Tag Archives: Asa Larsson

review roundup and a new version of Macbeth

Ms. Wordopolis reviews the first book in Mari Jungstedt’s Anders Knutas and Johan Berg series, Unseen, finding the series characters and their stories more interesting than the fairly predictable serial killer storyline. All in all, she reckons it’s time to read something other than police procedurals.

Previously, she reviewed the latest in the Carl Mørck Department Q series by Jussi Adler-Olsen, The Purity of Vengeance, which left her with mixed feelings: “I feel strange saying that the book was written well or that I was interested in the ongoing storylines of Mørck and Assad when the main plot was so horrible to women,” she writes, Like the first novel in the series (The Keeper of Lost Causes, also published under the title Mercy), the plot focuses on people who hate women. How that focus is handled (and for what purpose) is one of the biggest open questions in this genre, in my opinion.

She was also not entirely satisfied by Helene Tursten’s The Fire Dance, but for different reasons. She felt there just wasn’t much in the story to grab her interest and hold it, concluding it was a so-so entry in a series that promises more.

The Indian Feminist, who has written about Scandinavian women detectives in the past, was likewise disappointed in the latest English translation in the Irene Huss series, The Fire Dance,  which she found slow paced and uninvolving.

The Fire DanceNancy O. had a different reading experience with this book, as she explains at The Crime Segments. She counts Tursten’s series as one she deeply enjoys, and a Scandinavian author who stays on her to-be-read list as others disappoint and drop off. Her verdict: “for those who enjoy solid police procedurals with a personal twist.” She still counts The Torso as her favorite in the series, being “edgy and solid.” This entry, while a solid police procedural, has a bit less edge.

Meanwhile, in paradise, Kerrie enjoyed reading the previous book in the series, The Golden Calf, which she felt had a nice balance of action, the personal lives of the series characters, and police procedure. She sums up the series as “basically police procedurals, planted in a modern world, with plenty of human interest.”

Glenn Harper at International Noir Fiction reviews Leif G. W. Persson’s tome, Free Falling as if in a Dream, part of a series drawn from the unsolved murder of Swedish prime minister Olof Palme. Though it’s very long, he says it’s “gripping all the way through, as well as comic in some sections, through the ironic and simultaneously arrogant and self-deprecating voice of Johannson and the appearance of the ridiculous detective in many of the author’s books, Evert Bäckstrom.” However, he doesn’t hold out much hope for the US television adaptation that’s out next year. In his review, he looks at how this novel and Magdalen Nabb’s The Monster of Florence handle actual unsolved crimes, finding that both propose in their fiction plausible and disturbing solutions.

He also reviews Jan Costin Wagner’s Light in a Dark House, and has a great description of its trajectory: “meditative rather than propulsive in terms of its pacing.” He considers the non-linear, poetic approach a plus, but knows it’s not for everyone: “For me, the moody pace works, but it could be frustrating for some readers.” This story brings the series’ Turku detective, who is looking into the murder of an unidentified woman, together with Helsinki investigators looking into a series of murders, with several narrative threads that, in the end, are knitted together.

Traveling to yet another Nordic country, Harper reviews Quentin Bates’s Chilled to the Bone, the latest in a series focusing on an Icelandic investigator, Gunna Gisladottir, and it in his opinion the best in the series. Among its virtues, “lots of ethical and literary ambiguity, a plot that moves rapidly along, and a cast of interesting characters.” Though he considers it less dark than Arnaldur Indridason’s Erlendur series, it’s both grim and entertaining.

At Euro Crime, Rich Westwood reviews Carin Gerhardsen’s The Gingerbread House, advising those looking for a new Scandinavian crime series to give it a try. The main plot, about man who endured horrific bullying as a child and the various violent ways in which his former schoolmates are being murdered, seems less compelling to him than a subplot about one of the police team who believes she’s been drugged and raped after a casual encounter and is determined to find justice. Westwood thinks the admixture of personal stories of the investigating officers will remind readers of Camilla Lackberg, mixing violent murder and cozy scenes of domestic life.

Also at Euro Crime, Michelle Peckham praises Arnaldur Indridason’s Strange Shores, the eleventh novel in the Erlendur series. We and Erlendur finally grapple with the detective’s Strange Shorespersonal quest to understand how he survived being lost in a storm that killed his brother. He approaches this quest by investigating another event, the disappearance of a young woman he learned about as a child. He probes the secrets and memories of those still alive who can help him put the pieces together. She calls the book powerful, emotional, and a beautiful exploration of how trauma can shape a life.

Amanda Gillies also uses the term “beautiful” for Derek B. Miller’s Norwegian by Night, a novel that makes her fall in love with its prickly 82-year-old protagonist. Though it had a slow start for her, she pronounces the story about an American Jew haunted by his wartime experiences and his son’s death in Vietnam who sometimes is confused but manages to evade villains to save a small boy, “quite simply brilliant.” 

Mrs Peabody investigates some dystopian crime fiction, including Antti Tuomainen’s The Healer, which she finds “a gripping and quietly powerful read” which interrogates (as dystopias do) how people find meaning in situations where social structures have broken down and disaster is impending – in this case a poet searching for his missing wife, a journalist who has been writing about a Finnish eco-warrior who is taking violent action as climate change changes everything. Like Bernadette, she finds it a curiously uplifting read.

Jose Ignacio Escribano reviews Karin Fossum’s The Indian Bride (also published as Calling Out for You), in which a naive Norwegian man impuslively travels to India to find a bride. When she arrives in Norway, she disappears. And Fossum’s quiet menace does the rest. As Jose Ignacio observes, “she is able to develop a particular atmosphere that can become frightening, using only elements taken from our daily lives.” Here, in this small Norwegian town, the well-meaning and wholly wholesome Scandinavians seem all too comfortable seeking silence when the subject of race enters the picture – and Fossum is not willing to leave us content with the knowledge that justice, in the end, will be done.

At the Independent, Barry Forshaw reviews Hans Koppel’s You’re Mine Now, which once again You're Mine Nowfeatures a man who hates women, though this time the woman confronted by a stalker is in a better position to fight back than in his previous novel (which Forshaw puts in a nutshell: “ritual sexual debasement and torture visited upon the luckless heroine, kept captive in a house where she could still see her distraught, unknowing family,” Yes, that’s wny I didn’t read it.) Koppel is apparently very good at ratcheting up tension, not so good at giving us any reason why we shouldn’t just give up on the human race altogether.

Keishon is avid about reading Asa Larsson’s mysteries, but found The Second Deadly Sin disappointing in the end. There are various timeframes and one becomes a bit of a slog. Office politics among the main characters is about as appealing as . . . well, office politics. And the pacing overall, she felt, was off in an over-long novel. She recommends her other books, though.

Norm, at Crime Scraps, reviews Mari Jungstedt’s The Double Silence, a new entry in the Anders Knutas series set on Visby Island. In addition to a crime, the story involves the lives of its ongoing cast of characters. While Norm recommends this series, he felt this story jumped too often from one point of view to another and often left him mystified in ways the author likely didn’t intend.

And now for something completely different, The Wall Street Journal reports that Jo Nebso has been signed on (along with other authors) to write prose versions of Shakespeare’s plays running up the bard’s 400th birthday. Perhaps unsurprisingly, he will be taking on Macbeth and, in an interview, ponders whether he’ll make him a man vying for the position of police chief in a throughly corrupt city in the 1970s. That cauldron the weird sisters are stirring? It just might be brewing some kick-ass meth. The story is likely to keep relationships and themes but perhaps not much else. I must say I’m particularly intrigued about what Margaret Atwood might do with The Tempest. 

weird sisters and cauldron

Finally, if you are fortunate enough to be in northern California on February 2, Janet Rudolph invites you to join her and fellow fans for a lecture on Swedish crime fiction by my fellow Minnesotan, Jim Kaplan. He’s very wise to be somewhere other than in the Polar Vortex that keeps on turning the upper Midwest into an arctic knockoff.

a belated roundup of reviews and news

It’s been quite a busy semester and a long time since I’ve updated this blog. There has been no shortage of reviews and news in the interim . . .

UrbanIndianWoman is a fan of Scandinavian crime fiction and at her blog, Indian Feminist 101, she sometimes muses on its feminist aspects. (This is something I’m also very interested in, so yay!) She has recently shared her thoughts on Asa Larsson’s The Second Deadly Sin by Asa Larsson and also posted a round up of women detectives asking “Is it the densely dark atmosphere and snowy landscape and morose environment? Is it the fact that since in reality there is so little crime there that the Scandinavians’ imagination is more fertile when it comes to fictionalising it? Is it their innate sense of justice and fairness that finds voice in crime fiction?” Whatever it is, she likes it.

Reading is a popular pursuit in all of the Scandinavian countries, but according to the BBC, writing may be more popular per capita in Iceland, which has a thriving book culture for its small population of roughly 300,000. One in ten Icelanders will publish a book, according to the story, and the biggest genre at the moment is crime fiction. Sales double those in other Scandinavian countries, which also have healthy sales. What is particularly insteresting to me is that Arnaldur Indridason had virtually no company when he began to write crime stories not too long ago. He told me that his series tapped a thirst for crime fiction which had barely been published in Icelandic and with an Icelandic setting, though mysteries in English were popular among Icelanders. Takk fyrir, Arnaldur, for your books and others coming from your small island.

Euro Crime’s Laura Root reviews Vidar Sundstol’s The Land of Dreams. I abosolutely concur with her conclusion that some readers who expect resolution may be disappointed – but others (including Laura and me) will simply want to read the rest of the trilogy. 

Glenn Harper also reviews The Land of Dreams at International Noir Fiction, finding it repetetive at times (but not in an aggravating way) and, like me, is interested in what comes next in the trilogy.

Kerrie in Paradise reviews Derek Miller’s Norwegian by Night which takes an American to Norway. She gives it high marks and suggests it would make a cracking film. It was the winner of the CWA new blood dagger this year, so she isn’t alone in thinking it’s a good read.

At Petrona Remembered, Jose Ignacio Escribano features Gunnar Staalesen’s Cold Hearts, He recommends it highly and wishes the author was better known. Do you have a mystery you enjoyed and would like to share? Why not submit it to the site? It’s a celebration of Maxine Clarke aka Petrona, who loved a good mystery and is much missed.

At Crime Scraps, Norman reviews Liza Marklund’s The Long Shadow, warning readers that it’s important to read Lifetime first. This entry in the Annika Bengtson series takes her to the Costa del Sol and is not, in Norm’s estimation, the best of the bunch. I’m afraid I find her taste in men deeply irritating! Flawed heroines are right up my alley, unless they have a soft spot for controlling idiots. Is “stupid” a flaw? If so, not the kind I like.

One of Sarah’s Crimepieces is Anne Holt’s Death of the Demon. She found it a bit disappointing compared to other books in the series, with a not-terribly-gripping or complex plot. (I’ve just finished it myself and found it more of an issue-driven book than a real mystery, featuring a troubled child who we get to know a lot about but not to understand.

She felt more positive about Jo Nesbo’s Police, which is a “huge” book with complexity to spare. There is a plot strand she found annoying – and (having just read it myself) I was annoyed, too.

Marilyn Stasio at the New York Times says its nervewracking and disturbing and you really ought to read the previous book in the series, Phantom, first. She applauds Nesbo for taking Harry off stage and letting other characters have a chance to shine.

At Novel Heights, Yrsa Sigurdardottir’s ghost story, I Remember You, gets middling marks for characters (who tend to get into scrapes more often than they should) but top marks for tension – and for its clever resolution.

There you will also find a recent review of Quentin Bates’s Iceland-set mystery, Frozen Out (apa Frozen Assets) which has a lot going on but a terrific lead character. (I’ve just started reading the third in the series and am enjoying spending time with Gunna Gisladottir.)

Barry Forshaw reviews several mysteries, including Arnadludr Indridason’s Strange Shores and Arne Dahl’s Bad Blood.  He thinks Erlendur’s return is well handled, but reports that it’s the final book in the series, which makes me sad. Arne Dahl, he says “writes crime fiction of genuine authority with a sinewy, uncompromising structure.” To be honest, I’m not sure what it means, but I think it’s a compliment.

Karen Meek, the heroic mastermind behind Euro Crime, reviews Karin Fossum’s I Can See in the Dark. It’s not in the Sejer series, but rather is a psychological crime novel rather in the mode of Fossum’s recent work. Not one of her favorites.

She also reports the intriguing news that a UK publisher has acquired a new novel by Finnish author Antti Tuomainen. I enjoyed The Healer quite a bit.

Another Norwegian author is also due to appear in English, according to Crimficreader’s blog. Tom Johansen’s Blood on Snow is due in 2014 and will be followed by a sequel. Both will no doubt have an instant following, given that Tom Johansen is a pseudonym for the very busy and popular Jo Nesbo.

Jussi Alder-Olsen and More

Will you be anywhere near Minneapolis on June 1st? Then you should head over to Once Upon a Crime at 7pm where Jussi Adler-Olsen will be making a rare appearance and signing his third Department Q book to be translated into English (titled A Conspiracy of Faith on this side of the pond and Redemption in the UK. The Danish title, which means Message in a Bottle, is better, but unfortunately a lesser author with a big reputation has already used it.)  Once Upon a Crime is always worth a visit, whatever the date is. This is a special gig for a special store – Alder-Olsen will only be appearing at four bookstores on this tour. I’m so happy my local is one of them.

I hope to have a review of A Conspiracy of Faith posted here soon. I enjoyed it very much for the same reasons I enjoyed The Keeper of Lost Causes.

Karen Meek has compiled a terrific list of books that will be eligible for the next Petrona award. Lots to look forward to. I’m particularly happy to see another Gunnar Staalesen novel translated, as well as another book by Jorn Lier Horst (an author Maxine particularly enjoyed, as I recall). And there are some new-to-me authors as well.

At the sibling blog, Petrona Remembered, I run through Asa Larsson’s series, culminating in my favorite of her books, Until Thy Wrath Be Past. Norm reprises his review of Red Wolf by Liza Marklund and compares Marklund’s heroine and the Girl of the Millennium Trilogy.

At Crime Scraps, Norm reviews Liza Marklund’s latest novel, Lifetime, and finds it an exciting read with a very human woman protagonist (who he wishes had better taste in men).Lifetime

Sarah also reviews the novel at Crime Pieces, and loved both the storyline, the diversions into the newsroom where Annika works and its troubles, as well as further developments in the reporter’s complicated home life, writing “ultimately Annika is the reason, I suspect, a lot of people read Marklund’s books and I think she fast becoming one of my favourite characters in crime fiction.”

Whereas I find her chaotic home life a bit exasperating, and say in my review at Reviewing the Evidence, “in the end, the prickly, emotional, and vulnerable Annika takes a back seat to her identity as a confident and professional journalist. Similarly, the novel is at its best when the mystery nudges the personal drama into the background and takes center stage.” Which is a much more measured way of saying that I just want to smack her.

Charles Finch at USA Today does not roll out the welcome mat for Jo Nebo’s The Redeemer, finally hitting shelves in the US. He calls it both plodding and interminable, and confesses right up front, “I can’t stand Nesbø’s books. That includes The Redeemer, which, like his earlier novels, strikes me as pat, lurid and, above all dull, moving at a fatally sedate pace.” He acknowledges that his opinion is not shared by all. (That includes me. He thinks The Snowman is the best, and I thought it the least imaginative and interesting. I liked The Redeemer much better. Also, why would you assign a review to someone who doesn’t like an author’s work? It’s a mystery.)

Glenn Harper at International Crime Fiction reviews Mons Kallentoft’s Summertime Death, which he finds rather annoying for a variety of reasons, including the irrationally dreadful behavior of the police (which is less convincing and interesting as another book in which the police behave rather appallingly, Lief G. W. Persson’s Linda, as in the Linda Murder.) He has also had enough, already, of those loquacious dead people.  

For contrast, see his previous review of Linda, as in the Linda Murder, which focuses on the most appallingly awful of his detectives, Ewart Bäckström, who takes very little interest in the Linda, as in the Linda Murdercrime he’s investigating, though other detectives nudge the case forward. He advises,

One of Bäckström’s spectacular failings is his attitude toward women, sometimes kept to himself and sometimes revealed openly. If you find his attitude more annoying than comic, trust me–you should stick with the book. Increasingly through the last third of the novel and with considerable impact at the very end, the author brings the story and Bäckström’s sexism (and not only his sexism) into stark focus.

In the end, the book is long, non-linear, a bit demanding, but extremely rewarding. i may have to give Persson another chance.

Jose Ignacio Escribano reviews Hakan Nesser’s Borkmann’s Point at The Game’s Afoot. Esta entrada es bilingüe, which I believe means “Jose Ignacio is far cleverer than I am.” He enjoyed it a great deal and recommends the entire series, particularly for its dialogue.

Ms. Wordopolis reads Anne Holt’s Blessed are Those Who Thirst, The story is a high-energy look at both the affect of a rape on the victim and police work in a time of austerity, when the system is swamped and angry citizens are tempted to take things into their own hands. She writes, “sometimes in the course of a police procedural I lose sight of the crime at the center of the novel and become more wrapped up in the chase for the perpetrator, but that didn’t happen while I read this novel.” She adds that Holt did a great job of portraying the work of civil servants in a realistic way.

Raven Crime reads Quentin Bates’s third Gunna Gisladottir mystery, Chilled to the Bone. Chilled to the BoneThough the author, Quentin Bates, no longer lives in Iceland, he does a great job of creating the sort of woman who might actually investigate crimes there, a down-to-earth mother and soon-to-be grandmother who, quoth the Raven, is “defined by her professionalism and absolute determination to get to the heart of the investigation, but carries an aura of calmness and self-deprecation which instils confidence in her colleagues and victims alike.” She finds the balance of police procedural, personal life, humor and seriousness to be just right.

Sarah at Crimepieces points out that Gaute Heivoll’s Before I Burn is about a crime, but isn’t crime fiction. It’s the fictional memoir of a Norwegian whose village was torched by an arsonist. In adulthood, he moves to Oslo, but is drawn home when his father is taken ill. She says it’s beautifully written and thought-provoking. Just don’t expect it to be shelved in the crime fiction section.

Col adds Camilla Lackberg’s The Stranger (apa The Gallows Bird) to his criminal library at the urging of his wife, who liked it quite a bit more than he did. He found some of the characters cliched and (like me!) dislikes hooks inserted at the end, lures for the next book. I particularly like the way he concluded his review: “my 2012 edition states that the author was the 9th best-selling author in Europe in the previous year. She must have a very big family, I reckon.”

At Euro Crime, Susan White reviews a new book by Anders Roslund and Borge Hellstrom, Two Soldiers, which portrays the rise of youth gangs and how membership in the gang family distorts young lives. It sounds quite as harrowing as their previous work.The Weeping Girl

Previously at Euro Crime, Raven Crime (aka JF) reviewed The Weeping Girl by Hakan Nesser, Though it continues the van Veeteren series, he steps aside and lets Ewa Moreno take the lead, which she does without missing a step. Great characters, just the right amount of humor, and an involving case make it a book worth reading.

reviews and a rediscovery

LeRoy Panek, part of the amazing perpetual motion machine behind the Westminster Detective Library, kindly called to my attention a Swedish crime writer I’d never heard of – August Blanche, whose novel The Bandit is crime fiction just like Les Miserables is crime fiction. It’s his only work translated into English and is available only in a tiny handful of libraries, but it’s interesting that of all of his work, this is the one translated – back in the 1870s.

Panek’s website is an amazing project with an ambitious assignment:

It is the mission of the Westminster Detective Library to catalog and make available online all the short fiction dealing with detectives and detection published in the United States before Sir Arthur Conan Doyle’s “A Scandal in Bohemia” (1891).

It’s fascinating – but beware; it’s easy to disappear down a rabbit hole and lose your motivation to do anything else.

Rob Kitchin reviews Jussi Adler-Olsen’s Disgrace (which in the US will carry the title The Absent One) which he feels has strong characters and a nicely-accelerating pace. Shame it requires quite a bit of engineering to maintain suspension of disbelief. He advises readers to leave expectations of plausibility behind when embarking on this reading experience.

He also reviews The Man on the Balcony by Maj Sjöwall and Per Wahlöö. “There’s little machismo,” he writes, “no maverick geniuses and little in the way of heroics – just the police getting on and doing their jobs.” He appreciates the realism and the rhythm of their storytelling.

Jose Ignacio Escribano reviews Asa Larsson’s The Black Path which he found impressive and attractive, though the detailed flashbacks for several characters weakened the forward momentum for him.

Ms. Wordopolis reads Larsson’s The Blood Spilt which, with its vivid characters and scenes, she recommends highly.

At Petrona, Maxine Clarke reviews the first Konrad Sejer novel, finally in translation. She says of Karin Fossum’s In the Darkness that it is tightly plotted and with the kind of deceptively simple story that swirls with inner depths, not as abstract and “fabular” as her more recent books (and I must say, she has given a name to something I had observed but couldn’t put my finger on about this writer’s recent books).

She also writes what may be the first review of the English translation of Sebastian Bergman by by Michael Hjorth and Hans Rosenfeldt, from Little Brown UK’s new imprint Trapdoor, in which a jaded, troubled criminal psychologist who goes to Vasteras to settle the affairs of his recently-deceased mother and is drawn into a murder investigation.  Though it has pacing that is hardly blistering, the characters and their interactions are the real heart of the mystery. Though it has a tie-in with a television program imported to the UK, Maxine recommends that you turn off the television and enjoy a much more satisfying experience by reading it.

At Euro Crime, she gives Mons Kallentoft’s second mystery, Summertime Death, points for being atmospheric and (mostly) well-constructed, though the ending offers some “???” moments and the continuation of using voices from beyond the grave is a stylistic feature that works no better the second time around.

She also revisits Leif G. W. Persson’s Between Winter’s Longing and Summer’s End, having found the second book in this monumental trilogy quite good. She still struggled to get through the 600 pages, finding it “depressing, leaden and grim,” yet nevertheless fascinating in its highly critical depiction of cold-war Swedish politics. I don’t think I have the stamina to follow her lead, but may take her advice and give Another Time, Another Life a go.

At Mean Streets, ravenpasser thinks Hakan Nesser’s The Unlucky Lottery is evidence that publishers are rushing unworthy books into translation (opening with “the Scandinavian bandwagon is now a rustbucket”; a bit of a sweeping generalization).

Glenn Harper at International Noir Fiction has two reviews in one – Mari Jungstedt’s Dead of Summer and Seppo Jokinen’s Wolves and Angels , both of them worthy police procedurals that have a rich cast of recurring characters who bring to their police work an earnest social conscience. (I enjoyed both of them, too.)

At Past Offences (wonderful blog title – all of the reviews are of books published before 1987) Rich reviews Maj Sjöwall and Per Wahlöö’s The Fire Engine that Disappeared, capturing the authors’ wry wit nicely. I was very careful to include all the umlauts, which I did by copying and pasting (being ignorant of how to persuade WordPress to make them, and sadly too lazy to find out. Shocking, I know.)

In the New York Times Book Review, Marilyn Stasio gives Karin Fossum’s The Caller high marks, writing that she is “a grandmaster at the art of psychological terror. Her thoughts are gloomy, her mind is subtle and her writing is extraordinarily supple” in a story that she calls “one of the darkest, most disturbing crime stories you’re likely to read this year.”

Bernadette takes a turn as a reviewer at Euro Crime, (lucky Euro Crime!) reviewing Anna Jansson’s Killer’s Island, one of the new releases from Stockholm Text. She finds the story well-paced, offering a well-balanced mix of police work and personal lives, though some of the relationships among the series characters are a bit more mysterious than they would have been if this were not the eleventh in the series.

And finally, at Reviewing the Evidence, I reviewed Mons Kallentoft’s Midwinter Blood (titled Midwinter Sacrifice in the UK) and make some cranky comments about the voice of the dead conceit before concluding that it is quite a readable and refreshingly chilly book.

More Reviews and Some New Writers on the Scene

Jan Wallentin is a newly translated author who undergoes torture at the Guardian where reviewer John O’Connell describes Strindberg’s Star (published in 2010 and apparently popular in Europe) as “post-Da Vinci Code assemblage of ancient artefacts, Norse myth, nazism, travelogue and secret societies.” He  finds the characters “almost as preposterous as the plot” and he’s not enthusiastic about the translation, either.

The site Crime Fiction Lover lives up to its name by loving it, however, saying it’s dark, unsettling, and compelling.

Glenn Harper reviews Ake Edwardson’s Sail of Stone and does a remarkable job of describing why he likes this author’s style so much. Since I have always had trouble describing Edwardson’s very particular style, I can’t resist quoting him:

The two stories hardly seem weighty enough for a crime novel, despite the considerable parallels between them, but in Edwardsson’s hands there is considerable tension and forward motion, as well as a pair of unconventional climaxes. A good deal of the novel is carried forward in oblique dialogue that’s frequently comic in its indirectness. Along the way there’s considerable discussion of music (Erik is a jazz fanatic who doesn’t care about any other music, while the other detectives have their own soundtracks) and vivid evocations of Göteborg/Gothenburg in Sweden and Scotland from Aberdeen to Inverness. We also get lively glimpses of Erik’s and Aneta’s private lives, without descending into soap opera.

Edwardsson is one of the best writers in the Swedish crime wave.

And I will add that Harper is one of the best reviewers.

He’s been quicker than I am to review one of the new Stockholm Text books, Anna Jansson’s Killer’s Island. He wasn’t taken with the writing style, but found it improved as the book went on. It has the same setting as Mari Jungstedt’s series and a preoccupation with personal lives of the characters that reminds him of Camilla Lackberg. He recommends the television series based on these books if you are lucky enough to catch it .

Philip at To Be Read … reviews one of my TBR books, The Murder of Halland by Danish author Pia Juul. Though it is fiction that includes a crime, he wonders whether it’s a mistake to consider it crime fiction as it is circuitous and more of a literary approach to a woman’s trauma than the sort of plot-oriented investigation crime fiction fans anticipate. I guess I will find out in due course how I come down on this issue. The review itself is intriguing, so I hope to enjoy an intriguing novel, whatever its genre.

He also reviews Stefan Tegenfalk’s Anger Mode, which sounds like a great deal of intelligent fun.

Bill Selnes reviews Helene Tursten’s Detective Inspector Huss at Mysteries and More and is eager to read more in the series. (So am I!)

Norm at Crimescraps enjoyed Jo Nesbo’sPhantom, but thinks (having set himself a very high bar) it’s not the author’s best. It does sound like quite a detailed ethnography of drug addition in a large European city, as well the development of Harry Hole’s paternal side.

He also reviews Hakan Nesser’s Hour of the Wolf, a Van Veeteren series book that won the Glass Key in 2000. He recommends it highly. Jose Ignacio also gives it high marks at The Game’s Afoot. Even though I’ve not yet read this book, I wholeheartedly agree with one line of the review: “Reading becomes an addiction.”

Margot Kinberg puts Camilla Lackberg’s The Ice Princess under the spotlight – particularly focusing on the small town setting and how that affects the story.

W. J. H. Read reviews Lief G. W. Persson’s Another Life, Another Time at I Love a Mystery, saying it is “compelling, suspenseful and at times very funny,” recommending it highly. In general, this seems to be a more accessible book than the first in the series. It also confirms that the author likes long titles.

Fleur Fisher (aka Jane) thought very highly of the book, and does an excellent job of explaining why, summing up by saying “I was impressed by the tightness of the plotting, and that though the story was complex it was not at all difficult to follow … I was held from beginning to end, by a very capable piece of crime writing, set in a very real and wonderfully evoked world.”

Kimbofo is favorably inclined toward Arnaldur Indridason’s Outrage, finding the focus on Elinborg rather than the usual protagonist, Erlendur, more pleasing than she expected and pointing out that it wouldn’t be a bad place for readers new to the series to start. Maxine in the comments points out that the next in the series, Black Skies, takes place during the same period of time and focuses on Sigurder Oli who makes a more interesting protagonist than expected.

Book Geeks reviews Yrsa Sigurdardottir’s The Day is Dark, finding it solid, but not exceptional, with many interesting features but pacing that is . . . oh, no, I feel a terrible pun coming on, given it’s largely set in Greenland. Never mind.

In the most recent issue of Swedish Book Review, Paul O’Mahoney offers a translated snippet from Kjell Westo’s novel, Don’t Go Out Alone Into the Night. Westo is known to crime fiction readers as the author of the psychologically suspenseful novel Lang. This issue also reviews new fiction in Swedish, including a novel by Johann Theorin, Sankta Psycho, that is not set on the island of Oland, but rather takes place in a psychiatric facility connected to a preschool (!). Marlaine Delargy is translating this book which will be titled in English, The Asylum.

If you’d like to learn more about Eva Gabrielsson’s relationship with Stieg Larsson, she was interviewed on WHYY’s Fresh Air program. I realize many of you would prefer not to.

Mrs. Peabody investigates Harri Nykanen’s Nights of Awe. She wasn’t all that impressed by the convoluted plot, but really liked the way the Jewish-Finnish lead character was developed.

Sarah at Crime Pieces reviews Asa Larsson’s The Black Path, which (confusingly) has just been published in the UK, though it precedes Until Thy Wrath be Past.  She feels it’s quite good, but the backstory gets rather heavy-handed and the ending “out of proportion with the rest of the narrative,” which means our feelings are practically identical. I do like this series, though, even when it’s not at its top form.

She also has an excellent essay on how the Sjowall and Wahloo novel The Man on the Balcony and Marco Vichi’s Death and the Olive Grove manage to deal with a difficult topic – abuse and murder of children – without the usual missteps, but rather with insight and understated respect.

And carrying on with Scandinavian crime, she reviews Thomas Enger’s Burned, which she picked up after hearing the author speak at CrimeFest. She thought it was very good, particularly for its depiction of the non-stop contemporary news business. (I liked that part, too.)

Good grief. The New York Times has had some silly ledes lately (“Men invented the internet” for example, “Men with pocket protectors” and with powers that make them invisible to fact checkers and skeptical editors) but it’s nevertheless a bit embarrassing to have them tell us “Norway has Noir” as if it’s, you know, news or something. Jo Nesbo spoke at Book Expo America. He was pretty funny, according to my Twitter informants. The Gray Lady should perhaps pay more attention.

Kerrie reviews Johan Theorin’s The Quarry, which she gave high marks. (I did, too.) Another book she has reviewed recently is Next of Kin by Danish author Elsabeth Egholm, whose sleuth is a journalist. Kerrie recommends it as a good read.

Mons Kallentoft’s second book in English, Summertime Death, gets Sarah’s attention at Crimepieces. She praises his writing style and found most of the book well-paced, except toward the end. It sounds a bit “once more with feeling” but still a good one – though Sarah hopes he’ll try for more variety in future books. The book is also reviewed favorably in the New Zealand Listener, where Bernard Carpinter declares it “complex and excellent.”

Kerrie adds another thumbs up to the general praise for Jorn Lier Horst’s Norwegian police procedural,Dregs. How about translations of the entire series? And a US release, while I’m being demanding? She had a bit of trouble getting into Anne Holt’s The Final Murder, but once into the swing of things enjoyed the Stubo/Vik story. Incidentally, Holt’s 1222 has just been nominated for a Macavity award, with the winners to be announced at Bouchercon this coming October.

Speaking of CrimeFest, Karen of Euro Crime did some wonderful on-the-fly reporting, including a detailed report from Death in a Cold Climate – a panel moderated by Barry Forshaw featuring Asa Larsson, Thomas Enger, Ragnar Jonasson (sadly, not yet translated into English), and Gunnar Staalesen, as well as Roslund and Hellstrom interviewed by Janet Laurence.

I should take this opportunity to thank Karen and her partners in crime reviewing. The Euro Crime site now has 2,303 reviews, bibliographies for 1,793 authors, and information about close to 10,000 books. That’s an awesome achievement, and all done for love.

Five Books, Two Interviews, and Several Reviews

Photo courtesy of teosaurio.

At The Rap Sheet, Ali Karim interviews. Barry Forshaw about his guide to Scandinavian crime and asks him to recommend five books for the busy reader who wants to know what all the fuss is about. Jose Ignacio gathers alternative suggestions at The Game’s Afoot. Having given it a bit of thought, here is my list of five:

  • Anne Holt – 1222, because it’s fun and interesting and a bit outrageous. Also, very cold.
  • Liza Marklund – The Bomber, because this series offers a good example of the journalist as detective (though not sure this is the best of her books to read, as I’ve not read them all yet; maybe the newly translated Studio Sex, now known as Exposed would be a better choice).
  • Helene Tursten – The Torso, because it’s one of an excellent series of procedural mysteries and has a nifty cultural comparison of Sweden and Denmark.
  • Yrsa Sigurdardottir – Last Rituals, to demonstrate that Nordic writers can be gently funny and because of the Icelandic landscape.
  • Lene Kaaberbol and Agnete Friis – The Boy in the Suitcase, which is narratively complex and socially aware, while also a fast-paced thriller about contemporary Denmark.

I could just as easily come up with five more lists of five! But I’ve been thinking about  women writers in particularly because I’m working on an event showcasing women crime writers from Scandinavia to be held in Minnesota next September if everything comes together.  Wish me luck!

Other commentaries on Forshaw’s Death in a Cold Climate can be found at Maxine Clarke’s Petrona and Martin Edwards’ Do You Write Under Your Own Name?

And Norm at Crime Scraps offers his list (now, with women!)

Catching up on reviews that have appeared in recent weeks . . .

Karen Meek of Euro Crime fame reviews Dregs by Jørn Lier Horst, giving it high marks (as has every reviewer I am aware of): “a very well thought-out plot, which keeps the reader and police baffled until the very end. The widowed Wisting is a steady, thoughtful detective with a wry outlook on life” – and she hopes there will be more in the series translated into English.

Karen also reviews The Phantom at the Euro Crime blog. I’m pleased to learn that it’s more like his earlier books than like The Snowman or The Leopard.

KiwiCraig also reviews The Phantom at Crime Watch, finding it “mesmerizing … Gripping, fascinating, highly recommended.”

And Sarah at Crimepieces rounds out the reviews with another thumbs up. The theme of the book, she writes, is the damage drugs can do, and the story pulls together many of the series’ threads.

At the Euro Crime blog, Karen notes a collection of Stieg Larsson’s journalism has been published in a volume titled The Expo Files.

At Euro Crime, Maxine reviews the latest Mari Jungstedt mystery, Dark Angel, which is a strong entry int he series, though with a somewhat wobbly ending.

At Reviewing the Evidence, Yvonne Klein finds Irene Huss a detective worth watching as she appears belatedly in the second of her series by Helene Turnsten. Night Rounds involves a ghost, a mysterious disease, and uncertainty about which victim was the murderer’s main attraction. Yvonne thinks the English translation is serviceable but thinks the series would have been better served if there wasn’t a different translator for each volume.

Norm reviews the new translation of Liza Marklund’s Exposed (formerly known as Studio 69 in the UK and Studio Sex in the US; he hopes this new version captures new readers for a series he considers a “must read.”

Per Wahlöö’s non-Martin Beck mysteries are not terribly well known; catch up by reading reviews of two of these political dystopias, Murder on the Thirty-First Floor and  The Steel Spring at To Be Read. Quite honestly, it sounds as if his writing is improved when liberally mixed with equal parts Sjöwall. There is an informative biographical sketch of the author, drawing parallels with Stieg Larsson (including, sadly, his untimely death) at The Independent.

Glenn Harper reviews Nights of Awe, the first in a new series by Harri Nykänen, featuring a Jewish detective, Ariel Kafka, working in Helsinki on a politically sensitive murder case, finding in it the same wry humor as in the Raid series. RebeccaK at the Ms. Wordopolis Reads blog, also recommends the book, though thinks Kafka has some irritating sexist habits; otherwise he is an interesting character in a story that sheds light on Finland and its relationship to Israeli/Palestinian affairs.

NancyO reviews The Torso by Helene Tursten, which she feels is the best of the series so far. She also reviews Tursten’s The Glass Devil. I heartily concur with her instructions to Soho, Tursten’s US publisher, when it comes to the yet untranslated entries in the series: nod nod, wink wink.

Jose Ignacio offers a bilingual review of the Spanish translation of Asa Larsson’s The Blood Spilt (apa The Savage Altar), which has elements like the first in the series, but is in the end quite different, and very good.

Bernard Carpenter of The New Zealand Listener has short reviews of several mysteries, including Mons Kallentoft’s Midwinter Sacrifice and the new translation of Liza Marklund’s The Bomber.

Beth at Murder by Type reviews Kristina Ohlsson’s Unwanted, which she finds a strong debut in a series worth watching. She also has high praise for Helsinki White, Jim Thompson’s third entry in the Kari Vaara series.

At Book Geeks, Mike Stafford has a thoughtful and appreciative review of Leif G. W. Persson’s Between Summer’s Longing and Winter’s End, warning readers it’s not an easy book to read, but ultimately is an impressive work. “While it places colossal demands on the reader,” he writes, “this is a book breathtaking in scope and majestic in execution.”  He concludes that it’s a trilogy that could rival Stieg Larsson’s – though I wonder if it might be better compared with the television series The Wire, with it’s broad canvas, vast cast of characters, and which could also be considered a complex “story of a crime” writ large.

And now, for a couple of interviews:

First, one with Denise Mina, who is working on a comic book adaptation of the Millennium Trilogy, which I must say was an awesomely smart decision.

Second, an interview with Jo Nesbo conducted by Craig Sisterson (aka KiwiCraig) published in a major magazine, New Zealand Listener. No surprise that it’s up to Craig’s usual high standard.

What We’ve Been Reading

In the Washington Post, Richard Lipez reviews Kaaberbol and Friis’s The Boy in the Suitcase, and finds the interwoven tales of two mothers, both intent on a boy who is drugged and shipped to Denmark in a suitcase, “another winning entry in the emotionally lacerating Scandinavian mystery sweepstakes.”

At Petrona, Maxine reviews the book, finding many of the characters well-drawn, but herself not particularly drawn to Nina Borg. Despite a disappointing denouement, Maxine found the book “exciting and involving” as it sheds light on issues of social injustice.

Ms. Wordopolis thought it was the best of the Scandinavian crime she has read lately, with complex characters and a riveting story that never becomes manipulative.

At Eurocrime, Lynn Harvey reviews the new translation of Liza Marklund’s The Bomber,  which she found a fast-paced thriller with an appealingly strong heroine.

The Daily Beast interviews the authors about the choices they made in the book, including the portrayal of men who carry out violent acts. They find crime fiction that dwells on violence is too often about how crime is committed, not who committed it or why.

At International Crime Fiction, Glenn Harper reviews Johan Theorin’s The Quarry, writing that Theorin continues to combine an interesting plot structure, lots of the flavor of daily life for the characters, including the recurring figure of Gerlof, an elderly resident of the island of Oland, and a folkloric supernatural element – continuing the arc of a series that he feels is about as far from the style of Stieg Larsson as it is possible to get.

He also reviews Helene Tursten’s Night Rounds and compares it to the previously-filmed Swedish television version of the story. He praises Tursten for telling an interesting story with just the right amount of domestic backstory – and Soho Press for restarting their publishing of this seires, which was one of the earliest Swedish translations into English among crime fiction titles.

Jose Egnacio reviews Dregs by Jorn Lier Horst, and recommends the Norwegian police procedural highly.  While still in Norway (at least in a literary sense) he offers his comments on K. O. Dahl’s Lethal Investments, which he found enjoyable. Crossing the border into Sweden, he reviews Sjowall and Wahloo’s Cop Killer, a late entry into the Martin Beck series which he finds thought-provoking, with “a fine sense of humour.”

At Eurocrime, Laura Root also reviews Lethal Investments, concluding that plot is less the author’s strength than character and being able to poke society with a sharp, satirical stick.

Mrs. Peabody investigates Jan Costin Wagner’s The Winter of the Lions, another entry in a series she admires, writing “the value of the series lies less for me in the plot or investigative process and more in the novels’ use of the crime genre to explore human reactions to death, trauma and loss. Melancholy and beguiling, these novels are a wintry treat of the highest order.” (As an aside – are there many reviewers in the media who write mystery reviews as good as this?)

Sarah at Crimepieces also reviews it, noting that it has a slightly bizarre but not implausible plot, praising the author’s writing and ability to create intriguing characters.

At Petrona, Maxine has mixed feelings about Kristina Ohlsson’s Unwanted. She found it a quick, entertaining read, but short on emotional depth and rather predictable, though the writing was good enough that she hasn’t written off the author yet.

For the Sisters in Crime 25th Anniversary Challenge, Maxine (who has completed two levels of the challenge and is well on her way to completing the expert level) profiles Inger Frimansson and includes Camilla Ceder and Karin Alvtegen among her “writers a bit like Frimansson” list.

Michelle Peckham enjoyed Mons Kallentoft’s Midwinter Sacrifice, finding it a slow-burning story with an intriguing lead character.

Beth sums up her thoughts about the Millennium Trilogy as David Fincher’s new film version hits theatres. She writes, “the real genius of the Millennium Trilogy is that Lisbeth Salander is no less an unforgettable character on the page as she is on the screen.”She also reviews Anne Holt’s 1222 which she found atmospheric and evocative. This novel recently made new in the US as it was just nominated for an Edgar “best novel of 2011″ award

Keishon raises some excellent questions about “the commercialization of Scandinavian crime fiction” – in particular wondering if the trajectory of the Harry Hole series has been influenced by the demands of the American market for more violence done by armies of serial killers. The comment thread resulting is also well worth a read. She also reviews Asa Larsson’s The Black Path which she found an uneven entry in a strong series – making up for it in Until Thy Wrath Be Past, which she found “unputdownable,” full of strong scenes and unforgettable characters. 

Norm also gives Until Thy Wrath Be Past high marks – “refreshingly different and thought-provoking.”

Shadepoint names Leif G. W. Persson’s Between Summer’s Longing and Winter’s End the best book of 2011, which was challenging in its scope but in the end memorable and significant.

Kerrie in Paradise finds Jo Nesbo’s standalone Headhunters quite clever and advises readers to stick with it through its slow start.

If you’d like to browse a list of excellent reviews, you’ll find it at Reactions to Reading, where Bernadette lists the books she read for the Nordic Book Challenge of 2011. (She nearly reached Valhalla – as do I, reading her insightful comments on books.)

Some interesting feature articles to add to the review round-up:

Publishing Perspectives profiles Victoria Cribb, who translates Icelandic works into English and scrambles to keep up with Icelandic neologisms that are based on Icelandic roots rather than being merely imported from other languages. (Go, Iceland!) This small country, which publishes more books per capita than any other, was highlighted at the Frankfurt Book Fair.

Dennis O’Donnell, book geek, reviews Barry Forshaw’s Death in a Cold ClimateForshaw himself blogs at Shots about covering the Scandinavian crime beat – and offers aspiring novelists a checklist of how to write a Nordic bestseller, among the tips changing your name to something like Børge Forshawsen.

Dorte contributes a wonderful survey of Danish crime fiction to Martin Edwards’ blog, Do You Write Under Your Own Name? including writers who are just becoming familiar to English-speaking readers as well as some we haven’t met (yet).

On the “in other news” front, Nick Cohen challenges Stieg Larsson’s claim to feminism, criticizing his (not translated) co-authored book on honor killings which Cohen says suffers from a left-wing abandonment of feminism when race enters the picture, using the issue to accuse leftists in general of waffling on women’s rights when it comes to immigrants.  The smoke is still rising from the comments.

rounding up the reviews

What a lot of reviews appear in the weeks since I last compiled them! And a very interesting mix, too.

India has its aficionados of Nordic crime. Among them is Anantha Krishnan, who reviews for a number of online sources. A recent example is this review in Midwest Book Review of Camilla Lackberg’s The Stonecutter.  Ananth feels Lackberg’s strengths are in character development and setting more than plot. (I have to agree.)

Maxine Clark reviews Anders Roslund and Borge Hellstrom’s new thriller, Cell 8, finding it disappointingly ham-fisted in its treatment of an issue, capital punishment. She found the lead character unappealing and the use of coincidence and thin character development in the service of Making a Serious Point less than satisfying. She does point out that fans of political thrillers looking for a fast read may enjoy it.

Kerrie at Mysteries in Paradise had a different experience reading Cell 8 – she found it well-paced and ingeniously plotted, with a nice ironic touch at the end. She also has done a bit of digging and points out that this book was published after Box 21 but before Three Seconds.

At the Independent, Barry Forshaw is also generally positive about the book, noting its strong political message, but concluding “the duo never lose sight of one imperative: to keep the readers transfixed with a mesmerising crime narrative.”

At Euro Crime, the founder and genius-in-chief,  Karen Meek, reviews the latest in Kjell Ericksson’s Ann Lindell series, The Hand that Trembles. Though she finds the series uneven, this book was largely enjoyable after a sluggish start set in India and should appeal to those who prefer depth of characters over pacing and thrills. Unfortunately the production leaves much to be desired, with many problems a good proof-reading would have fixed.

Glenn Harper reviews Jo Nesbo’s standalone, Headhunters, and found it good fun except for the disgusting bits. It sounds very different than the Harry Hole series.

At The View from the Blue House, Rob Kitchen praises Arnaldur Indridason’s Outrage, which he finds layered, philosophical, and reflective while doing, as usual, a good job of mixing mundane daily life with a police investigation.

At Murder by Type Beth reviews Hakan Nesser’s The Unlucky Lottery which she finds a solid character-driven novel that explores what happens when friends win a lottery and it opens up a can of problems.

Three reviews for the price of one at Killer Reads – where readers comment on James Thompson’s Lucifer’s Tears, a Finnish mystery I enjoyed very much.

Keishon reviews Asa Larsson’s The Blood Spilt and gives it – and all of her books – high marks, though she found the ending a bit predictable.

At Crimepieces, Sarah reviews Jorn Lier Horst’s Dregs, which she feels has the qualities that she most enjoys in Scandinavian crime fiction – while sharing the unfortunate fate of being translated out of order.

Bernadette also reviews Dregs at Reactions to Reading and encourages publishers to give English-speaking readers more volumes in this smart, enjoyable series.

Beth at Murder by Type reviews Sara Blaedel’s Call Me Princess which she enjoyed, but cautions readers that it is being compared to all the wrong books; it’s much lighter fare than Stieg Larsson, though like the Millennium Trilogy, it’s about violence against women. If approached on its own merits, Beth thinks it’s well worth a read.

She also reviews The Leopard by Jo Nesbo, which she enjoyed very much, but which has an off-puttingly violent first chapter. Sounds like one to read with your eyes closed – or as she puts it, “the first chapter is unforgettable, which is why I wish I hadn’t read it. ” The other 94 chapters make up for it.

NancyO reviews Midwinter Sacrifice by Mons Kallentoft, which she finds very good and atmospheric, though she’s not convinced that the device of including the voices of the dead is particularly effective. (Or, as she puts it in the comment stream, “the series has potential to be very good but LOSE THE GHOSTY stuff!”

Kerry at Mysteries in Paradise listened to an audio version of Roseanna, the first in the Martin Beck series and finds it “a masterpiece of suspense and sadness.”

Norm at Crimescraps undertakes a reading of The Dinosaur Feather by Sissel-Jo Gazan and describes the experience with a great deal of humor, while providing a review. (Far too much backstory and subplotting in a doorstop of a book hides a good 300-page story hidden among 536 pages.)

And at Reviewing the Evidence I review Arne Dahl’s Misterioso, which seems to me closer to the Martin Beck series than any other Swedish crime fiction that is said to be inspired by Martin Beck. Though it seemed slow to start, I ended up enjoying it very much, and found the context – Sweden’s 1999 financial crisis – to be almost eerily topical and Dahl’s take on it spot-on.

The Euro Crime blog brings the good news that Maj Sjowall has been awarded the Big Caliber Prize of Honour at the International Festival of Crime Fiction, in Wroclaw, Poland. And well deserved it is, too.

The blog also provides a public service by alerting readers to a completely unnecessary and confusing title change. (Camilla Lackberg’s The Stranger = The Gallows Bird. Don’t be fooled into buying it twice.)

On the film and television front, Martin Scorsese will be directing a big screen version of Jo Nesbo’s The Snowman.

Much excitement is mounting over David Fincher’s version of The Girl With the Dragon Tattoo, thanks to which it’s back on the New York Times‘ bestseller list. The New York Times just ran a profile of Fincher and his thoughts on the film. I won’t try to capture the buzz around the film, as that avalanche would quickly bury everything else here.

Though not actually crime fiction, we might as well mention that Henning Mankell’s Italian Shoes is being directed by Kenneth Branagh and will feature Judy Dench and (possibly) Anthony Hopkins.

But for sheer silliness, it’s hard to beat the clash of British and Scandinavian policing in the Hürda Gürda Mürder.

Asa Larsson – Until Thy Wrath Be Past

(Cross-posted from my personal blog.)

Not long ago I finished reading Until Thy Wrath Be Past, Asa Larsson’s most recent book in the Rebecka Martinsson – Anna-Maria Mella series set in the far north of Sweden, and sighed with satisfaction. It’s an excellent book in a wonderful series, and so it makes sense for me to include Asa Larsson in my attempt at the expert level of the Sisters in Crime 25th Anniversary Challenge.

Asa Larsson is an excellent writer, and in this series she adds to her stylish writing a group of intriguing characters and a vivid setting that the author infuses with love. Its one of those settings that seems terrifically appealing because the author has made it so, though in reality I doubt I would really enjoy living in Kurravaara, a village outside Kiruna so far north that in the winter the sun barely shows its face and in April, when this story takes place, the sun rises before 4 a.m. Rebecka Martinsson, who is now working as a prosecutor, seems happy, settled in the home that she left in her late teens after a difficult set of circumstances, described in the first book in the series, Sun Storm (apa The Savage Altar). She spent lonely years in Stockholm as a student, then as a obsessively hardworking tax lawyer, only called home to the north when a friend was in trouble. Things haven’t been easy for her, and events in previous books were traumatic, but as Until Thy Wrath Be Past opens, Rebecka seems grounded and fulfilled.

Snow, thought district prosecutor Rebecka Martinsson, shivering with pleasure as she got out of her car at the house in Kurravaara.

It was seven in the evening. Snow clouds enveloped the village in a pleasant, dusky haze. Martinsson could barely make out the lights from the neighboring houses. And the snow was not just falling. Oh no, it was hurtling down. Cold, dry, fluffy flakes cascaded from the sky, as if someone up there were sweeping them down, doing the housework.

My farmor, my father’s mother, of course, Martinsson thought with a trace of a smile. She must always be on the go, scrubbing the good Lord’s floor, dusting, hard at work. I expect she’s sent Him out to stand on the porch.

Her farmor’s house, faced with gray, cement-fiber Eternit siding seemed to be hiding itself in the gloom. It appeared to have taken the opportunity to have a nap. Only the outside light above the green-painted steps whispered quietly: Welcome home, my girl.

She is soon presented with what seems an unfortunate tragedy: the body of a long-missing girl is found in a river. She and her boyfriend went diving months ago, and now that her body has  been discovered, authorities conclude they died in an accident. But readers know they were murdered, that while diving in an ice-bound lake someone deliberately blocked the hole they had cut in the ice. We learn in the opening pages exactly what happened from point of view of the girl, who remains in the story, observing and commenting on the action. Though I am not fond of supernatural elements in mysteries, Larsson pulls it off in large part because the dead girl is a vividly-realized character in her own right, a maverick child of a neglectful mother who came to live with her great-grandmother, who delights in the company of this irreverent, rebellious child. The passages that give us her point of view after death give the reader a strong sense of a willful, daring young woman who won’t rest until her story is told.

Rebecka, inspired by a dream, suggests that the water in the dead girl’s lungs be tested, and so they discover that the girl drowned in a lake, where in the late years of World War II a Nazi supply plane went down. Someone, it seems, wants to be sure the wreck is never found. She and Inspector Anne-Marie Mella, who has become estranged from her closest colleagues following a decision she made in The Black Path, begin to investigate. In some ways, this isn’t much of a mystery; we have a strong inkling of who in the small village is likely responsible and we see some of the story from the point of view of a participant or witness to the murder. And yet, Larsson has created a compelling story as we peel back the historical layers and the tainted relationships behind the deliberate drowning of two young people.

I loved the first book in the series, and admired The Black Path (though I found the ending in both books to be out of scale with the rest, a bit too over-the-top). In this latest volume in the series, Larsson really hits her stride. She has given us a cast of characters we have come to know and care about, a setting that is vivid, a ghostly young woman who has a grounded, earthy reality, and a compelling story that explores Sweden’s troubling relationship with Nazi Germany. She offers a terrific combination of psychologically probing character development, action, and (for lack of a better word) a kind of poetry in her writing style that makes this series a particularly fine contribution to the genre. Highly recommended.

By the way, Maxine also includes Asa Larsson as she takes the SinC25 expert challenge – and links to her reviews of all the books in the series.

review round-up

It has been a long time since I caught up on reviews and news about Scandinavian crime fiction. Lots to report . . .

Norm brings the news that Arne Dahl has won the Swedish crime fiction award with Viskelen (Chinese Whispers) which has not yet had rights sold to the US or UK. Let’s hope that happens. His first book in English, Misterioso, has only just been released after years of delay.

The Boy  the Suitcase by Lene Kaaberbol and Agnete Friis is among the mysteries reviewed in the Globe and Mail . Margaret Cannon says it has “a terrific central character and a great plot.”

At Reviewing the Evidence, Yvonne Klein has some reservations about the book – particularly its jumpy structure, leaping among points of view, and the withholding of information about Nina Borg until the final pages, a strategy that she found manipulative; still, she will read more as the series continues.

Marlyn Stasio of the New York Times Book Review gives it a strong review, saying “it packs an almighty punch.”

The Mumbai Daily News and Analysis reviews Jussi Adler-Olsen’s Mercy (apa The Keeper of Lost Causes) and calls it a “riveting read.”

At The Game’s Afoot, Jose Igancio Escribano reviews Arnaldur Indridason’s Outrage and finds it’s “an excellent contribution to an already superb series.”

At Euro Crime, Rich Westwood reviews Mikkel Birkegaard’s Death Sentence and finds that it’s closer to being in the horror genre than mystery. Amanda at Rustic Ramblings enjoyed it a good deal, though she agrees with Westwood that there’s a lot of graphic violence involved.

Peter at Nordic Bookblog reviews Anne Holt’s Fear Not, which he reckons is the best in the Adam Stubo and Johanne Vik series.

At Petrona, Maxine Clarke reviews The Hand that Trembles by Kjell Eriksson which is engrossing, with three investigations that are adroitly resolved, using a mix of “character, a strong sense of location, and narrative” rather than violence, high drama, and gore.

She also reviews K. O. Dahl’s Lethal Investments, the first of the author’s police procedural series featuring Gunnarstranda and Frolich. It’s very much a classic crime story – and was, in fact, published 18 years ago, a victim of a malady Maxine has dubbed the TOOO syndrome – translated out of order.

More from Maxine can be found at Euro Crime, where she reviews Hakan Nesser’s The Unlucky Lottery, which has the author’s “trademark bleak humor.”

Crime Fiction Lover has a review of Sara Blaedel’s Call Me Princess, which she found an enjoyable old-fashioned story with a contemporary twist.

Rob Kitchen at The View from the Blue House takes a look at Asa Larsson’s The Savage Altar (Sun Storm), which he give high points for characterization and its sense of place.

A reviewer for The Guardian has a rather peculiar response to the book: she thinks the things police think about are unsanitary and rather nasty. I think the book deserves a proper review.

Glenn Harper provides one at International Noir Fiction, finding it a very enjoyable read. He considers Dahl one of the best of Scandinavian writers.

Bernadette has a reaction to reading Jo Nesbo’s Headhunters: it’s not nearly as good as books in the Harry Hole series and doesn’t tick her boxes for her list of what makes a good thriller.

She also reviews Mari Jungstedt’s The Dead of Summer which she find enjoyable if not as thrilling as it might be if suspects emerged sooner and the ultimate solution to the crime less obvious.

Bibliojunkie (who seeks no cure for her book addiction) has an excellent review of Asa Larsson’s Until Thy Wrath Be Past, saying Larsson “juggles the balance of both horrifying crime and human drama beautifully” and finding in Scandinavian crime fiction a gratifying attention to character development.

Anders Roslund and Borge Hellstrom’s new thriller, Cell 8, is reviewed in The Independent, which finds it energetic and mesmerizing, if a bit heavy on the social issues.

Declan Burke at Crime Always Pays says “in essence, CELL 8 is a lecture on how the world would be a much better place if only we all conformed to the authors’ principles” and it’s “laughably preposterous” to boot. I wish he’d just tell us what he really thinks.

At The Crime Segments, Nancy O reviews Burned  by Thomas Enger, a book she enjoyed very much, particularly for its plotting and its journalist hero.

Craig of Crime Watch, the New Zealand guide to all things crime fiction, has a Q & A with Mons Kallentoft, author of Midwinter Sacrifice, as an appetizer for a Kallentoft feature forthcoming in his 9mm author interview series. (The real mystery: when does Craig ever sleep?)

Apparently Martin Scorsese might direct a film version of Nesbo’s The Snowman. Also, this is the first time I’ve encountered “helm” used as a verb.

And in The Guardian, Andrew Anthony interviews several Norwegian writers about their take on the terrible shootings last July. K.O.Dahl’s niece was  on the island where 69 people were shot dead, surviving by playing dead. It’s quite a harrowing story and a thoughtful article. In addition to Dahl, there are substantial interviews of Anne Holt, Jo Nesbo, and literary novelist Jan Kjaerstad. In a rather charming and very Norwegian moment, as Anthony talks to Kjaerstad in a restaurant and man stops to chat before sitting nearby. The crown prince of Norway, dining at one of his favorite restaurants.