Lotsa Links

 

 

Oh, my – what a lot of links have been collecting in my inbox since I last rounded up reviews and articles.

 

Peter reviews The Gallows Bird, the fourth book in Camilla Lackberg’s series set in picturesque Fjällbacka, and finds it’s satisfying, if not the best in the series. He also has a look at The Tattooed Girl, a collection of essays about the Millennium Trilogy which turns out to be more interesting than it looks at first glance, being put together by someone who previously revealed the secrets of Dan Brown for obsessives who can’t get enough of their favorite books. (I am reviewing this for Reviewing the Evidence; I agree with Peter, it looked awful but has some interesting material.)

Writing in the Saudi Gazette, Susanna Tarbush reads Jussi Adler-Olsen’s Mercy with particular interest in the Syrian immigrant who becomes the hero’s assistant, Assad.

Keith of Books and Writers found Kari Vaara, hero of James Thompson’s Snow Angels, a compelling protagonist that he hopes to see more of.

Maddy Van Hertbruggen reviews K.O.Dahl’s The Last Fix for Reviewing the Evidence and finds it well-plotted and engaging.

Keith Walters at Books and Writers likes Karin Alvtegen’s Missing and mentions there’s a film adaptation.

Jose Ignacio Escribano reviews Johann Theorin’s Echoes from the Dead – bilingually!

Keishon reviews Jo Nesbo’s The Redeemer and makes it sound so good that several commenters indicate they’ll be including Nesbo in their future reading.  (Good call, by the way.)

At Bookgasm, Mark Rose is not impressed by Lars Keppler’s The Hypnotist.

Nor is Bernadette by Roslund and Hellstrom’s Three Seconds, which she reckons would be more accurately titled 56,820 seconds. Score! (I admit, I also found the first half very slow going, and had trouble finding any characters who were sympathetic. It picked up in the second half, but likeable characters were still thin on the ground. I liked Box 21 a great deal more.)

A blogger named Susan has coined a new sub-genre: Snoir, featuring dark themes in a cold and icy setting.  Brrr.

There’s an interesting comparison of translations at To Be Read in two parts, comparing the first English translation of Liza Marklund’s Studio Sex (Studio 69) with a new one by Neil Smith, now titled Exposed. It’s quite surprising to see the variations alongside the original Swedish.

Swedish Book Review takes a look at the last Erik Winter novel, titled appropriately Den sista vintern (The Final Winter). Though Ake Edwardson has said in interviews that he is turning away from crime fiction, the reviewer, Irene Scobbie, hopes he will be tempted to continue writing about a newly-introduced character who could carry further stories.

Also in Swedish Book Review, Tom Geddes reviews Björn Larsson’s Döda poeter skriver inte kriminalromaner (Dead Poets Can’t Write Crime Fiction), a spoof on the popularity of crime fiction, including a book within the book with the title The Man Who Hated the Rich.

At the site you will also find a review of Johann Theorin’s next book, The Quarry, somewhat unusually written by Theorin’s English translator, as well as reviews of new books by Camilla Ceder and Lief G.W. Persson.

A Work in Progress reviews Camilla Ceder’s Frozen Moment and considers Ceder a writer to watch.

Maxine Clarke reports at Euro Crime that she very much enjoyed Mari Jungstedt’s The Dead of Summer, fifth in the author’s Gotland-set series. Norm also liked it quite a lot.

She wasn’t as enthusiastic about Danish author Sissel-Jo Gazan’s first foray into English translation, The Dinosaur Feather, which suffers from a surfeit of backstory but picks up in the final 200 pages.

A blogger who is reading a book a week has mixed feelings about Henning Mankell’s The White Lioness, which has interesting things to say about race and politics but strays far afield from the main character.

Kim Forrester (Kimbofo) thinks Mercy by Jussi Adler-Olsen, is terrific. Norm is hoping the translator is hard at work on more in the series.  Rob Kitchen also reviews the first of the Department Q series and concludes that, though it’s melodramatic and implausible in places, it’s generally a good read and just the job before a trip to Denmark. And Ali Karim, our enterprising super-fan, is interviewed at Pulp Pusher about Mercy and other books that he is excited about.

Rob also reviews Leif Davidsen’s The Serbian Dane, which he feels has good character development but not much tension.

Mrs. Peabody thinks there’s a touch of melodrama in Karin Alvtegen’s Shadow but nevertheless recommends it.

Leslie Gilbert Elman gives Camilla Lackberg a strong endorsement, recommending her to readers whose only exposure to Scandinavian crime fiction is through Stieg Larsson, whose work she doesn’t admire.

Susan White enjoyed Henning Mankell’s The Man from Beijing, now out in paperback, and reviews it for Euro Crime, where Maxine Clarke also reviews Jan Costin Wagner’s Finnish-set Winter of the Lions, recommending it for those who have already read and enjoyed Ice Moon. Mrs. Peabody fills in the gaps by reviewing the middle book in the series, Wagner’s Silence, and rates it very highly.

Darrel Squires recommends The Snowman to readers in Newfoundland and Labrador, calling it a good choice for “fans of dark, atmospheric crime fiction.” The Winnipeg Free Press reports Nesbo as “a bit annoyed” at being compared to Larsson on the cover of his latest book because he thinks their styles are different. (Also, he’s not Swedish – but I’m being picky.) And in the U.S., the Fredricksburg (Virginia) Free-Lance Star has a short and positive review of The Snowman.

Carrying this comparative nonsense to its logical extreme, The Mark proclaims Norwegian fiction is the new Swedish fiction. This is actually just a way to introduce a short video interview with Nesbo, who doesn’t say anything you don’t already know, except that Norway has a lot of serial killers (said with a straight face).

NancyO has lots of praise for Nesbo’s The Leopard, though some of it is over the top and other parts are slow-moving (“to the point where you think you might be trying to crawl through jello”). Still, she rates it her favorite in the series.

Wendy Lasser wrote at length about Nesbo at Slate a month ago. She opens her essay with speculations about the overall excellence of Scandinavian crime fiction and the way it combines cat-and-mouse detection with social critique and proposes some possible reasons for the Nordic countries’ high crime fiction rate:

Perhaps we can attribute this in part to the small size of these far northern countries, their relatively homogenous populations, their stable cultural traditions—a setting, in short, in which murders (and especially serial murders) stand out starkly and beg for analysis. Or maybe this wider focus is connected to the firmly if mildly socialist perspective of even the most conservative Scandinavian governments, a view in which individual behavior contributes to or detracts from the public welfare. Possibly the dark, cold, long winters also have a role: With those extreme alternations between everlasting night and midnight sun, the Swedes, Danes, and Norwegians may be more likely than the rest of us to reflect on the role of environment in shaping character. The citizens of these countries also seem unusually alert to their own national pasts (unlike Americans, say, for whom the mid-twentieth-century is already History), and this in turn makes them more likely to seek cause and effect in these collective historical influences. In any event, what all these factors add up to is a worldview that places the criminal at the center of a social web. This is not necessarily what makes Scandinavian mysteries addictive—that can probably be attributed to the typical thriller qualities of suspense and surprise—but it is what makes them remarkably satisfying.

She goes on to discuss the Harry Hole series and concludes that while his latest novels are compelling and fun, they are more focused on furiously-paced fun than on developing a solid story. Commenting on The Leopard, Lasser speculates that Hole’s multiple near-death experiences bespeak the author’s wish to kill him off, and “the increasingly ludicrous violence makes the plot seem like something made for TV.”

I haven’t read The Leopard yet, but I tend to see the same trajectory, finding both The Devil’s Star and The Snowman as less rewarding than the earlier books in the series, though it seems a large number of readers feel the opposite and enjoy the recent books the most.

Metro has a short interview with Henning Mankell; the most interesting bit is that he once lived in an unfurnished flat and sat on the floor, using his oven door as a desk (and the oven light as a desk lamp); that’s rather clever. Ikea should look into it.

Rick Salutin of the Toronto Star thinks about Canadian politics from a Scandinavian crime perspective – seeing a willingness to examine society, not just individual culpability.

Norm considers the features of a newly-named species, the Scandi-book fan, of the genus Chattering Classes.

The Hollywood Reporter covers the presence of three directors from Nordic countries at the Cannes film festival – all with films in non-Nordic languages. It’s not just book labels touting the Next Stieg Larsson: “Post-Millennium, everyone is hunting for the next big Nordic crime franchise.” Oh dear.

Pan Macmillan has bought rights to a novelization of the popular television series, The Killing.

And speaking of Denmark, the Copenhagen Post has a profile of several Danish writers whose work will be released in the US this year – Jussi Adler-Olsen (whose Department Q kick-off will be called The Keeper of Lost Causes in the U.S. instead of the British title Mercy; it will appear in the US in August), Sara Blædel (Call Me Princess, also in August) and the co-authors Lene Kaaberbøl and Agnete Friis (The Boy in the Suitcase, to be released in November).

Sarah Weinman has written a surprising and rather scandalous profile of Niclas Salomonsson, the incredibly young agent to most of the biggest names in Scandinavian crime fiction. Like the sordid family squabble over Stieg Larsson’s fortune, it seems particularly shocking for Sweden. You couldn’t make this stuff up – though many of his clients do something fairly close.

Rants and Reviews – a Roundup

It has been a while since I posted links – so apologies that some of these are a bit stale.

Rohan Maitzen does such a good job of rounding up reviews and criticism on “Sheer Mistery: Mankell and Scandinavian Noir” that you should go right to her blog and enjoy how she pulls it all together. Cheers! See you later!

If you’ve decide to stick around or have come back, there’s an interview with Henning Mankell at the Globe and Mail talking about The Troubled Man and the author’s own feelings about Kurt Wallander.

Kenneth Turan at the Chicago Tribune reviews The Troubled Man and the entire Wallander series, calling the final volume “a work of genuine heft and substance, a melancholy, elegiac book that is thoughtful and perceptive about memory, regret and the unfathomability of human nature.”

Norm reviews it too, and thinks it’s awfully depressing (though he’s much less snarky about it than The Guardian’s reviewer).

Peter at Scandinavian Crime Fiction points to some nifty video offerings. If you missed BBC’s Nordic Noir documentary on Time Shift, someone has uploaded that and an excerpt focused on Sjowall and Wahloo to YouTube (though the upload was not, apparently, made by Auntie Beeb herself).

Janet Rudolph of Mystery Readers International and Mystery Readers Journal muses over the history of Norway’s tradition of using the Easter holiday to read crime fiction – paasekrim.

The indispensable Euro Crime has reviews of Hakan Nesser’s The Inspector and Silence and Yrsa Sigurdardottir’s Ashes to Dust.

The Seattle P.I. heads up a group of reviews with Jo Nesbo’s The Snowman.

Nesbo’s Nemesis  is reviewed at the Hersilia Press blog.

Bernadette reacts to reading Box 21 by Roslund and Hellstrom. It’s a stellar review, which I won’t try to recap here. Go read it. Cheers! See you later!

Oh, you’re back? Well, then, Kerrie in Paradise praises Danish author Jussi Adler-Olsen’s first book in the Department Q series to be translated into English, The Keeper of Lost Causes (titled Mercy in the US and UK).  Dorte also gives it a thumbs-up. So does The Bookbag and Shade Point (which imagines there must be a secret installation where Scandinavian crime is created and perfected somewhere outside Bergen). I’ve just finished reading it myself, and will be writing a review before long.

Deon Meyer makes a “bold claim” that Johan Theorin is better writer than Stieg Larsson or Henning Mankell. If I were a betting woman, I’d put odds on Theorin, myself, but then, good writing and popularity have never been tightly correlated.

Glenn Harper reviews Jan Costin Wagner’s Finnish-set novel Silence, a follow-up to Ice Moon. A third in the series is apparently due out soon.

Jo Nesbo is not unsurprisingly a little tired of being called “the next Stieg Larsson” but has lots of interesting things to say in a Washington Post interview.

Nancy O thinks Nesbo’s The Snowman is terrific, and recommends enjoying the series in order.

Keishon also recommends reading it in order and points us to a Wall Street Journal profile in which the Norwegian author again denies being Stieg Larsson’s twin. I’m also reminded by the fact that in the years between the UK publication of Devil’s Star and the US, our copy lived in our interlibrary loan office – it was constantly in demand. Frustrating when publication dates are so spread out.

Keishon also has a positive review of Asa Larsson’s Sunstorm.

Jose Ignacio Escribano has some reservations about The Leopard, but still finds it worth reading, though not as top-notch as other books in the series.

Mrs. Peabody reviews Mankell’s The Man from Beijing and particularly enjoys the strong female characters if not every element of the sprawling plot.

David Wright offers a quiz – which is the name of a writer, which an IKEA furnishing? – at the Seattle Public Library’s blog, Shelf Talk. (Readers of this blog would ace the test.)

Keishon wonders if the comparisons will ever cease. Norm wonders, too, and has a hilarious take on the “next Stieg Larsson” nonsense, writing “I was very relieved to discover that the Royal Wedding dress did not have a marketing sticker on it that said ‘The Next Princess Diana’.”

notes from the “stormakstiden”

The dust is just starting to settle on the whirlwind that is the semester’s start, so am taking a deep breath and combing through my alerts and blog feeds to see what I’ve been missing . . .

Quite a lot!

Ali Karim has a two part interview with Swedish authors Anders Rosland and Börge Hellström at The Rap Sheet – part one and part two. They have this to say about the climate for the genre:

Swedish publishers have for many years nurtured and treated crime fiction as a strong, independent genre … We share this ethos that the crime-fiction genre is not just “pulp.” The best crime fiction’s duty is to entertain and tell a good story, but [it should also be] imbued with knowledge and question what we see around us.

Writing crime fiction is something that we take very seriously and put our whole hearts into; it is, and should be, just as difficult and demanding as writing any other kind of novel … And when you see it like that, and those around you recognize that genre fiction is as relevant (and important) as literary fiction, then good results are entirely possible. And of course it helps that as Scandinavians, we have so much darkness, so many long dark nights, snow and cold, lack of daylight, that actually the environment is conducive to crime fiction.

In Publishing Perpectives, Lasse Winkler offers an appreciation of how Stieg Larsson’s success has provided entree to US markets for Swedish genre writers and mentions how much Swedish publishers are culling their lists, publishing more domestic crime fiction and less in translation.

Norm (aka Uriah) reckons this might just be a “stormakstiden” – a golden age for crime fiction that we might in future find dominated by Scandinavian authors.

The British version of Wallander is running in its second season on PBS in the US, and I am woefully late in letting folks know. Janet Rudolph was not so tardy in her appreciation. Kenneth Branagh speaks about his role in an interview.  Keep watching Sunday evenings between October 3 – October 17.

Bernadette has finished the Scandinavian crime fiction challenge launched by Black Sheep Dancing, and has a handy set of links to her reviews, the most recent of which is of Jo Nesbo’s The Redbreast.

Geoffrey McNab interviews Henning Mankell for the Dublin Herald.

An interview with Camilla Lackberg is available at the Explore West Sweden blog. (And oh, yes, I would like to explore west Sweden.)

Glenn Harper reviews the television version of the Irene Huss series by Helene Tursten – and in the comments, there is the very good news that Soho will be publishing more of the series – yippee!

And on to reviews:

Maxine reviews Silence by Jan Costin Wagner, a German writer who lives and writes about Finland. She finds it “quietly compelling” and helpfully links to reviews by Karen Meek at Euro Crime and Norm at Crime Scraps.

Bookaholic of the Boston Book Bums reviews Yrsa Sigurdardottir’s Last Rituals, “a quick read that blended the macabre with the academic.”

Martin Shaw, a bookseller in Australia, reviews Anders Rosland and Börge Hellström’s Three Seconds and calls it “stellar.”

Karen Meek reviews Postcard Killers, the collaboration between James Patterson and Liza Marklund, which has the trademarked pace uninterrupted by social commentary or much about Sweden that couldn’t fit on a . . . well, a postcard.

Carly Waito has good things to say about Maj Sjöwall and Per Wahlöö’s Martin Beck series and has a lovely photo of them, too.

Karen Russell of How Mysterious! reviews Karin Fossum’s Don’t Look Back, which she decided would be the first of many Fossums she would like to read.

Peter reviews Camilla Ceder’s Frozen Moment, which he thinks shows promise.

Now I feel a bit caught up; if I can just find a moment to read . . .