspenseful, sometimes darkly funny, mystery thriller that is my number one book so far this year.”

Shelf Awareness dedicates an issue of its “maximum shelf” to it as well.

NancyO reviews Arnaldur Indridason’s Outrage, finding it a good addition to the series though, with its focus on Elinborg as the detective this time, she finds the domestic bits a tad overdone.

She also reviews Arne Dahl’s Misterioso, and recommends it, though it won’t deliver edge-of-the-seat thrills so much as solidly-assembled ensemble procedural work conducted by a large cast of police. She plans to read as many in the series as she can, though it has taken ages for this first English translation to actually appear.

Glenn Harper is not mesmerized by Lars Kepler’s The Hypnotist.

Peter, on the other hand, is enthusiastic about Asa Larsson’s Until Thy Wrath Be Past, the fourth book in her series about lawyer Rebecka Martinsson and Inspector Anna-Maria Mella. It also gets a thumbs up at The Bookbag, which says it’s “not strictly a police procedural, as we know pretty much what has happened from early on, but more of a psychological thriller and an intriguing mystery as to why two young people died.”

There’s an interview with Asa Larsson in The West Australian, in which she says her own past not only involves growing up in Kiruna and being a lawyer, like Rebecka Martinsson, but also a period of time involved with a fundamentalist church, which is interesting in view of the themes of her first two books.

He also gives Jarkko Sipila’s Nothing but the Truth high marks, saying it is “a very entertaining, suspenseful and excellently plotted crime fiction novel” that raises important questions about the role citizens play in criminal justice. I just recently finished this myself, and agree – review to follow soon.

Jose Ignacio Escribano thinks that Karin Fossum’s Bad Intentions is not the best of her books, but still worth a read, being disturbing, intense, and intelligent.

He also gives Arnaldur Indridason’s Voices high marks for being humane and well-written, as well as complex, dealing with the theme of stolen childhood sensitively.

Karen Meek reviews the audio version of Camilla Lackberg’s The Gallows Bird, which she feels has a rather disappointingly hole-prone plot but is nevertheless an entertaining story, nicely narrated by Eammon Riley.

Maxine Clarke thinks very highly of Johan Theorin’s third book in the Oland quartet, The Quarry, which is no doubt going to be a strong contender for the CWA’s International Dagger.

Quentin Bates has lived in Iceland, but is not an Icelander, yet makes it his fictional home. Crimeficreader (Rhian Davies) enjoyed his mystery, Frozen Out, particularly enjoying the strong female lead, ‘Gunna’ Gunnhildur Gisládottir.

Dorte Hummelshøj Jakobsen traveled in the opposite direction; this Danish author’s ebook mystery, The Cosy Knave, is set in Yorkshire, and has been discussed by two Australian readers, Kerrie and Bernadette, who has been in on the mystery from the start.

Bernadette also reviews Thomas Enger’s Burned, a “solid debut” that didn’t have its plot entirely under control, but has strong characters, even those that are not at all likeable.

Rohan Maitzen has a nice essay on the Martin Beck series and how it challenges those who persist in thinking crime fiction is good only when it “transcends the genre.”

Despite the persistent assumption that some literary forms are inherently more formulaic than others, all writing relies on genre markers, and “genre” itself is a notoriously unstable term, invoking categories that are both permeable and endlessly mutable. The real issue — the critical issue — is how form is used, what it enables us to discover. We shouldn’t ask whether crime fiction needs to transcend its traditional forms, but rather how those forms have evolved, and what they have made possible. . . . Sjöwall and Wahlöö are among those who show that, in the hands of visionary and capable writers, crime fiction can simply be great literature. The only transcendence required is the reader’s.

Norm and the new translator of the Annika Bengtzon series untangle the series order for us. It’s a bit unusual for a publisher to spring for all new translations of a previously translated work, unless you are Tolstoy. But, to stick to publishing tradition, they are giving books new titles to make it all more exciting to shop and are keeping the US and UK publications out of sync. Good to know they aren’t breaking all the rules.

Looks as if Leif G. W. Persson’s series about Evert Backstrom is destined for the American small screen.

Peter Rozovsky, always on the lookout for humor, finds some in Three Seconds. He also notes a lot of border-crossing going on in Swedish crime fiction that harkens back to the old days of the Hanseatic League.

Laura DeMarco rounds up lots of Scandinavian crime at the Cleveland Plain Dealer in a nicely detailed piece, with a sidebar on “ten essential authors.”

And finally, I’ve mentioned it before but I owe the Crime & Mystery Fiction friendfeed group, founded by Maxine Clarke, an enormous debt for finding and commenting on so many fascinating links related to the genre. Not only is it a good place to find out what’s going on, it’s inhabited by charming and well-read fans of the genre.

so many books, must make time

Peter, as usual, is ahead of the game and gives us an early glimpse of the fifth book in Camilla Lackberg’s series, The Hidden Child, which takes a look at wartime secrets and makes the pages turn quickly.

He also catches us up with Norwegian author Thomas Enger and his new book, Burned, which he finds fascinating, convoluted, and with a terrific ending.

Ben Martin at the Advocate has some stern things to say about crime fiction that is stooping too low – he’s quite cross about Lars Kepler’s The Hypnotist and Jo Nesbo’s The Snowman.

What made Mankell and Larsson so compelling was the determination by their protagonists to master the evil. Without this moral dimension, such tales are merely horrific. . . .

The Hypnotist, by a Swedish couple writing under the pseudonym Lars Kepler, is a repellent book. Its special nightmare quality is the involvement of children in crimes of murder, kidnapping, rape and mutilation, either as victims or perpetrators. . . .

Jo Nesbo’s The Snowman, inspires similar dread . . . As the chapters proceed, the means of death grow more gruesome, the motives more obscene.

But he praises Hakan Nesser and especially Arne Dahl, whose Misterioso is finally going to be available in English. He says is “truly fine” and the first translation in a series that is a worthy successor to Mankell’s Kurt Wallander series.

Lucky Bernadette has already read Johann Theorin’s The Quarry, which is set on his favorite island, this time in the spring. She writes:

As has been the case with the previous two novels of this series I was once again enveloped by the atmosphere Theroin, ably aided by his translator Marlaine Delargy, has created here. It didn’t feel like I was just reading about the island’s slow awakening from it’s harsh winter to spring: I lived through the lengthening days, the appearance of the first butterflies, the people getting to know each other and themselves. I loved every moment of this book from its first word to its excellent closing line.

As these are seasonal books, and we’ve had three, I’m afraid we have only one more left.

Keishon, the avid mystery reader/blogger, thinks highly of Theorin’s Echoes from the Dead, saying, “I always find myself thoroughly immersed in his stories. To me Johan Theorin is a natural-born storyteller whose novels are often described as “chilling” and “atmospheric.” He has a strong authorial ‘voice.'” She also does her part to combat grade inflation, causing a bit of controversy.

Maxine Clarke reviews Arnaldur Indridason’s Outrage at Euro Crime; this ninth volume in the Erlendur series is much more about his colleague, Elinborg, who investigates a murder the old-fashioned way, teasing out every clue and learning as much as possible about the victim. As Maxine points out, procedurals that avoid technical gee-wizardry are less likely to date themselves. All around, a good mystery, though the who dunnit aspect is less successful than the overall depiction of an investigation and the people involved in it.

Peter Rozovsky reviews a dark and violent crime story – Harald’s Saga, one of those early Icelandic thrillers that (along with Ed McBain) influenced Arnaldur Indridason’s style.

In the Wall Street Journal, Tom Nolan reviews The Hypnotist, finding it (appropriately) mesmerizing and (perhaps less appropriately) grisly. Though, he concludes, when you live in the wild north “sometimes you need an ax.”

Norm reviews Camilla Ceder’s Frozen Moment at Crime Scraps and wonders if mysteries today aren’t indulging in a bit too much backstory. If the review had to be summarized in one syllable, it might be “m’eh.” Meanwhile, update your RSS feeds, as Crime Scraps has finalized its divorce from Blogger.

Elaine Simpson-Long, Opera Lover, also loves Henning Mankell’s elegaic coda for the Kurt Wallander series, The Troubled Man, though she’s sorry it’s the last one.

I find when reading Mankell’s books that the narrative style and flow is very even and balanced, no sharp, short sentences or any breaks.   The reader is gently taken along and after a while it is almost a soothing experience to read this author and this ebb and flow reflects the character of Kurt Wallander himself, it is almost hypnotic . . . A thoughtful quiet read and well worth it.

BBC’s World Book Club offers a lengthy and informative interview with Henning Mankell. Hat tip to Mediations for the link.

The Material Witness reviews Sofi Oksanen’s Purge and gives it high marks for psychological stealth and subtlety. For some reason, I hadn’t realized she’s Finnish, so belongs here (though the setting is Estonia, and there is some dispute over whether this book can properly be called crime fiction).

Barry Forshaw has a lengthy and interesting essay in The Independent  about Norwegian crime writers and their thoughts about the genre, making a brief stop on his way to publishing a book on Scandinavian crime fiction to be titled Death in a Cold Climate. Peter Rozovsky writes about it at his blog with a pun clever enough to cause toothache.

And if you haven’t had your fill of The Girl, Variety has an article about David Fincher’s US remake of the Millennium Trilogy films; all the Swedes interviewed seem to be pleased with it, where apparently Fincher has fans. They are also relieved that it hasn’t been moved from Sweden to a US setting or filmed on location in the nearest Ikea store to Hollywood.

Hang onto your wallets: the tireless sleuth, Karen Meek, has uncovered new publications coming out in August in both the UK and US markets, including some newcomers to English translation: Norwegian Jørn Lier Horst, Swedish Stefan Tegenfalk, and Finnish Monika Fagerholm (who has one other book that has been translated into English previously).