It has been quite a while since I’ve done this, and many fine books have been translated. Here are some of them . . .
The Petrona Award shortlist has been announced, and there are some familiar names on it as well as new ones. I have some good reading ahead of me . . .
At Novel Heights, a new translation of a classic Norwegian crime novel, Stein Riverton’s The Iron Chariot, gets a review and thumbs-up for being both well-translated by Lucy Moffatt and ahead of its time. (The original publication date was 1909.)
Mrs. P. investigates Thomas Enger’s Cursed and pronounces it enjoyable and satisfying. As one of the judges for the Petrona Award, she got her hands on lots of new books translated from Nordic languages and gives us a heads up – including the exciting news that Arnaldur Indridason has a new series.
She also reviews books by Finnish authors Minna Lindgren (Death in Sunset Grove) and Antti Tuomainen (The Mine) both of which sound interesting and Hellfire by Karin Fossum, which she deems “simply outstanding.” And she takes a look at Kjell Westö’s The Wednesday Club, which sounds fascinating. She concludes, “its depiction of 1938 as a moment of great social and political uncertainty also feels resonant now, given that right-wing populism is once again on the rise. The whole novel is beautifully written, and Neil Smith’s translation communicates the measured and occasionally humorous tone of the original extremely well.”
Raven has also read Enger’s Cursed, the fourth in what she calls a “superlative” series. She praises it as a particularly well-paced story.
Bernadette reacts to Jørn Lier Horst’s Ordeal, the fifth in the William Wisting police procedural series, finding it a particularly well-balanced and suspenseful entry. She also reports that she enjoyed Chameleon People by Hans Olav Lahlum which, though set in the past (during Norway’s entry into a precursor of the EU), feels very fresh. The complicated plot and the personal relationships of the characters got high marks in what has become one of her favorite series.
Bernadette also enjoyed Leif G. W. Persson’s The Dying Detective – rather more than other books by this author. It offers great character insight if not lots of action. She concludes it’s “an excellent example of crime fiction that mixes the personal and political with police procedure in a very compelling way.”
From her perch in paradise, Kerrie reviews Karin Fossum’s Hellfire, which has a complicated timeline and stories with bits left out, while remaining extremely readable. She’s less enthusiastic about Mons Kallentoft’s Summertime Death, which combines gristly crime with a paranormal touch that she found a bit hard to swallow.
Glen Harper reviews Helene Tursten’s Who Watcheth at the LA Review of Books, pointing out how much this author owes to Sjöwall and Wahlöö’s police procedural tradition (and to Ed McBain, who pioneered the genre), portraying a middle-class and mostly functional society that finds the crimes in its midst an aberration that must be confronted. I think he nails the tone of this long-running series.
Cathy of Kittling Books reviews Johan Theorin’s The Voices Beyond, the final book in the atmospheric Öland Quartet. She found this entry a bit too slow, but still recommends the whole quartet as “not to be missed.” She also enjoyed Ragnar Jónasson’s Blackout, which also isn’t especially fast-paced but has vivid character development. She writes, “All these characters’ secrets form one huge magma chamber that’s ready to erupt, and I wasn’t content until every bit had been revealed. If you like vivid, atmospheric storytelling, treat yourself to Ragnar Jónasson’s Dark Iceland mysteries.” Nice description of a volcanic story!
Auntie M. was impressed by the way Jorgen Brekke pulled together the threads in the “outrageously plotted” and ambitious thriller, The Fifth Element. She also praises Yrsa Sigurdardottir’s The Undesired, which she says has a “a slow, psychological build to a chilling and inexorable climax.” She also reviews Ragnar Jónasson’s Snow Blind: “A classic whodunit set in a stark place with a twisted ending.” Exactly.
Ms. Wordopolis reviews Quicksand by Malin Persson Giolitto, a courtroom drama that she felt bogs down a bit during the teenage narrator’s long backstory; she compared it to the work of Laura Lippman.
At Reviewing the Evidence, Yvonne Klein also reviews Quicksand and concludes it would be a prime pick for book clubs as it contains “a great deal of serious content along with a sympathetic portrait of a contemporary young woman who, though very privileged, is subject to the expectations and demands that still afflict women even now and even in liberated Sweden.” She also notes “the book was named Best Swedish Crime Novel last year and should be a serious contender for a CWA International Dagger for 2017.” And in the same venue, Rebecca Nesvet reviews Ragnar Jónasson’s Snow Blind and declares it “riveting” and an atmospheric, invigorating start to a promising series.