review round-up

It has been a long time since I caught up on reviews and news about Scandinavian crime fiction. Lots to report . . .

Norm brings the news that Arne Dahl has won the Swedish crime fiction award with Viskelen (Chinese Whispers) which has not yet had rights sold to the US or UK. Let’s hope that happens. His first book in English, Misterioso, has only just been released after years of delay.

The Boy  the Suitcase by Lene Kaaberbol and Agnete Friis is among the mysteries reviewed in the Globe and Mail . Margaret Cannon says it has “a terrific central character and a great plot.”

At Reviewing the Evidence, Yvonne Klein has some reservations about the book – particularly its jumpy structure, leaping among points of view, and the withholding of information about Nina Borg until the final pages, a strategy that she found manipulative; still, she will read more as the series continues.

Marlyn Stasio of the New York Times Book Review gives it a strong review, saying “it packs an almighty punch.”

The Mumbai Daily News and Analysis reviews Jussi Adler-Olsen’s Mercy (apa The Keeper of Lost Causes) and calls it a “riveting read.”

At The Game’s Afoot, Jose Igancio Escribano reviews Arnaldur Indridason’s Outrage and finds it’s “an excellent contribution to an already superb series.”

At Euro Crime, Rich Westwood reviews Mikkel Birkegaard’s Death Sentence and finds that it’s closer to being in the horror genre than mystery. Amanda at Rustic Ramblings enjoyed it a good deal, though she agrees with Westwood that there’s a lot of graphic violence involved.

Peter at Nordic Bookblog reviews Anne Holt’s Fear Not, which he reckons is the best in the Adam Stubo and Johanne Vik series.

At Petrona, Maxine Clarke reviews The Hand that Trembles by Kjell Eriksson which is engrossing, with three investigations that are adroitly resolved, using a mix of “character, a strong sense of location, and narrative” rather than violence, high drama, and gore.

She also reviews K. O. Dahl’s Lethal Investments, the first of the author’s police procedural series featuring Gunnarstranda and Frolich. It’s very much a classic crime story – and was, in fact, published 18 years ago, a victim of a malady Maxine has dubbed the TOOO syndrome – translated out of order.

More from Maxine can be found at Euro Crime, where she reviews Hakan Nesser’s The Unlucky Lottery, which has the author’s “trademark bleak humor.”

Crime Fiction Lover has a review of Sara Blaedel’s Call Me Princess, which she found an enjoyable old-fashioned story with a contemporary twist.

Rob Kitchen at The View from the Blue House takes a look at Asa Larsson’s The Savage Altar (Sun Storm), which he give high points for characterization and its sense of place.

A reviewer for The Guardian has a rather peculiar response to the book: she thinks the things police think about are unsanitary and rather nasty. I think the book deserves a proper review.

Glenn Harper provides one at International Noir Fiction, finding it a very enjoyable read. He considers Dahl one of the best of Scandinavian writers.

Bernadette has a reaction to reading Jo Nesbo’s Headhunters: it’s not nearly as good as books in the Harry Hole series and doesn’t tick her boxes for her list of what makes a good thriller.

She also reviews Mari Jungstedt’s The Dead of Summer which she find enjoyable if not as thrilling as it might be if suspects emerged sooner and the ultimate solution to the crime less obvious.

Bibliojunkie (who seeks no cure for her book addiction) has an excellent review of Asa Larsson’s Until Thy Wrath Be Past, saying Larsson “juggles the balance of both horrifying crime and human drama beautifully” and finding in Scandinavian crime fiction a gratifying attention to character development.

Anders Roslund and Borge Hellstrom’s new thriller, Cell 8, is reviewed in The Independent, which finds it energetic and mesmerizing, if a bit heavy on the social issues.

Declan Burke at Crime Always Pays says “in essence, CELL 8 is a lecture on how the world would be a much better place if only we all conformed to the authors’ principles” and it’s “laughably preposterous” to boot. I wish he’d just tell us what he really thinks.

At The Crime Segments, Nancy O reviews Burned  by Thomas Enger, a book she enjoyed very much, particularly for its plotting and its journalist hero.

Craig of Crime Watch, the New Zealand guide to all things crime fiction, has a Q & A with Mons Kallentoft, author of Midwinter Sacrifice, as an appetizer for a Kallentoft feature forthcoming in his 9mm author interview series. (The real mystery: when does Craig ever sleep?)

Apparently Martin Scorsese might direct a film version of Nesbo’s The Snowman. Also, this is the first time I’ve encountered “helm” used as a verb.

And in The Guardian, Andrew Anthony interviews several Norwegian writers about their take on the terrible shootings last July. K.O.Dahl’s niece was  on the island where 69 people were shot dead, surviving by playing dead. It’s quite a harrowing story and a thoughtful article. In addition to Dahl, there are substantial interviews of Anne Holt, Jo Nesbo, and literary novelist Jan Kjaerstad. In a rather charming and very Norwegian moment, as Anthony talks to Kjaerstad in a restaurant and man stops to chat before sitting nearby. The crown prince of Norway, dining at one of his favorite restaurants.

Advertisements

reviews and more

The New York Daily News has some travel advice for those who want to follow the footsteps of Swedish sleuths. If you are truly obsessive, you may even reserve Wallander’s table at his favorite restaurant.

The Australian Courier-Mail has an interview with Asa Larsson and manages to work Stieg Larsson into the title.

Ali Karim, the consummate fan, has an appreciation of Arnaldur Indridason at Shots Magazine, marking his appearance (again) at the Frankfurt Book Fair, where his books originally found their international audience with Jar City.

I reviewed Jussi Adler-Olsen’s The Keeper of Lost Causes (also known as Mercy) for Mystery Scene magazine. (Shortcut: I liked it quite a lot.) For an alternative view, see what Glenn Harper has to say – he feels it’s not a bad book, just a bit flat and lacking in nuance. At Reviewing the Evidence, Yvonne Klein didn’t care for all of the ingredients, but liked the results very much. And Bernadette has some insightful things to say – including the way the role of humor in the book, in spite of some horrific goings-on, sets it apart, as does the way that a tired fem-jep trope is given fresh life by creating a woman who is extraordinarily tough and resourceful.

More recently, Glenn has reviewed Outrage by Arnaldur Indridason, in which Elinborg takes the lead. He writes that she is “fully the equal of other female detectives in Scandinavian fiction.”

While dallying in the north, Glenn also reviews Jorn Lier Horst’s Dregs, which he declares “a first-class police procedural” with an interesting protagonist. Though it’s actually the sixth in the series (and first to be translated into English) he finds the author did a good job of filling the reader in sufficiently to make it a good place to start.

(For more on this author, who is himself a policeman, check out an interview published at Cyprus Wells.)

And Glenn also reviews Stefan Teganfalk’s novel Anger Mode, which he likens to Jussi Adler-Olsen and Leif G.W. Persson. The author’s strength is plotting, but the dialogue, Glenn feels, can be on the wooden side, making the book longer than it needs to be.

Keishon reviews Arnaldur Indridason’s Voices, which she finds sad and realistic – a good review that captures the mood of the book well.

Maxine Clarke reviews Midwinter Sacrifice by Mons Kallentoft for Euro Crime, finding it a good if over-hyped portrait of small town life, its limitations thrown into relief by a murder. She thinks the main character has potential and gives the translator, Neil Smith, high marks, particularly for the sections of the book that are told from the victim’s perspective.

She also points out that if you follow people on Twitter, you might want to follow @SwedishNoir.  Thanks, Maxine!

Margot Kinberg puts Detective Inspector Irene Huss in the spotlight, particularly looking at the way that author Helene Tursten weaves together the personal and professional in this character. (I do like this series, and having a lead character who is so balanced and pleasant to be around is part of it.)

The Independent has reviews of Camilla Lackberg’s The Hidden Child and Asa Larsson’s Until Thy Wrath Be Past. Both involve crimes of Sweden’s past and both are recommended.

In the Irish Times, Declan Burke reviews Liza Marklund’s Exposed, which is apparently the first in the Annika Bengtzon series, summing up: “concise, pacy and direct, eschewing any literary pretensions to language or characterisation in favour of a hard-hitting polemic on the topic of domestic violence, in which the personal is very much the political.”

The Globe and Mail reviews Jo Nesbo’s The Headhunters, mincing no words: “If you thought Scandinavian crime fiction couldn’t get better than Steig Larson and Henning Mankell, you’re wrong.. Norway’s Jo Nesbo is better than either and this book is far and away his finest.”  Paired with this review is one of Karin Fossum’s The Caller, giving her points for psychological suspense and her ability to find ” violence in the everyday,” which I think is Fossum in a nutshell.

At Petrona, Maxine also reviews Headhunters, calling it “a dazzling, relentlessly paced thriller, combining classic noir elements with Nesbø’s trademark intricate plotting that constantly challenges the reader’s wits and attention span. What a refreshing read!”

Mrs. Peabody investigates a couple of Scandinavian television crime dramas coming to BBC in 2012. (Oh dear, another brilliant and maverick profiler mourning the death of his wife and child . . .) More at the BBC site.

Fox is developing Leif G. W. Persson’s series into a television drama series with the director of Syriana and Traffic (the US version) directing. This plus more on Fincher’s Girl, a von Trier adaptation of Jussi Adler-Olsen’s Department Q series, an American Jar City, and a confused reference to who will play the detective in Mankell’s novel Italian Shoes being made into a film – sorry, folks, but it’s not about Wallander; it’s not even crime fiction.  Another article in Word and Film reports that Jo Nesbo’s Headhunters is being made into a film, then speculates about which part of the world will be the next hot destination when we’re tired of Scandinavia.

And while we’re on the subject of reinterpretations, here’s news that DC Comics has acquired the rights to turn the Millennium Trilogy into six graphic novels. I have to say – strange though it may sound – I think this is great. Maybe it’s because I grew up with Classics Comics or maybe because Larsson was such a fan of pop culture himself, but I quite like this idea. I’d rather they be Swedish, and not by a mega-company, but these seem to me books that will work well in graphic format.

Finally, let’s let the New Yorker have the last word . . .

coming soon, or recently arrived

Catching up on a backlog of reviews and other things … I thought this time I would be geographically organized.

Nordic countries in general

Break out your wallets; Simon Clarke provides a tempting list of recent and forthcoming translations.

Norm has a poll going at Crime Scraps on which women crime writers from Nordic countries are most popular, his first entry in the Sisters in Crime 25th anniversary book bloggers’ challenge.

Denmark

At Crime Segments, NancyO reviews Jussi Adler-Olsen’s The Keeper of Lost Causes  (apa Mercy), which she enjoyed tremendously, particularly for its characters and all-around originality, concluding it’s “amazingly good.”

More praise for Adler-Olsen in the Winnepeg Free Press, with a shout-out to the translator.

Dorte offers some intriguing commentary on the background of a book in the Department Q series, not yet translated into English. Fascinating stuff, and something to look forward to.

Violette Severin visits Denmark on a Europass challenge.

Finland

I review Jarkko Sipila’s Nothing but the Truth, which I enjoyed quite a lot. Maxine reviews the author’s Against the Wall and finds it a pretty good police procedural.

Maxine also reviews Sofi Oksanen’s Purge and sparks off a debate about whether it should be considered crime fiction or not. The paperback release is trending that way, though it’s more of a historical saga. Whatever it is, she found it extremely good.

—– not a thing for Iceland at the moment, sorry —–

Norway

At How Mysterious! Karen Miller Russell finds her patience with Karin Fossum running out, being particularly unhappy with The Water’s Edge (which I liked a great deal). The author’s focus on crimes involving children has made her lose interest – though Maxine, in a comment, may have coaxed her to give The Caller a try.

Jose Ignacio Escribano takes a look at K. O. Dahl’s police procedural series featuring Gunnarstand and Frolich to remind himself that Lethal Investments will be released soon.

Sweden

Jose Ignacio Escribano reviews Sjowall and Wahloo’s The Locked Room (in both English and Spanish), the eighth in the Martin Beck series.

Lynn Harvey reviews Camilla Lackberg’s The Preacher at Euro Crime, enjoying the contrast between the main character’s loving home life and the convoluted (perhaps too convoluted) troubles of the family embroiled in tragedy. Incidentally, Philip reports in the FriendFeed Crime and Mystery Fiction room that Lackberg is getting involved in a television series and feature films and will be slowing down her book publishing schedule as a result.

Bibliojunkie (who is not looking for a cure) is impressed by Hakan Nesser’s Woman With Birthmark, saying it’s “very well constructed and elegantly told” in a thorough and insightful review.

The Sunday Business Post (Ireland) has a lengthy and interesting interview slash profile of Liza Marklund exploring her motivation as a writer and a politically-involved journalist and documentarian.  And oh, look who wrote the interview – Declan Burke! No wonder it’s so well done.

an update – with a little help from my friends

Jane at the Madison (Wisconsin) public library reviews Jussi Olsen-Adler’s Keeper of Lost Causes (published as Mercy in the UK) and says it’s “a suspenseful, sometimes darkly funny, mystery thriller that is my number one book so far this year.”

Shelf Awareness dedicates an issue of its “maximum shelf” to it as well.

NancyO reviews Arnaldur Indridason’s Outrage, finding it a good addition to the series though, with its focus on Elinborg as the detective this time, she finds the domestic bits a tad overdone.

She also reviews Arne Dahl’s Misterioso, and recommends it, though it won’t deliver edge-of-the-seat thrills so much as solidly-assembled ensemble procedural work conducted by a large cast of police. She plans to read as many in the series as she can, though it has taken ages for this first English translation to actually appear.

Glenn Harper is not mesmerized by Lars Kepler’s The Hypnotist.

Peter, on the other hand, is enthusiastic about Asa Larsson’s Until Thy Wrath Be Past, the fourth book in her series about lawyer Rebecka Martinsson and Inspector Anna-Maria Mella. It also gets a thumbs up at The Bookbag, which says it’s “not strictly a police procedural, as we know pretty much what has happened from early on, but more of a psychological thriller and an intriguing mystery as to why two young people died.”

There’s an interview with Asa Larsson in The West Australian, in which she says her own past not only involves growing up in Kiruna and being a lawyer, like Rebecka Martinsson, but also a period of time involved with a fundamentalist church, which is interesting in view of the themes of her first two books.

He also gives Jarkko Sipila’s Nothing but the Truth high marks, saying it is “a very entertaining, suspenseful and excellently plotted crime fiction novel” that raises important questions about the role citizens play in criminal justice. I just recently finished this myself, and agree – review to follow soon.

Jose Ignacio Escribano thinks that Karin Fossum’s Bad Intentions is not the best of her books, but still worth a read, being disturbing, intense, and intelligent.

He also gives Arnaldur Indridason’s Voices high marks for being humane and well-written, as well as complex, dealing with the theme of stolen childhood sensitively.

Karen Meek reviews the audio version of Camilla Lackberg’s The Gallows Bird, which she feels has a rather disappointingly hole-prone plot but is nevertheless an entertaining story, nicely narrated by Eammon Riley.

Maxine Clarke thinks very highly of Johan Theorin’s third book in the Oland quartet, The Quarry, which is no doubt going to be a strong contender for the CWA’s International Dagger.

Quentin Bates has lived in Iceland, but is not an Icelander, yet makes it his fictional home. Crimeficreader (Rhian Davies) enjoyed his mystery, Frozen Out, particularly enjoying the strong female lead, ‘Gunna’ Gunnhildur Gisládottir.

Dorte Hummelshøj Jakobsen traveled in the opposite direction; this Danish author’s ebook mystery, The Cosy Knave, is set in Yorkshire, and has been discussed by two Australian readers, Kerrie and Bernadette, who has been in on the mystery from the start.

Bernadette also reviews Thomas Enger’s Burned, a “solid debut” that didn’t have its plot entirely under control, but has strong characters, even those that are not at all likeable.

Rohan Maitzen has a nice essay on the Martin Beck series and how it challenges those who persist in thinking crime fiction is good only when it “transcends the genre.”

Despite the persistent assumption that some literary forms are inherently more formulaic than others, all writing relies on genre markers, and “genre” itself is a notoriously unstable term, invoking categories that are both permeable and endlessly mutable. The real issue — the critical issue — is how form is used, what it enables us to discover. We shouldn’t ask whether crime fiction needs to transcend its traditional forms, but rather how those forms have evolved, and what they have made possible. . . . Sjöwall and Wahlöö are among those who show that, in the hands of visionary and capable writers, crime fiction can simply be great literature. The only transcendence required is the reader’s.

Norm and the new translator of the Annika Bengtzon series untangle the series order for us. It’s a bit unusual for a publisher to spring for all new translations of a previously translated work, unless you are Tolstoy. But, to stick to publishing tradition, they are giving books new titles to make it all more exciting to shop and are keeping the US and UK publications out of sync. Good to know they aren’t breaking all the rules.

Looks as if Leif G. W. Persson’s series about Evert Backstrom is destined for the American small screen.

Peter Rozovsky, always on the lookout for humor, finds some in Three Seconds. He also notes a lot of border-crossing going on in Swedish crime fiction that harkens back to the old days of the Hanseatic League.

Laura DeMarco rounds up lots of Scandinavian crime at the Cleveland Plain Dealer in a nicely detailed piece, with a sidebar on “ten essential authors.”

And finally, I’ve mentioned it before but I owe the Crime & Mystery Fiction friendfeed group, founded by Maxine Clarke, an enormous debt for finding and commenting on so many fascinating links related to the genre. Not only is it a good place to find out what’s going on, it’s inhabited by charming and well-read fans of the genre.

yes, we have more links

Matthew Seamons is not impressed by Lars Keppler’s The Hypnotist, which he finds populated by flat and unsympathetic characters. The plot is clever, but the execution, he feels, lets it down.

At January Magazine, Tony Bushbaum disagrees, saying it adds up to more than the sum of its parts, has razor-sharp writing, and will be the book everyone is talking about this summer.

NancyO splits the difference with a very reasoned and thoughtful review.

CNN interviews the authors, who are planning a series of eight books. They say they originally tried to write anonymously but were found out by the media. They also say “we really need a kind of inner calm to be able to write, so we’re actually trying hard not to think about the success. ‘The Hypnotist’ has sold to more than 36 countries and has been a best-seller wherever it’s been published.” Hmm . . . maybe you need to work on that inner calm thing.

In non-hypnotic news, Peter Rozovsky has had several posts about Scandinavian crime fiction lately at his globetrotting blog, Detectives Beyond Borders. e uses a couple of quotes from Jarkko Sipila’s Helsinki Homicide: Against the Wall to introduce a question: what characteristics, if any, are common to Nordic crime fiction – and he gets lots of answers. He links to his review of The Snowman in the Philadelphia Inquirer and posts highlights of an interview he did with Jo Nesbo. And he takes some notes as he reads Harri Nykanen’s Raid and the Blackest Sheep, which he finds dark with a sprinkling of deadpan humor.

Among other mysteries, Marilyn Stasio reviews Hakan Nesser’s The Inspector and Silence, which she finds drier than most thrillers coming out of the north, with a morose and quirky hero in Van Veeteren.

Keishon reviews Jo Nesbo’s Nemesis at her blog which is (despite the name) not “just another crime fiction blog,” but a very good source of thoughtful reviews. She also recommends Johann Theorin and Arnaldur Indridason to readers who haven’t yet discovered them.

Kerri reviews Mari Jungstedt’s The Killer’s Art from her perch in paradise and finds it a bit flatter than other books in the series, but it still gets a pretty high score.

Fleur Fisher reviews The Gallows Bird and uses the occasion to unpack what it is she loves so much about Camilla Lackberg’s series and it’s “real people with real emotions.”

Maxine has early reports from Johan Theorin’s The Quarry and has made me exceedingly jealous.

Glenn Harper at International Crime Fiction reviews Mons Kallentoft’s Midwinter Sacrifice, which sounds quite unusual. Not as odd as sentient stuffed animals a la Tim Davys, but with the point of view of a corpse who apparently has not had a pleasant time of it.

Mediation’s To Be Read blog features an attempt to map Carl Mork’s Copenhagen, which has less definitive markers than Mankell’s Ystad or Larsson’s Stockholm. Still, he manages to illustrate it nicely with photos.

Stickers? We don’t need no stinking stickers, but the last one is priceless.

Lotsa Links

 

 

Oh, my – what a lot of links have been collecting in my inbox since I last rounded up reviews and articles.

 

Peter reviews The Gallows Bird, the fourth book in Camilla Lackberg’s series set in picturesque Fjällbacka, and finds it’s satisfying, if not the best in the series. He also has a look at The Tattooed Girl, a collection of essays about the Millennium Trilogy which turns out to be more interesting than it looks at first glance, being put together by someone who previously revealed the secrets of Dan Brown for obsessives who can’t get enough of their favorite books. (I am reviewing this for Reviewing the Evidence; I agree with Peter, it looked awful but has some interesting material.)

Writing in the Saudi Gazette, Susanna Tarbush reads Jussi Adler-Olsen’s Mercy with particular interest in the Syrian immigrant who becomes the hero’s assistant, Assad.

Keith of Books and Writers found Kari Vaara, hero of James Thompson’s Snow Angels, a compelling protagonist that he hopes to see more of.

Maddy Van Hertbruggen reviews K.O.Dahl’s The Last Fix for Reviewing the Evidence and finds it well-plotted and engaging.

Keith Walters at Books and Writers likes Karin Alvtegen’s Missing and mentions there’s a film adaptation.

Jose Ignacio Escribano reviews Johann Theorin’s Echoes from the Dead – bilingually!

Keishon reviews Jo Nesbo’s The Redeemer and makes it sound so good that several commenters indicate they’ll be including Nesbo in their future reading.  (Good call, by the way.)

At Bookgasm, Mark Rose is not impressed by Lars Keppler’s The Hypnotist.

Nor is Bernadette by Roslund and Hellstrom’s Three Seconds, which she reckons would be more accurately titled 56,820 seconds. Score! (I admit, I also found the first half very slow going, and had trouble finding any characters who were sympathetic. It picked up in the second half, but likeable characters were still thin on the ground. I liked Box 21 a great deal more.)

A blogger named Susan has coined a new sub-genre: Snoir, featuring dark themes in a cold and icy setting.  Brrr.

There’s an interesting comparison of translations at To Be Read in two parts, comparing the first English translation of Liza Marklund’s Studio Sex (Studio 69) with a new one by Neil Smith, now titled Exposed. It’s quite surprising to see the variations alongside the original Swedish.

Swedish Book Review takes a look at the last Erik Winter novel, titled appropriately Den sista vintern (The Final Winter). Though Ake Edwardson has said in interviews that he is turning away from crime fiction, the reviewer, Irene Scobbie, hopes he will be tempted to continue writing about a newly-introduced character who could carry further stories.

Also in Swedish Book Review, Tom Geddes reviews Björn Larsson’s Döda poeter skriver inte kriminalromaner (Dead Poets Can’t Write Crime Fiction), a spoof on the popularity of crime fiction, including a book within the book with the title The Man Who Hated the Rich.

At the site you will also find a review of Johann Theorin’s next book, The Quarry, somewhat unusually written by Theorin’s English translator, as well as reviews of new books by Camilla Ceder and Lief G.W. Persson.

A Work in Progress reviews Camilla Ceder’s Frozen Moment and considers Ceder a writer to watch.

Maxine Clarke reports at Euro Crime that she very much enjoyed Mari Jungstedt’s The Dead of Summer, fifth in the author’s Gotland-set series. Norm also liked it quite a lot.

She wasn’t as enthusiastic about Danish author Sissel-Jo Gazan’s first foray into English translation, The Dinosaur Feather, which suffers from a surfeit of backstory but picks up in the final 200 pages.

A blogger who is reading a book a week has mixed feelings about Henning Mankell’s The White Lioness, which has interesting things to say about race and politics but strays far afield from the main character.

Kim Forrester (Kimbofo) thinks Mercy by Jussi Adler-Olsen, is terrific. Norm is hoping the translator is hard at work on more in the series.  Rob Kitchen also reviews the first of the Department Q series and concludes that, though it’s melodramatic and implausible in places, it’s generally a good read and just the job before a trip to Denmark. And Ali Karim, our enterprising super-fan, is interviewed at Pulp Pusher about Mercy and other books that he is excited about.

Rob also reviews Leif Davidsen’s The Serbian Dane, which he feels has good character development but not much tension.

Mrs. Peabody thinks there’s a touch of melodrama in Karin Alvtegen’s Shadow but nevertheless recommends it.

Leslie Gilbert Elman gives Camilla Lackberg a strong endorsement, recommending her to readers whose only exposure to Scandinavian crime fiction is through Stieg Larsson, whose work she doesn’t admire.

Susan White enjoyed Henning Mankell’s The Man from Beijing, now out in paperback, and reviews it for Euro Crime, where Maxine Clarke also reviews Jan Costin Wagner’s Finnish-set Winter of the Lions, recommending it for those who have already read and enjoyed Ice Moon. Mrs. Peabody fills in the gaps by reviewing the middle book in the series, Wagner’s Silence, and rates it very highly.

Darrel Squires recommends The Snowman to readers in Newfoundland and Labrador, calling it a good choice for “fans of dark, atmospheric crime fiction.” The Winnipeg Free Press reports Nesbo as “a bit annoyed” at being compared to Larsson on the cover of his latest book because he thinks their styles are different. (Also, he’s not Swedish – but I’m being picky.) And in the U.S., the Fredricksburg (Virginia) Free-Lance Star has a short and positive review of The Snowman.

Carrying this comparative nonsense to its logical extreme, The Mark proclaims Norwegian fiction is the new Swedish fiction. This is actually just a way to introduce a short video interview with Nesbo, who doesn’t say anything you don’t already know, except that Norway has a lot of serial killers (said with a straight face).

NancyO has lots of praise for Nesbo’s The Leopard, though some of it is over the top and other parts are slow-moving (“to the point where you think you might be trying to crawl through jello”). Still, she rates it her favorite in the series.

Wendy Lasser wrote at length about Nesbo at Slate a month ago. She opens her essay with speculations about the overall excellence of Scandinavian crime fiction and the way it combines cat-and-mouse detection with social critique and proposes some possible reasons for the Nordic countries’ high crime fiction rate:

Perhaps we can attribute this in part to the small size of these far northern countries, their relatively homogenous populations, their stable cultural traditions—a setting, in short, in which murders (and especially serial murders) stand out starkly and beg for analysis. Or maybe this wider focus is connected to the firmly if mildly socialist perspective of even the most conservative Scandinavian governments, a view in which individual behavior contributes to or detracts from the public welfare. Possibly the dark, cold, long winters also have a role: With those extreme alternations between everlasting night and midnight sun, the Swedes, Danes, and Norwegians may be more likely than the rest of us to reflect on the role of environment in shaping character. The citizens of these countries also seem unusually alert to their own national pasts (unlike Americans, say, for whom the mid-twentieth-century is already History), and this in turn makes them more likely to seek cause and effect in these collective historical influences. In any event, what all these factors add up to is a worldview that places the criminal at the center of a social web. This is not necessarily what makes Scandinavian mysteries addictive—that can probably be attributed to the typical thriller qualities of suspense and surprise—but it is what makes them remarkably satisfying.

She goes on to discuss the Harry Hole series and concludes that while his latest novels are compelling and fun, they are more focused on furiously-paced fun than on developing a solid story. Commenting on The Leopard, Lasser speculates that Hole’s multiple near-death experiences bespeak the author’s wish to kill him off, and “the increasingly ludicrous violence makes the plot seem like something made for TV.”

I haven’t read The Leopard yet, but I tend to see the same trajectory, finding both The Devil’s Star and The Snowman as less rewarding than the earlier books in the series, though it seems a large number of readers feel the opposite and enjoy the recent books the most.

Metro has a short interview with Henning Mankell; the most interesting bit is that he once lived in an unfurnished flat and sat on the floor, using his oven door as a desk (and the oven light as a desk lamp); that’s rather clever. Ikea should look into it.

Rick Salutin of the Toronto Star thinks about Canadian politics from a Scandinavian crime perspective – seeing a willingness to examine society, not just individual culpability.

Norm considers the features of a newly-named species, the Scandi-book fan, of the genus Chattering Classes.

The Hollywood Reporter covers the presence of three directors from Nordic countries at the Cannes film festival – all with films in non-Nordic languages. It’s not just book labels touting the Next Stieg Larsson: “Post-Millennium, everyone is hunting for the next big Nordic crime franchise.” Oh dear.

Pan Macmillan has bought rights to a novelization of the popular television series, The Killing.

And speaking of Denmark, the Copenhagen Post has a profile of several Danish writers whose work will be released in the US this year – Jussi Adler-Olsen (whose Department Q kick-off will be called The Keeper of Lost Causes in the U.S. instead of the British title Mercy; it will appear in the US in August), Sara Blædel (Call Me Princess, also in August) and the co-authors Lene Kaaberbøl and Agnete Friis (The Boy in the Suitcase, to be released in November).

Sarah Weinman has written a surprising and rather scandalous profile of Niclas Salomonsson, the incredibly young agent to most of the biggest names in Scandinavian crime fiction. Like the sordid family squabble over Stieg Larsson’s fortune, it seems particularly shocking for Sweden. You couldn’t make this stuff up – though many of his clients do something fairly close.

Rants and Reviews – a Roundup

It has been a while since I posted links – so apologies that some of these are a bit stale.

Rohan Maitzen does such a good job of rounding up reviews and criticism on “Sheer Mistery: Mankell and Scandinavian Noir” that you should go right to her blog and enjoy how she pulls it all together. Cheers! See you later!

If you’ve decide to stick around or have come back, there’s an interview with Henning Mankell at the Globe and Mail talking about The Troubled Man and the author’s own feelings about Kurt Wallander.

Kenneth Turan at the Chicago Tribune reviews The Troubled Man and the entire Wallander series, calling the final volume “a work of genuine heft and substance, a melancholy, elegiac book that is thoughtful and perceptive about memory, regret and the unfathomability of human nature.”

Norm reviews it too, and thinks it’s awfully depressing (though he’s much less snarky about it than The Guardian’s reviewer).

Peter at Scandinavian Crime Fiction points to some nifty video offerings. If you missed BBC’s Nordic Noir documentary on Time Shift, someone has uploaded that and an excerpt focused on Sjowall and Wahloo to YouTube (though the upload was not, apparently, made by Auntie Beeb herself).

Janet Rudolph of Mystery Readers International and Mystery Readers Journal muses over the history of Norway’s tradition of using the Easter holiday to read crime fiction – paasekrim.

The indispensable Euro Crime has reviews of Hakan Nesser’s The Inspector and Silence and Yrsa Sigurdardottir’s Ashes to Dust.

The Seattle P.I. heads up a group of reviews with Jo Nesbo’s The Snowman.

Nesbo’s Nemesis  is reviewed at the Hersilia Press blog.

Bernadette reacts to reading Box 21 by Roslund and Hellstrom. It’s a stellar review, which I won’t try to recap here. Go read it. Cheers! See you later!

Oh, you’re back? Well, then, Kerrie in Paradise praises Danish author Jussi Adler-Olsen’s first book in the Department Q series to be translated into English, The Keeper of Lost Causes (titled Mercy in the US and UK).  Dorte also gives it a thumbs-up. So does The Bookbag and Shade Point (which imagines there must be a secret installation where Scandinavian crime is created and perfected somewhere outside Bergen). I’ve just finished reading it myself, and will be writing a review before long.

Deon Meyer makes a “bold claim” that Johan Theorin is better writer than Stieg Larsson or Henning Mankell. If I were a betting woman, I’d put odds on Theorin, myself, but then, good writing and popularity have never been tightly correlated.

Glenn Harper reviews Jan Costin Wagner’s Finnish-set novel Silence, a follow-up to Ice Moon. A third in the series is apparently due out soon.

Jo Nesbo is not unsurprisingly a little tired of being called “the next Stieg Larsson” but has lots of interesting things to say in a Washington Post interview.

Nancy O thinks Nesbo’s The Snowman is terrific, and recommends enjoying the series in order.

Keishon also recommends reading it in order and points us to a Wall Street Journal profile in which the Norwegian author again denies being Stieg Larsson’s twin. I’m also reminded by the fact that in the years between the UK publication of Devil’s Star and the US, our copy lived in our interlibrary loan office – it was constantly in demand. Frustrating when publication dates are so spread out.

Keishon also has a positive review of Asa Larsson’s Sunstorm.

Jose Ignacio Escribano has some reservations about The Leopard, but still finds it worth reading, though not as top-notch as other books in the series.

Mrs. Peabody reviews Mankell’s The Man from Beijing and particularly enjoys the strong female characters if not every element of the sprawling plot.

David Wright offers a quiz – which is the name of a writer, which an IKEA furnishing? – at the Seattle Public Library’s blog, Shelf Talk. (Readers of this blog would ace the test.)

Keishon wonders if the comparisons will ever cease. Norm wonders, too, and has a hilarious take on the “next Stieg Larsson” nonsense, writing “I was very relieved to discover that the Royal Wedding dress did not have a marketing sticker on it that said ‘The Next Princess Diana’.”