criminal conversations

A new website, The Crime House, offers English-language readers a peek into Scandinavian and international crime. In its “about” section it describes itself as “a spinoff to the Swedish website Deckarhuset.se.” Fair warning: this site may induce longing for books that are not yet in English translation.

There’s a thoughtful review and interesting discussion at Open Letters Monthly, where Rohan Maitzen examines her not-impressed reaction to Henning Mankell’s Faceless Killers. She argues that genre writers shouldn’t be let off the hook if their prose is clunky. I agree – I think, though I might not agree on how to define “good prose” in genre fiction, which is often good because it fades away and lets the characters and plot take center stage. (I was caught short when she called Ian Rankin’s last three novels are “‘condition of England’ novels” given they are not set in England, but I see that she is referring to a type of 19th century social novel.) As a reader I am not personally a huge fan of the Wallander series, but I wouldn’t hold up P.D. James and Elizabeth George as better examples of the genre if only because I find James a bit reactionary and Victorian in her attitudes and George as long-winded and completely inauthentic. Rankin – yes, I think he offers an apt comparison and is a writer I enjoy reading more than Mankell, probably because of his prose style and the glints of humor.

Heads up: This new book, part of a European Crime Fictions series, is now available. I happen to have a copy and plan to review it here before long. As an aside, I think the press release deserves a “bad pun” award. Here’s a bit of description:

Focusing on Scandinavian crime fiction’s snowballing prominence since the 1990s, articles home in on the transformation of the genre’s social criticism, study the significance of cultural and geographical place in the tradition, and analyze the cultural politics of crime fiction, including struggles over gender equity, sexuality, ethnicity, history, and the fate of the welfare state. The text maps out the contribution of Scandinavian crime writers to contemporary European culture and society, making the volume valuable to scholars and the interested public.

Kerrie reviews Ake Edwardson’s Frozen Tracks from her perch in paradise, a complex double-barreled serial killer investigation that doesn’t quite come together in the end. Being the busy reviewer she is, she also gives her take on Roslund and Hellstrom’s Three Seconds and, like me, found the beginning a bit difficult to get into but the second half gripping. Final verdict: clever, authentic, and credible.

She also reviews Arnaldur Indridason’s 1999 stand-alone thriller, Operation Napoleon. Not as good as the Erlendur series and a bit old-fashioned, but with a strong female lead and interesting commentary on the US military presence in Iceland.

Speaking of Iceland, Yrsa Sigurdardottir will be the guest at the next Nordic Noir Book Club event, March 17th. She is utterly charming, so it’s not to be missed. Unless, like me, you’re not going to be in London that day. Bummer.

At International Noir, Glenn Harper reviews The Inspector and Silence, another recommended novel in Hakan Nesser’s offbeat and accomplished Van Veeteren series.

Ignacio Escribano reviews Liza Marklund’s Red Wolf, finding the plot hard to swallow and the heroine’s personal life hard to take.

And for this post’s final note, Eva Gabrielsson has written a book and wants to finish another one. Slate offers a review of her memoir which will be published in English translation by Seven Stories in June with the title “There Are Things I Want You to Know” about Stieg Larsson and Me. I will reserve judgment for now about how much I actually want to know. If anything.

Ake Edwardson – almost but . . .

Peter of Scandinavian Books reviews Ake Edwardson’s Sun and Shadow – part of a procedural series set in Gotland. It involves a staged murder scene, and as Peter describes it, “Erik Winter feels that the murderer is providing them with a riddle of nightmares, of good versus evil, of sun and shadow.” He recommends it as exciting and well-rounded.

I reviewed it for Mystery Scene back in 2005 (though, oddly, someone else’s name appears on the review. I wonder if he’d agree with my assessment?) In retrospect, it seems a very enthusiastic review for a book that I don’t remember liking quite as much as it sounds. At any rate, it didn’t make me seek out the rest, though  Never End (2006) got a very favorable review in MS from another reviewer.

Maxine’s review at Euro Crime is more measured – lots of promise, interesting leads, but a forced motive and a denouement that’s a bit of a let-down. Fiona Walker’s Euro Crime review of Frozen Tracks, the third to be translated and also is ambivalent –  very good in some respects, but with some narrative habits that make it less effective than top-ranked Scandinavian crime. Maybe that’s a burden for Scandinavian crime writers – there are so many that are so good, the comparisons are many and the bar is high.