Peter Rozovsky connects the dots between John Connelly, James Lee Burke, and Arnaldur Indridason, then collects some suggestions for writers who evoke a strong sense of place.
Norm (aka Uriah) has some fascinating things to say about Leif G.W. Persson’s massive novel, Between Summer’s Longing and Winter’s End. I am grateful to him for reading and analyzing the good points and the bad in his review (because I gave up on it, but am still very curious about it -tack så mycket.)
Glenn Harper thinks Ake Edwardson’s The Shadow Woman is a terrific novel. I agree – though it’s slow and circular and I’m not crazy about Winter as a character, I though it was thought-provoking. Glenn does have a plot point quibble, but his overall verdict is positive.
Two books about Stieg Larsson are reviewed in Ireland’s The Post. The reviewer finds Kurdo Baksi’s memoir self-serving and not particularly kind to Larsson; but she gives Afterword, a collection of essays by fellow journalists that is included in the new boxed set of the Millennium Trilogy, high marks.
Captain April reviews The Girl Who Kicked the Hornet’s Nest. One of the things she liked about it was that she wasn’t sure whether it would have a happy ending or not – and she wasn’t sure what sort of ending she would prefer. She also finds Salander fascinating and likes her working partnership with Blomqvist.
And Norm (aka Uriah) is reading Liza Marklund’s Red Wolf and making it sound very tempting indeed. Apparently both this book and to some extent Mankell’s The Man from Beijing deal with the fling that Westerners have had with extreme ideologies. There’s also a bit about the Swedish covers that is interesting. (Is that really the author on the covers? Yes, she is attractive, but appearing as part of your books seems a peculiar mix of postmodernism and merely modern branding.)