Photo courtesy of teosaurio.
At The Rap Sheet, Ali Karim interviews. Barry Forshaw about his guide to Scandinavian crime and asks him to recommend five books for the busy reader who wants to know what all the fuss is about. Jose Ignacio gathers alternative suggestions at The Game’s Afoot. Having given it a bit of thought, here is my list of five:
- Anne Holt – 1222, because it’s fun and interesting and a bit outrageous. Also, very cold.
- Liza Marklund – The Bomber, because this series offers a good example of the journalist as detective (though not sure this is the best of her books to read, as I’ve not read them all yet; maybe the newly translated Studio Sex, now known as Exposed would be a better choice).
- Helene Tursten – The Torso, because it’s one of an excellent series of procedural mysteries and has a nifty cultural comparison of Sweden and Denmark.
- Yrsa Sigurdardottir – Last Rituals, to demonstrate that Nordic writers can be gently funny and because of the Icelandic landscape.
- Lene Kaaberbol and Agnete Friis – The Boy in the Suitcase, which is narratively complex and socially aware, while also a fast-paced thriller about contemporary Denmark.
I could just as easily come up with five more lists of five! But I’ve been thinking about women writers in particularly because I’m working on an event showcasing women crime writers from Scandinavia to be held in Minnesota next September if everything comes together. Wish me luck!
And Norm at Crime Scraps offers his list (now, with women!)
Catching up on reviews that have appeared in recent weeks . . .
Karen Meek of Euro Crime fame reviews Dregs by Jørn Lier Horst, giving it high marks (as has every reviewer I am aware of): “a very well thought-out plot, which keeps the reader and police baffled until the very end. The widowed Wisting is a steady, thoughtful detective with a wry outlook on life” – and she hopes there will be more in the series translated into English.
Karen also reviews The Phantom at the Euro Crime blog. I’m pleased to learn that it’s more like his earlier books than like The Snowman or The Leopard.
KiwiCraig also reviews The Phantom at Crime Watch, finding it “mesmerizing … Gripping, fascinating, highly recommended.”
And Sarah at Crimepieces rounds out the reviews with another thumbs up. The theme of the book, she writes, is the damage drugs can do, and the story pulls together many of the series’ threads.
At the Euro Crime blog, Karen notes a collection of Stieg Larsson’s journalism has been published in a volume titled The Expo Files.
At Euro Crime, Maxine reviews the latest Mari Jungstedt mystery, Dark Angel, which is a strong entry int he series, though with a somewhat wobbly ending.
At Reviewing the Evidence, Yvonne Klein finds Irene Huss a detective worth watching as she appears belatedly in the second of her series by Helene Turnsten. Night Rounds involves a ghost, a mysterious disease, and uncertainty about which victim was the murderer’s main attraction. Yvonne thinks the English translation is serviceable but thinks the series would have been better served if there wasn’t a different translator for each volume.
Norm reviews the new translation of Liza Marklund’s Exposed (formerly known as Studio 69 in the UK and Studio Sex in the US; he hopes this new version captures new readers for a series he considers a “must read.”
Per Wahlöö’s non-Martin Beck mysteries are not terribly well known; catch up by reading reviews of two of these political dystopias, Murder on the Thirty-First Floor and The Steel Spring at To Be Read. Quite honestly, it sounds as if his writing is improved when liberally mixed with equal parts Sjöwall. There is an informative biographical sketch of the author, drawing parallels with Stieg Larsson (including, sadly, his untimely death) at The Independent.
Glenn Harper reviews Nights of Awe, the first in a new series by Harri Nykänen, featuring a Jewish detective, Ariel Kafka, working in Helsinki on a politically sensitive murder case, finding in it the same wry humor as in the Raid series. RebeccaK at the Ms. Wordopolis Reads blog, also recommends the book, though thinks Kafka has some irritating sexist habits; otherwise he is an interesting character in a story that sheds light on Finland and its relationship to Israeli/Palestinian affairs.
NancyO reviews The Torso by Helene Tursten, which she feels is the best of the series so far. She also reviews Tursten’s The Glass Devil. I heartily concur with her instructions to Soho, Tursten’s US publisher, when it comes to the yet untranslated entries in the series: nod nod, wink wink.
Jose Ignacio offers a bilingual review of the Spanish translation of Asa Larsson’s The Blood Spilt (apa The Savage Altar), which has elements like the first in the series, but is in the end quite different, and very good.
Bernard Carpenter of The New Zealand Listener has short reviews of several mysteries, including Mons Kallentoft’s Midwinter Sacrifice and the new translation of Liza Marklund’s The Bomber.
Beth at Murder by Type reviews Kristina Ohlsson’s Unwanted, which she finds a strong debut in a series worth watching. She also has high praise for Helsinki White, Jim Thompson’s third entry in the Kari Vaara series.
At Book Geeks, Mike Stafford has a thoughtful and appreciative review of Leif G. W. Persson’s Between Summer’s Longing and Winter’s End, warning readers it’s not an easy book to read, but ultimately is an impressive work. “While it places colossal demands on the reader,” he writes, “this is a book breathtaking in scope and majestic in execution.” He concludes that it’s a trilogy that could rival Stieg Larsson’s – though I wonder if it might be better compared with the television series The Wire, with it’s broad canvas, vast cast of characters, and which could also be considered a complex “story of a crime” writ large.
And now, for a couple of interviews:
First, one with Denise Mina, who is working on a comic book adaptation of the Millennium Trilogy, which I must say was an awesomely smart decision.
Second, an interview with Jo Nesbo conducted by Craig Sisterson (aka KiwiCraig) published in a major magazine, New Zealand Listener. No surprise that it’s up to Craig’s usual high standard.