More Reviews and Some New Writers on the Scene

Jan Wallentin is a newly translated author who undergoes torture at the Guardian where reviewer John O’Connell describes Strindberg’s Star (published in 2010 and apparently popular in Europe) as “post-Da Vinci Code assemblage of ancient artefacts, Norse myth, nazism, travelogue and secret societies.” He  finds the characters “almost as preposterous as the plot” and he’s not enthusiastic about the translation, either.

The site Crime Fiction Lover lives up to its name by loving it, however, saying it’s dark, unsettling, and compelling.

Glenn Harper reviews Ake Edwardson’s Sail of Stone and does a remarkable job of describing why he likes this author’s style so much. Since I have always had trouble describing Edwardson’s very particular style, I can’t resist quoting him:

The two stories hardly seem weighty enough for a crime novel, despite the considerable parallels between them, but in Edwardsson’s hands there is considerable tension and forward motion, as well as a pair of unconventional climaxes. A good deal of the novel is carried forward in oblique dialogue that’s frequently comic in its indirectness. Along the way there’s considerable discussion of music (Erik is a jazz fanatic who doesn’t care about any other music, while the other detectives have their own soundtracks) and vivid evocations of Göteborg/Gothenburg in Sweden and Scotland from Aberdeen to Inverness. We also get lively glimpses of Erik’s and Aneta’s private lives, without descending into soap opera.

Edwardsson is one of the best writers in the Swedish crime wave.

And I will add that Harper is one of the best reviewers.

He’s been quicker than I am to review one of the new Stockholm Text books, Anna Jansson’s Killer’s Island. He wasn’t taken with the writing style, but found it improved as the book went on. It has the same setting as Mari Jungstedt’s series and a preoccupation with personal lives of the characters that reminds him of Camilla Lackberg. He recommends the television series based on these books if you are lucky enough to catch it .

Philip at To Be Read … reviews one of my TBR books, The Murder of Halland by Danish author Pia Juul. Though it is fiction that includes a crime, he wonders whether it’s a mistake to consider it crime fiction as it is circuitous and more of a literary approach to a woman’s trauma than the sort of plot-oriented investigation crime fiction fans anticipate. I guess I will find out in due course how I come down on this issue. The review itself is intriguing, so I hope to enjoy an intriguing novel, whatever its genre.

He also reviews Stefan Tegenfalk’s Anger Mode, which sounds like a great deal of intelligent fun.

Bill Selnes reviews Helene Tursten’s Detective Inspector Huss at Mysteries and More and is eager to read more in the series. (So am I!)

Norm at Crimescraps enjoyed Jo Nesbo’sPhantom, but thinks (having set himself a very high bar) it’s not the author’s best. It does sound like quite a detailed ethnography of drug addition in a large European city, as well the development of Harry Hole’s paternal side.

He also reviews Hakan Nesser’s Hour of the Wolf, a Van Veeteren series book that won the Glass Key in 2000. He recommends it highly. Jose Ignacio also gives it high marks at The Game’s Afoot. Even though I’ve not yet read this book, I wholeheartedly agree with one line of the review: “Reading becomes an addiction.”

Margot Kinberg puts Camilla Lackberg’s The Ice Princess under the spotlight – particularly focusing on the small town setting and how that affects the story.

W. J. H. Read reviews Lief G. W. Persson’s Another Life, Another Time at I Love a Mystery, saying it is “compelling, suspenseful and at times very funny,” recommending it highly. In general, this seems to be a more accessible book than the first in the series. It also confirms that the author likes long titles.

Fleur Fisher (aka Jane) thought very highly of the book, and does an excellent job of explaining why, summing up by saying “I was impressed by the tightness of the plotting, and that though the story was complex it was not at all difficult to follow … I was held from beginning to end, by a very capable piece of crime writing, set in a very real and wonderfully evoked world.”

Kimbofo is favorably inclined toward Arnaldur Indridason’s Outrage, finding the focus on Elinborg rather than the usual protagonist, Erlendur, more pleasing than she expected and pointing out that it wouldn’t be a bad place for readers new to the series to start. Maxine in the comments points out that the next in the series, Black Skies, takes place during the same period of time and focuses on Sigurder Oli who makes a more interesting protagonist than expected.

Book Geeks reviews Yrsa Sigurdardottir’s The Day is Dark, finding it solid, but not exceptional, with many interesting features but pacing that is . . . oh, no, I feel a terrible pun coming on, given it’s largely set in Greenland. Never mind.

In the most recent issue of Swedish Book Review, Paul O’Mahoney offers a translated snippet from Kjell Westo’s novel, Don’t Go Out Alone Into the Night. Westo is known to crime fiction readers as the author of the psychologically suspenseful novel Lang. This issue also reviews new fiction in Swedish, including a novel by Johann Theorin, Sankta Psycho, that is not set on the island of Oland, but rather takes place in a psychiatric facility connected to a preschool (!). Marlaine Delargy is translating this book which will be titled in English, The Asylum.

If you’d like to learn more about Eva Gabrielsson’s relationship with Stieg Larsson, she was interviewed on WHYY’s Fresh Air program. I realize many of you would prefer not to.

Mrs. Peabody investigates Harri Nykanen’s Nights of Awe. She wasn’t all that impressed by the convoluted plot, but really liked the way the Jewish-Finnish lead character was developed.

Sarah at Crime Pieces reviews Asa Larsson’s The Black Path, which (confusingly) has just been published in the UK, though it precedes Until Thy Wrath be Past.  She feels it’s quite good, but the backstory gets rather heavy-handed and the ending “out of proportion with the rest of the narrative,” which means our feelings are practically identical. I do like this series, though, even when it’s not at its top form.

She also has an excellent essay on how the Sjowall and Wahloo novel The Man on the Balcony and Marco Vichi’s Death and the Olive Grove manage to deal with a difficult topic – abuse and murder of children – without the usual missteps, but rather with insight and understated respect.

And carrying on with Scandinavian crime, she reviews Thomas Enger’s Burned, which she picked up after hearing the author speak at CrimeFest. She thought it was very good, particularly for its depiction of the non-stop contemporary news business. (I liked that part, too.)

Good grief. The New York Times has had some silly ledes lately (“Men invented the internet” for example, “Men with pocket protectors” and with powers that make them invisible to fact checkers and skeptical editors) but it’s nevertheless a bit embarrassing to have them tell us “Norway has Noir” as if it’s, you know, news or something. Jo Nesbo spoke at Book Expo America. He was pretty funny, according to my Twitter informants. The Gray Lady should perhaps pay more attention.

Kerrie reviews Johan Theorin’s The Quarry, which she gave high marks. (I did, too.) Another book she has reviewed recently is Next of Kin by Danish author Elsabeth Egholm, whose sleuth is a journalist. Kerrie recommends it as a good read.

Mons Kallentoft’s second book in English, Summertime Death, gets Sarah’s attention at Crimepieces. She praises his writing style and found most of the book well-paced, except toward the end. It sounds a bit “once more with feeling” but still a good one – though Sarah hopes he’ll try for more variety in future books. The book is also reviewed favorably in the New Zealand Listener, where Bernard Carpinter declares it “complex and excellent.”

Kerrie adds another thumbs up to the general praise for Jorn Lier Horst’s Norwegian police procedural,Dregs. How about translations of the entire series? And a US release, while I’m being demanding? She had a bit of trouble getting into Anne Holt’s The Final Murder, but once into the swing of things enjoyed the Stubo/Vik story. Incidentally, Holt’s 1222 has just been nominated for a Macavity award, with the winners to be announced at Bouchercon this coming October.

Speaking of CrimeFest, Karen of Euro Crime did some wonderful on-the-fly reporting, including a detailed report from Death in a Cold Climate – a panel moderated by Barry Forshaw featuring Asa Larsson, Thomas Enger, Ragnar Jonasson (sadly, not yet translated into English), and Gunnar Staalesen, as well as Roslund and Hellstrom interviewed by Janet Laurence.

I should take this opportunity to thank Karen and her partners in crime reviewing. The Euro Crime site now has 2,303 reviews, bibliographies for 1,793 authors, and information about close to 10,000 books. That’s an awesome achievement, and all done for love.

so many books, must make time

Peter, as usual, is ahead of the game and gives us an early glimpse of the fifth book in Camilla Lackberg’s series, The Hidden Child, which takes a look at wartime secrets and makes the pages turn quickly.

He also catches us up with Norwegian author Thomas Enger and his new book, Burned, which he finds fascinating, convoluted, and with a terrific ending.

Ben Martin at the Advocate has some stern things to say about crime fiction that is stooping too low – he’s quite cross about Lars Kepler’s The Hypnotist and Jo Nesbo’s The Snowman.

What made Mankell and Larsson so compelling was the determination by their protagonists to master the evil. Without this moral dimension, such tales are merely horrific. . . .

The Hypnotist, by a Swedish couple writing under the pseudonym Lars Kepler, is a repellent book. Its special nightmare quality is the involvement of children in crimes of murder, kidnapping, rape and mutilation, either as victims or perpetrators. . . .

Jo Nesbo’s The Snowman, inspires similar dread . . . As the chapters proceed, the means of death grow more gruesome, the motives more obscene.

But he praises Hakan Nesser and especially Arne Dahl, whose Misterioso is finally going to be available in English. He says is “truly fine” and the first translation in a series that is a worthy successor to Mankell’s Kurt Wallander series.

Lucky Bernadette has already read Johann Theorin’s The Quarry, which is set on his favorite island, this time in the spring. She writes:

As has been the case with the previous two novels of this series I was once again enveloped by the atmosphere Theroin, ably aided by his translator Marlaine Delargy, has created here. It didn’t feel like I was just reading about the island’s slow awakening from it’s harsh winter to spring: I lived through the lengthening days, the appearance of the first butterflies, the people getting to know each other and themselves. I loved every moment of this book from its first word to its excellent closing line.

As these are seasonal books, and we’ve had three, I’m afraid we have only one more left.

Keishon, the avid mystery reader/blogger, thinks highly of Theorin’s Echoes from the Dead, saying, “I always find myself thoroughly immersed in his stories. To me Johan Theorin is a natural-born storyteller whose novels are often described as “chilling” and “atmospheric.” He has a strong authorial ‘voice.'” She also does her part to combat grade inflation, causing a bit of controversy.

Maxine Clarke reviews Arnaldur Indridason’s Outrage at Euro Crime; this ninth volume in the Erlendur series is much more about his colleague, Elinborg, who investigates a murder the old-fashioned way, teasing out every clue and learning as much as possible about the victim. As Maxine points out, procedurals that avoid technical gee-wizardry are less likely to date themselves. All around, a good mystery, though the who dunnit aspect is less successful than the overall depiction of an investigation and the people involved in it.

Peter Rozovsky reviews a dark and violent crime story – Harald’s Saga, one of those early Icelandic thrillers that (along with Ed McBain) influenced Arnaldur Indridason’s style.

In the Wall Street Journal, Tom Nolan reviews The Hypnotist, finding it (appropriately) mesmerizing and (perhaps less appropriately) grisly. Though, he concludes, when you live in the wild north “sometimes you need an ax.”

Norm reviews Camilla Ceder’s Frozen Moment at Crime Scraps and wonders if mysteries today aren’t indulging in a bit too much backstory. If the review had to be summarized in one syllable, it might be “m’eh.” Meanwhile, update your RSS feeds, as Crime Scraps has finalized its divorce from Blogger.

Elaine Simpson-Long, Opera Lover, also loves Henning Mankell’s elegaic coda for the Kurt Wallander series, The Troubled Man, though she’s sorry it’s the last one.

I find when reading Mankell’s books that the narrative style and flow is very even and balanced, no sharp, short sentences or any breaks.   The reader is gently taken along and after a while it is almost a soothing experience to read this author and this ebb and flow reflects the character of Kurt Wallander himself, it is almost hypnotic . . . A thoughtful quiet read and well worth it.

BBC’s World Book Club offers a lengthy and informative interview with Henning Mankell. Hat tip to Mediations for the link.

The Material Witness reviews Sofi Oksanen’s Purge and gives it high marks for psychological stealth and subtlety. For some reason, I hadn’t realized she’s Finnish, so belongs here (though the setting is Estonia, and there is some dispute over whether this book can properly be called crime fiction).

Barry Forshaw has a lengthy and interesting essay in The Independent  about Norwegian crime writers and their thoughts about the genre, making a brief stop on his way to publishing a book on Scandinavian crime fiction to be titled Death in a Cold Climate. Peter Rozovsky writes about it at his blog with a pun clever enough to cause toothache.

And if you haven’t had your fill of The Girl, Variety has an article about David Fincher’s US remake of the Millennium Trilogy films; all the Swedes interviewed seem to be pleased with it, where apparently Fincher has fans. They are also relieved that it hasn’t been moved from Sweden to a US setting or filmed on location in the nearest Ikea store to Hollywood.

Hang onto your wallets: the tireless sleuth, Karen Meek, has uncovered new publications coming out in August in both the UK and US markets, including some newcomers to English translation: Norwegian Jørn Lier Horst, Swedish Stefan Tegenfalk, and Finnish Monika Fagerholm (who has one other book that has been translated into English previously).